A Tie-Sleeve Top to Cheer Up My Mom

Our family have had a rough 2020, and my mom especially. We’ve had three family members die this year, and the enforced separation during these times makes the distance between us feel even greater. I feel thankful that I was able to fly over in February when my dad was in hospital (which actually feels like a lifetime ago), but it’s been impossible for a multitude of reasons to visit since then.

So I wanted to do what I can to both give her a boost, and to make the distance between us feel a little less severe. I’d sent over a few care packages full of face masks but as practical as they are, they’re not particularly cheery. Back in February I’d I made her (and myself) this tie-sleeved top from the June 2019 Burda magazine, and she really loved that we had “twin shirts”. You can see more about the shape of the sleeve pieces and the general construction notes in this post, so I won’t repeat it here. She really loved that one so much that she picked out some fabric at JoAnn for another version and I brought it home in my suitcase to sew up at some point.

What to sew when you have no mojo

As I mentioned before, I lost my sewing mojo at the end of summer and start of fall. Usually around this time I’d be buzzing with ideas for new, colder weather sewing projects – coats! sweaters! warm running and cycling gear! party dresses! But with shielding continuing long throughout the winter, I literally have no need of any of those things, and my wardrobe is already bursting with clothes (I literally don’t need any more clothes).

Happy 2020! (My year in review)

Happy new year! I always like to take the opportunity on the start of a bright new year to look back on the year that was – what I made and loved, what I made and swore at, and other big life milestones that will make 2019 stand out in my mind. And because I love stats, I also like to take a step back and get an overview of what I’ve been making to get an eye for any trends that may have escaped me at the time…

A sequin party top

About three or four years ago when I was in Ditto’s shop in Brighton, I bought a remnant of matte silver sequin fabric. And for the intervening years, it sat in my stash, as every year I somehow missed sewing it up for “sequin season” so it stayed there for another year…

But not this year! This year I was determined to make something with it and started looking for a basic tank with minimal lines that could let the sequins shine. It turns out I’ve had the perfect pattern for even longer than the fabric and hadn’t realised it – Colette’s free Sorbetto top pattern (which was revamped a few years after its original release, if you weren’t aware). I’ve made the older version a few times, always without that central pleat (ugh), and it turned out to fit nicely into the scant metre of fabric in the remnant.

A reflective wool jacket

Buckle up, because the story of this jacket starts four years when I received a remnant of Dashing Tweeds “Urban Shadow” tartan coating from a friend for Christmas. Now, if you’re not familiar with Dashing Tweeds, they’re a really cool company who’ve revived old tartan and twill patterns and modernised them with great colours and even some reflective threads woven in. The remnant I received was one of these “Lumatwill” designs, and has reflective threads running along all the horizontal yellow lines in the design.

Big Sleeve Energy – A yellow ramie Cielo Top

I was instantly drawn to the lantern sleeves on the Closet Case Patterns Cielo Top when they released it as part of their Rome Collection earlier this year, and specifically to the top as I tend to wear separates a lot more often than dresses. But I wasn’t really that into the samples they made using drapey fabrics – as soon as I saw the tech drawing I knew I wanted to make it in a more structured fabric to really draw attention to those sleeves and let them stand up on their own rather than have a more 70s bell-sleeve vibe.

Rouleur Leggings – in sequins, cats, and rainbows!

The problem with taking so long to develop each sewing pattern is that I end up making so many lovely versions that I can’t show you until months after I’ve made them! But it does mean that after a pattern is released, you get a glut of finished makes from me…

Today I want to show you three different versions of the Rouleur Leggings that I made for myself. I made TONS more to test the seaming, and fit, and how they performed on the bike and out on runs, but usually the bulk of these were made from cheap, stretchy fabric and I inevitably ended up drawing all over them in marker pen to annotate what changes I wanted to make. But these three were sewn more as samples than muslins, so I’m happy to share them with the world!

A three-piece rainbow RideLondon 100 cycling set

Strap in, because this is an epic post for three finished garments and a 100 mile cycle ride!

When I bought the recycled sunburst print activewear fabric from Sew Dynamic back in May, I knew I wanted to make an outfit for RideLondon 100 using it. It’s a brilliant activewear fabric made from recycled plastic bottles that’s got great stretch and recovery, totally opaque when stretched, and with a really vibrant colour pop. But the digitally printed colour bursts run down the length of the fabric – not quite a border print as they’re placed about a third of the width in, but certainly something that I’d need to really pay attention to when cutting out my fabric.

A mustard Saraste shirtdress

I’ve been wanting to make the Saraste shirtdress from the Named book, “Breaking the Pattern” ever since I first saw it at their UK launch party. It comes in three different views in the book: as a princess-seam blouse with ruffles, a button-down shirt with shoulder cutouts, and as a shirtdress with ruffled collar. I ended up making the shirtdress, but added in the shoulder cutouts for some extra interest, too.