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A bit of everything

Housekeeping time! I’ve got lots of little bits to update you on, either with my in-progress project, upcoming things, or small projects I managed to gloss over at the time…

So in no particular order:

My purple coat

Progress is slow on my purple jacket/coat from the Winter 2011 MyImage magazine, not because of anything to do with the coat, but because life keeps getting in the way. I’ve finished the shell and I’m onto the lining now, so I’ve just got to finish constructing the lining, attach the two together, flip, and sew the buttonholes.

I’d prefer to do the buttonholes on my vintage buttonholer attachment, but the templates I have aren’t big enough for my enormous (2.5 inch?) buttons. Anyone know a clean way around this? Can I set the buttonholer to do double-length holes somehow?

In any case, I should be able to finish this coat this weekend and (hopefully) get a photoshoot in. Not long now before I can do evenings photos again – it’s already light out when I go running before work!

Gift update

My go-to baby gift is to sew a changing mat, with a hand towel on one side, and nice fabric on the other with big, deep pockets and ties to fold it all up. I had two baby boys arrive in January, so both sets of parents got changing mats with this awesome Alexander Henry vintage robot fabric. 1 meter of it wasn’t quite enough to stretch to the pockets, too, so I filled in with some scrap denim.

The Pattern Magic 2 course at Morley College

This weekend was my eagerly-awaited “Creative Pattern Cutting 2” course at Morley College in London, which was a two day class based entirely on the second “Pattern Magic” book. I’ve owned the Pattern Magic books for a while, but I’ve only tried one design (with discouraging results), so I was really excited to have the opportunity to explore them further.

I’d have no idea this course was even offered if it wasn’t for Tracy blogging about attending the course on the first book, either. So a big THANK YOU to her for bringing it to wider attention!

And seriously, this course was FANTASTIC! The tutor, Moni, was simply amazing, I can’t say enough good things about her – she does a lot of other Fashion/Sewing courses at Morley and I’d sign up for one of her other classes in a heartbeat (and I see she’s doing one on the Colette Wolf book “The Art Manipulating Fabric” soon, too, which sounds very cool)!

The facilities at Morley were great, too – lots of room to spread out, domestic Berninas and ironing stations, plenty of cross paper and cheap calico/muslin, and it was super easy for me to get to, and easy walking distance from Waterloo Station and surrounded by great pubs for lunch, too. It really was jawdropping that the whole weekend course only cost £48, especially when you consider most sewing courses in London are a) on the same old three dull topics over and over again and b) usually in the range of £300-400!

Believe it or not, this was also my first “formal” training ever in sewing!

We ended up with only eight students in the class so we all got a lot of individual help, which was great. I never really felt like there was any point where I was struggling and I couldn’t ask the tutor – she really did a fantastic job at spreading her time evenly amongst us. We also got to choose which projects we wanted to work on, which was ideal because it meant there wasn’t the usual classroom thing where some people were too fast and others too slow, etc. All the students there was really sharp with their sewing and drafting so I think everyone got a lot out of the class, too.

My BurdaStyle Book contributor experience

This is a mirrored post to my spotlight on the BurdaStyle blog. I wrote about my experience back in September before the book came out!

When I heard there was a BurdaStyle book planned, I just knew I wanted to be a part of it! I had been a beta tester for BurdaStyle before the site ever even launched, and I’ve always felt that it was such a great resource for encouraging more people to sew and be creative and share ideas.

So last year I expressed my interest to be a contributor, and I was invited to submit some ideas for pattern alterations on two patterns for the book. I sat down with the details for the dress and coat patterns and just brainstormed for a week, drawing up loads and loads of ways I could take those basic patterns and morph them into something totally new. Some ideas were simple like, What if I lost the coat sleeves, shortened it at the waist and made it in fur? Or, What if I added sleeves to the dress, lengthened the centre front and made it a wrap dress? Eventually I paired down my sketches to about eight and submitted them for consideration.

I wasn’t really expecting any of my submissions to be picked for the book (my drawing skills have gone way downhill since high school art classes!), so I was ecstatic to learn that not only was I picked to be a contributor, but my dress variation was picked to be one of only two dress pattern variations in the entire book! Then it dawned on me that the tight deadlines would coincide with the few months I needed to sew my wedding gown! So I did some hardcore time management and set aside the better part of a month last summer to document my pattern alteration, write the new sewing instructions and sew up the sample for the book, PLUS get it sent off and done before the deadline!

Sewing Christmas Gifts

I know this is sure to shock you (ha!), but I received a fair few sewing-related Christmas gifts this year…

The Colette Sewing Handbook – I’ve only cracked the surface of the content here, but I love it already. It’s so comprehensive and ends up being greats for beginners as well as old hats like me. And how chuffed was I to see FehrTrade.com in the Recommended Reading List??

I received a slew of novels and cookbooks from my WishList, amoungst those were the sewing-related novels Pleating for Mercy and The Seamstress of Hollywood Boulevard. I’m just hoping they’re better written than Laura’s Handmade Life, which I struggled to even finish earlier this year and is now on the charity shop pile (god knows why it has so many 5 star reviews on Amazon – it was so bad it was almost insulting)…

I also received a really cute ModCloth spool headphone keeper – it’s made of silicone to look like an oversized thread spool, but to keep your headphones tidy (my earbuds are tucked inside).

Piling up…

The number of posts I want to write is piling up at an alarming rate, and I have no time to do anything about it, what with work being crazy busy (I hate all of you who get tons of time off at Christmas – I only get 3 days off in total! And my days have mostly been solving one problem, and having five new problems pour in while I was fixing the one, then moving on to the next in a To-Do list which never, ever gets cleared.) and us spending all our weekends working on the boat (last weekend we spent 15 hours building the subfloor down there. No, don’t feel jealous – the boat blog is being neglected, too).

So rather than stress about the amount of things piling up, I’m going to present my pile to you in pictorial form.


This is what James’s desk looked like this morning. It’s supposed to be my temporary cutting table while we’re building in the hold. How can I possibly cut the bias Ruby Slip or Holly’s maxi-dress fabric on this?? I’m pretty sure Bosco isn’t responsible, though he does look a bit shifty there…


I finished my vintage midi skirt ages ago, but have had zero time to document, or photoshoot or anything. So here’s two photos to test the hem length (which is why it’s just basted here)


I sewed a little waistcoat for James’s nephew out of this Tardamask fabric on Spoonflower. It’s got hidden pockets inside! He’s 7, and the biggest Dr Who fan ever, so we’re excited to see his reaction on Christmas.

Recent gifts

My first gift is a very special one, because it’s from all of you!

I recently received a Google Adsense payment, and I always try to spend these exclusively on sewing supplies to feed back into this site. The last payment bought me four Patrones issues and some Spoonflower knits, for example! But I’m trying to pare down my fabric to fit in my tiny sewing room, and I already have more patterns than I can sew, so I thought I’d spend the windfall on some really nice interfacings from Fashion Sewing Supply!

You bought me:

  • 2 yards Pro-Weft fusible interfacing, Natural
  • 2 yards Pro-Weft fusible interfacing, Black
  • 2 yards Pro-Tailor Deluxe fusible Interfacing, Dark Grey
  • 2 yards Pro-Woven Fusible Interfacing, White
  • 2 yards Pro-Woven Fusible Interfacing, Black

This should be enough to keep me in interfacing for a year years, and this stuff just feels incredible – the Pro-Tailor stuff especially feels so silky soft! I can’t wait to try this stuff out…

For my birthday, I received some sewing books that I requested!

Bridal Bodice Neckline – opinions needed!

I am very happy to report that my dress for the BurdaStyle book is completely, 100% finished, packed up in an airtight bag and ready to be FedExed this week. HOORAY!

I’m afraid that’s all you get to see until next year, to. Boo.

But it means I can now devote ALL of my sewing time to my wedding gown. So the first step is to attack the muslin. I’ve marked my waistline in green, and the possible boning positions in blue. Once I marked my waistline I realised exactly how short the bodice is so I’m elongating it all by an inch so the back and sides aren’t ending exactly at my waist. My waist is an inch higher than the standard measurements anyway so I think this alteration will help (note: I’m not short-waisted. My bust-hip measurement is standard, my waist is just shifted up a tad).

But I really, really need your help choosing the right neckline for this gown!!

Bridal planning update

Apologies but this is a bit of a “brain dump” post as I’m understandably a bit frazzled right now, with the BurdaStyle book deadline looming on top of wedding planning and everything else I seem to list every time I post (ahh, just thinking about it is starting to stress me out, sorry!).

So I haven’t done much tangible work on my gown since I last updated because I’ve been focusing on getting the BS book dress done since it has a more immediate deadline, but I’ve been doing lots of mental sewing on the gown. Which, you’ll remember, is half the battle for me. So I took an evening out to read (really read and digest!) through “Bridal Couture” by Susan Khalje and the OOP Palmer/Pletsch “Bridal Gowns—How to Make the Wedding Dress of Your Dreams” book (the former being way way more useful than the latter IMHO). I placed copious amounts of Post-It notes sticking out the edges at places I want to refer back to later.

I’m also really glad I ended up taking that PR online Underlining class a few months ago now!! Though I just looked to see if I could link to the Underlining class somehow, and I noticed Susan Khalje herself is teaching a “Wedding Gowns 101” class starting Aug 15. If it were a few months earlier, I’d have jumped all over it, but you need time to devote to the classes most evenings and I’ll need all the time I can get to work on my gown!

After reading through the two books I had everything mostly straight in my head about this dress, but the boning placement still puzzled me because my pattern doesn’t have any obvious vertical seaming to place the boning along, and all three examples in Bridal Couture had some sort of princess seaming. Luckily for me, it was easily solved on the PR messageboard and by this Susan Khalje article, so I’ve got a full gameplan in my head now for the dress!

Selvedge Magazine

I’m glad so many of you have been enjoying my recent book reviews, but I’m sad to say this is my last for a while. Selvedge is technically a bimonthly magazine, but with the page count it’s really more of a mini-book, kinda how (no longer in print) Craft: magazine was.

But that’s where the similarity ends, because instead of a bunch of how-tos, Selvedge focuses on the celebration of fabric and textiles, with a bunch of really interesting articles. It’s total fabric porn, written and produced by a small band of dedicated enthusiasts, and I came away not only reading it cover-to-cover, but feeling like I’d learned so much from it. I honestly can’t remember the last time I read a sewing/craft/fabric magazine or any magazine for that matter cover-to-cover! This was like 3 weeks’ worth of breakfast reading!

My scanner really doesn’t do these pages justice since the page size is bigger than my scanner size so a lot of cropping had to take place. The pages are nice and thick and the ink SMELLS amazing, so with the artistic layout, it really does feel like a treat to read.

This issue I have here is about quilting, but each issue focuses on something different in the world of textiles (the next one is “the romance issue” with lots of wedding stuff, hooray!).

This feature was celebrating the crisp cleanness of White fabrics. “Life is not an egg and spoon race”, indeed.

Metric Pattern Cutting

It’s fitting that Neighbour Helen decided to buy me this book for my birthday, as she’s the one who got me interested in drafting recently, and she liked it so much she bought one for herself, too!

I’ve heard that this is one of the best pattern drafting books around (alongside the Armstrong book, but there’s a £60 price difference there, too!), and I can see why. It’s certainly not an easy book to get to grips with, but if you’re a visual learner like me, then you probably really only need the drawings to be getting on with anyway. The book is absolutely packed with different blocks and various sleeve, collar, skirt, dart, yoke, etc drafts, with precious little else included. It’s a book that doesn’t mess around and gets straight to the point, which is great as it doesn’t take up much space on the bookshelf, either (frankly, I’ve seen thicker magazines!!). There are no wasted pages here, and Winifred Aldrich certainly doesn’t mess around!