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The Tuxedo-Inspired Suit

If you’ve been following along, you’ll remember that my grandmother visited the Pendleton woollen mill in the 1960s and bought two 2 yard remnants of 100% wool navy blue suiting fabric for $6 each (so $12 total). In August, she gave these to me, saying she’d never got around to sewing up anything with them and she thought I’d make better use of it.

I’d already finished the jacket portion of this tuxedo-inspired suit (the show piece from my F/W 07 Collection), and you can see the first photoshoot of that here.

The trousers were far more straightforward than the jacket, however, so they didn’t take nearly as much time or seam ripping to complete! I wanted to tie together the satin accents of the two pieces so I opted to add a thin stripe of navy blue satin ribbon to the outside seams of each trouser leg, which I think gives a subtle sheen as I move. The integral belt/waistband of this pattern really evokes a sort of cummerbund, too, and raises this design above just a normal trouser suit.

Forty Year Wool Jacket

I’ve been working on the jacket portion of my tuxedo-inspired suit (the show piece from my F/W 07 Collection) for the better part of January now, and I finally finished it this week. I cut out the pieces for the trousers at the same time to ensure I had enough fabric for both (I do, with about a half yard left over!), but sewing both at once would’ve really just resulted in missing pieces!

The Pirate YARRty

Wow. After nearly two years, I finally finished my boyfriend’s black velvet pirate jacket. Lined with gold satin, with functional pockets, functional buttonholes, brass buttons, tons of interior pockets for his gadgets, and hidden pocket inside the cuff for his Oyster card. There was so much handstitching on this and velvet is such an jerk of a fabric that I seriously wasn’t sure I’d ever finish it. I had problems at pretty much every step of the way, the majority of which stemmed from the fact that you can’t iron velvet. At all. Made in a different fabric, with non-functioning costume parts as indicated on the pattern, this would be a fairly straightforward project.

But since he wanted silk velvet and satin and for everything to function, plus have pockets absolutely everywhere, combined with a hem a mile long, this turned into a complete nightmare of a jacket. The handstitching alone took more manhours than I actually want to think about without bursting into tears. I did manage to make one big mistake near the end, even though I was so careful to NOT do it in my planning. It would’ve been impossible to fix without a complete deconstruction (and stitching lines remain in velvet forever), so I just left it as is. See if you can tell what it is from the photos, and I’ll reveal all below…

Nearly there…

Remember that velvet pirate jacket I was working on, ooh, two years ago? Well, as much as I hate that thing and all of the fabric choices associated with it, I have been slogging through and doing a few things to it here and there over the past few months.

Hello, 'moto!

I downloaded this jacket pattern by designer Yohji Yamamoto a few years ago, but I never really got any further than that until I discovered a late-open Kinkos in central London that could large-format print the free pdf for me (because, frankly, I have better things to do with my time than print and tape together 54 sheets of A4 paper!). With the pattern in hand, it was only a matter of days before this jacket was keeping me warm.

This jacket is such an interesting design – it only has two pattern pieces, and can be worn two different ways. I’m actually not sure which way I prefer it, so I’ll let you all decide (leave a comment telling me which view you prefer!).

View A:

View B:

Velvet goldmine!

One of the nice things about buying tons of lush, black velvet for your boyfriend’s pirate coat is that you get to have your way with the leftover fabric! And if you’re a bit cheeky and insist that you’re going to be left out in the cold very soon because none of your other jackets fit anymore, then sometimes, sometimes, you can get away with making use of the scraps before the intended recipient of the fabric.

I made Jacket 101B from the 08/2006 issue of Burda World of Fashion magazine, which, if you’re not familiar, contains about 50 patterns in each magazine, ranging from incredibly fashion-forward to designs to some real “who in god’s name would wear THAT?” shockers. But overall, there’s at least a few things you’d make in each issue if you had enough time. August’s was a particularly good issue, but seeing as how my need for a jacket was the greatest, I tackled this first.

The pirate jacket

My boyfriend and I are currently saving up for the mortgage deposit to buy a boat (a huge barge, not a tiny narrow canal boat) to live on starting this winter. We don’t want your average housewarmi- sorry, boatwarming party, so we’ve already decided it’s going to be a full pirate fancy dress theme. And if you’re throwing a fancy dress party, you’ve got to be the best dressed ones there!

For him, I bought Simplicity 4923 and have very slowly started to make the jacket portion out of a gorgeously thick, black silk velvet I scored at Walthamstow Market for £3/mt (by rights, it should’ve been at least £20/mt). He picked out some very nice hemispherical antique brass buttons from MacCulloch & Wallis plus some dark gold braid for the accents.