Almost a year ago I saw and instantly fell in love with this Trina Turk capelet:
Around the same time, the lovely ladies at Go Patterns sent me their new capelet pattern, #2002 after I was so impressed with their little black dress pattern. Really, how nice of them!
Looking at the two together, I instantly saw the possibilities, but didn’t quite get around to finding the right fabric or the time last winter, but this year it all came together to form this sweet little capelet…
My tweed and satin three piece suit is finally finished! One day for the construction, and a week to get around to do the hand sewing! Here’s a taste…
More on the individual components this week…
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If you’ve been following along, you’ll remember that my grandmother visited the Pendleton woollen mill in the 1960s and bought two 2 yard remnants of 100% wool navy blue suiting fabric for $6 each (so $12 total). In August, she gave these to me, saying she’d never got around to sewing up anything with them and she thought I’d make better use of it.
I’d already finished the jacket portion of this tuxedo-inspired suit (the show piece from my F/W 07 Collection), and you can see the first photoshoot of that here.
The trousers were far more straightforward than the jacket, however, so they didn’t take nearly as much time or seam ripping to complete! I wanted to tie together the satin accents of the two pieces so I opted to add a thin stripe of navy blue satin ribbon to the outside seams of each trouser leg, which I think gives a subtle sheen as I move. The integral belt/waistband of this pattern really evokes a sort of cummerbund, too, and raises this design above just a normal trouser suit.
I’ve been working on the jacket portion of my tuxedo-inspired suit (the show piece from my F/W 07 Collection) for the better part of January now, and I finally finished it this week. I cut out the pieces for the trousers at the same time to ensure I had enough fabric for both (I do, with about a half yard left over!), but sewing both at once would’ve really just resulted in missing pieces!
Greetings to everyone who saw my interview and photo in the Daily Express today! For those of you outside the UK, here’s a scan of the feature on page 37 (the centrefold):
You can read the but the lovely photos are only in the print edition.
I’m making good progress on my tuxedo-y suit using my grandmother’s vintage Pendleton wool. I’ve done the single welt pockets (a first time for me!) and the construction of the jacket body, and I’m now working on the many collars and lapels. The placement of the welt pockets (which are hidden under a front flap) is way too high, though, and the pockets are too narrow to be useful, though – this is the second time I’ve had BWOF jacket pockets be waaaay too narrow for my hands to fit through, so I must remember that for next time.
I fell in love with the yellow cocktail dress in the 11/07 Burda WOF magazine, with its wide, square neckline and fabulous 90 degree front darts, and it just so happened that I had just the right amount of butter-yellow duchess satin leftover from James’s pirate coat lining to sew this up. Since the satin was so thick I opted to omit the lining and just go for facings instead, which made this an even quicker project.
Together with my matching fascinator and steel grey satin gloves from the V&A gift shop, I rather overfulfilled the “glam attire” required for my neighbour’s lighting up party on Friday night.
While I’m pretty much in love with every dress from the November Burda WOF cocktail collection, I found myself flipping back to the yellow dress, #105 more than the rest. It’s only 4 pattern pieces, but that 90 degree dart at the waist is just too cool, and I’m very much into sheath dresses this year. I still had some gold duchess satin leftover from the pirate jacket lining, so I lined up the pieces and was able to fit the dress out of the fabric with hardly any scraps to spare (I just love it when that happens!).
I’m still waiting on the invisible zipper I ordered online to be delivered, but as I was waiting I thought I’d try my hand at making a fascinator to match the dress!
Wow. After nearly two years, I finally finished my boyfriend’s black velvet pirate jacket. Lined with gold satin, with functional pockets, functional buttonholes, brass buttons, tons of interior pockets for his gadgets, and hidden pocket inside the cuff for his Oyster card. There was so much handstitching on this and velvet is such an jerk of a fabric that I seriously wasn’t sure I’d ever finish it. I had problems at pretty much every step of the way, the majority of which stemmed from the fact that you can’t iron velvet. At all. Made in a different fabric, with non-functioning costume parts as indicated on the pattern, this would be a fairly straightforward project.
But since he wanted silk velvet and satin and for everything to function, plus have pockets absolutely everywhere, combined with a hem a mile long, this turned into a complete nightmare of a jacket. The handstitching alone took more manhours than I actually want to think about without bursting into tears. I did manage to make one big mistake near the end, even though I was so careful to NOT do it in my planning. It would’ve been impossible to fix without a complete deconstruction (and stitching lines remain in velvet forever), so I just left it as is. See if you can tell what it is from the photos, and I’ll reveal all below…
What better way to celebrate the start of the Christmas party season than with a luxe new top that shimmers in the lights? I made Burda 8132c for the pre-launch of BurdaStyle.com, a new community-based sewing site that’s launching in December 2006. I’ve written up a TON of tips and tricks for the site, so I’ll amend this article with a link to those once it goes live.
