Blog

My aqua pleated skirt

I’ve been talking about making this skirt for months now – I really liked it when it first appeared in the September 2010 issue of La Mia Boutique (#26), and then I thought I’d make it this winter, but my chosen fabric seemed too summery… But finally, its day has come and I’ve made it a reality!

It’s hard to see in the magazine photo, but there are pockets integrated into two of those pleats, too, which I really like!

And then someone on Pattern Review was asking for a pattern suggestion to knockoff this Karen Millen skirt, and I realised that my LMB pattern was really very fashionable indeed!

My pattern has more pleats, plus the added pockets, so I think it’s a better design, but I still appreciate seeing similar clothes in high end RTW, especially if I already liked the design anyway!

A purple lace pencil skirt

I started work on this lace skirt just before we left for France, when I was finally over my post-March wardrobe exhaustion and finally ready to get stuck in on some more complex and fiddly projects. So I got all the layers cut out and basted together before I left, so this I only had the fun stuff left to do last week! Hooray for me!

The luscious purple lace is all dark purple on one side, but with added chenille texture and lighter, printed flowers on the other side. It’s from Ditto fabrics, bought by Pip as part of my Christmas gift, and I made good use of my 1m!

Since it’s lace and more sheer than I’d like for a skirt, I underlined this with some fabric I bought on Karen’s big Walthamstow meetup – it’s a poly stretch woven, with a bengaline-feel on the light purple side, and a wine-coloured, satin reverse. The purple side matched my lace perfectly and the satin reverse just meant I didn’t have to line it because it’s already slippery inside! Score!

While the colour match isn’t perfect with either my bamboo tulip top or my purple boots, it was close enough for me to wear them together yesterday!

(Vote for my) March Mini Wardrobe

It doesn’t seem that long ago that I was first laying out my initial plans for this mini wardrobe, but now I’ve had some time to step back and have a look over what I managed to accomplish last month. I made this wardrobe mostly for myself, to use some luscious fabrics from my stash in combination with patterns that really appealed to me, but I also kept one eye on the contest requirements running over at PaternReview.com to make sure I remained within their rules, too. Here’s my entry into their contest, or you can just read on below…

I started with a blue viscose, draped knit top that I’d bought from ASOS and really liked, but I wanted to wear with both casual and dressy bottoms.

To coordinate, I sewed:

1. Jalie jeans – I’d made a muslin but the waistband was horrible so I had my work cut out for me on this pair using great quality stretch denim from Mood in NYC, plus some London streetsign fabric for the waistband facings and pockets. I used my vintage hand crank Singer machine for all the topstitching, plus I got to use my vintage buttonholer attachment and high quality rivets for the first time! I fixed all the waistband issues in this pair and these are now my favourite jeans. Read more…

Grey leather pencil skirt

I’ve now finished the fourth garment in my March Mini Wardrobe plans and I think you’re going to love it as much as I do!

I bought some utterly luscious grey leather when I was in New York in September, and I’d thought about a few different patterns (even going so far as muslining one I never showed you), but I finally settled on the long, slim pencil skirt from the August 2010 Burda magazine (#128).

Since we’re talking about leather here and you cannot unpick any stitches once they’re sewn, I made a muslin, which revealed a few minor fitting issues which needed fixing in the final skirt. Other than that, I shortened the length to make it above the knee (which also eliminated the back vent) and removed the centre front seam to improve the look.

Black Beignet skirt and a bias cowl top

It feels like I’ve been talking about sewing the Colette Patterns Beignet skirt for ages now, but it’s mostly because I’ve just been so busy with life (running, socialising, wedding planning, the boat, and my garden, mostly) right now that I’ve been sewing in tiny increments here and there! But it’s finally complete, and I even managed to sew up the bias cowl top from Patrones 292 (#19) to wear with it!

Even though these go so well together, I’ve actually got no shortage of other things in my wardrobe to wear with either, so there’s no “orphan coordinates” here! And I managed to sneak some mustard and navy into my wardrobe a bit earlier than I’d planned, too!

Patrones two-tone jeanskirt

When I first saw the tech drawing for this skirt (#13) in Patrones 292, I assumed the curved upper back section wrapped around seamlessly into the angled front pockets, and it’s what initially drew me to this design.

But on closer inspection of the pattern pieces, I realised this wasn’t the case and that there were side seams on the upper portion as you’d expect in most skirts. So after tracing the pattern, I went about transferring the curved side seam “dart” into an area that would be hidden by the pocket, went so far as cutting out the piece…. and then realised it seemed like a kinda stupid amount of faff just to remove a seam line on a colour-blocked skirt where the seam would be so overshadowed by the overall colour-blocking anyway. So I reverted everything back to the pattern as drafted, recut the nude fabric pieces, and made the skirt as intended.

Silver tweed skirt

You’ve seen the jacket, and a peek of the skirt as part of the suit, but now it’s the skirt’s time in the spotlight!

(Dutch readers – who is Odette Simons, anyway? Dutch celebrity? Fashion designer? Stylist? She’s appearing in most issues these days and it’s bugging me…)

I just loved the shape of the yoke and pockets on skirt #7 from the January 2010 KnipMode. Essentially they’ve just drawn a bunch of lines onto an A-line skirt pattern which you then cut apart to be the wide yoke, the main skirt body, the pocket backing, and the pocket facing. All that pattern piece reusing means you actually only end up tracing 3 pattern pieces (front, back, and pocket) because you cut up the pieces as you go along. So the top of the skirt back pattern gets cut off for the facing, the skirt front gets cut apart for the yoke, the pocket back, and the facing, etc.

Silver tweed suit

Last week I finished the first half of my second Planned Partnership, so I think that makes me exactly one half finished (right, Sharon, resident maths professor?). Though I suppose if you’re counting individual garments, I’d be slightly over halfway finished…

But I digress. You remember the silver tweed fabric and my plans to make a cropped jacket that I could wear with either a matching skirt or with a nude sheath dress (yet to come)?

Well, I’m so delighted with the way both the jacket and skirt turned out that I couldn’t wait to show you! So in the tradition of that other tweed suit, you get a sneak preview!

Silver Tweed beginnings…

With the first Planned Partnership done & dusted in the form of my techno skirt and sequin top, it’s been time to start concentrating on another pairing – the pale silver tweed to go with the nude stretch suiting…

I decided to go with the bottom jacket seen above, so I traced all the pieces of it and the skirt pattern, playing it very carefully and was able to fit BOTH the cropped jacket and the skirt out of the 1.5m of tweed I’d bought! Woohoo! It was by no means certain, but my powers of fabric Tetris prevailed and I’m rather proud.

Techno and sequins

Now that all the 2009 projects are out f the way, here is the first of my sewing partnerships I dreamed up around the end of the year! This skirt & top partnership consists of an “egg skirt” from the April 2009 Manequim magazine

…and a cowl-neck sleeveless blouse from Simplicity 2580 (which is a dress pattern that I modified before to become a very versatile top).

I always pictured these two fabrics together, and I am loving the resulting outfit! I really think I got it right in matching both the fabrics and the patterns! I originally saw it as club/party wear, and it turned out that I finished it just in time for a big party on Saturday night!