I downloaded this jacket pattern by designer Yohji Yamamoto a few years ago, but I never really got any further than that until I discovered a late-open Kinkos in central London that could large-format print the free pdf for me (because, frankly, I have better things to do with my time than print and tape together 54 sheets of A4 paper!). With the pattern in hand, it was only a matter of days before this jacket was keeping me warm.
This jacket is such an interesting design – it only has two pattern pieces, and can be worn two different ways. I’m actually not sure which way I prefer it, so I’ll let you all decide (leave a comment telling me which view you prefer!).
My first gift is a very special one, because it’s from all of you!
I recently received a Google Adsense payment, and I always try to spend these exclusively on sewing supplies to feed back into this site. The last payment bought me four Patrones issues and some Spoonflower knits, for example! But I’m trying to pare down my fabric to fit in my tiny sewing room, and I already have more patterns than I can sew, so I thought I’d spend the windfall on some really nice interfacings from Fashion Sewing Supply!
You bought me:
- 2 yards Pro-Weft fusible interfacing, Natural
- 2 yards Pro-Weft fusible interfacing, Black
- 2 yards Pro-Tailor Deluxe fusible Interfacing, Dark Grey
- 2 yards Pro-Woven Fusible Interfacing, White
- 2 yards Pro-Woven Fusible Interfacing, Black
This should be enough to keep me in interfacing for a year years, and this stuff just feels incredible – the Pro-Tailor stuff especially feels so silky soft! I can’t wait to try this stuff out…
For my birthday, I received some sewing books that I requested!
I’m nearly finished the tuxedo-inspired trousers which are made from the same vintage Pendleton wool as the tuxedo-inspired jacket – I’ve just got to hem and turn up the bottoms and they’re ready for a photo shoot! But in the meantime, if you’re a Pattern Review member, take a second right now to go vote in the One Fabric: Wool contest in which said tuxedo-inspired jacket was entered. Go on, I’ll wait.
So finishing up such classy threads has made me stop and think about which parts of my wardrobe I actually wear most on a day-to-day basis. I absolutely love making the smart ensembles and special occasion wear, especially since the aim of my FW/07 Collection was to increase my business attire, but I tend to wear a lot of basics in my otherwise very casual office. I think looking through the garments I wear most often might help to give me some focus as I start mentally planning what I’ll be sewing this spring…
Fehr Trade Most Worn Awards
(in no particular order)
- Black leather handbag – I use it to haul all my supplies, lunch, mittens, iPod, and everything else around every single day. I wouldn’t change a thing.
I’ve avoided all talk of SWAP (Sewing With a Plan, roughly – sewing a bunch of garments in terms of a wardrobe instead of separate pieces here and there) even though everyone else around me was doing them. For the most part, it was because I bought fabric for specific projects and I created these as the feeling took me.
However, since I’ve lost weight, my wearable wardrobe has decreased considerably and I came to the realisation last week that I don’t own any trousers that aren’t jeans, period. I’m also doing more presentations at work that require me to dress a bit more nicely, so after 5 years of wearing teeshirts and jeans to work, I have a large hole in my wardrobe in that regard, too.
Going to America last month and the subsequent fabric and pattern buying orgy left me with the supplies for a wide variety of garments. So naturally my mind turned to the best ways I could see to use both patterns and fabrics to fill these holes in my wardrobe.
I’ve devised the following plan, though I realise it will more than likely take me the entire fall and winter to accomplish it.
Smocks have been in for the last few seasons now, but I finally got around to sewing this one up last week. I very happily used up some fabrics from my stash, a stripey polyester-rayon with a nice fluid drape, and the remains of an emerald raw silk that’s also been in a top for Gez and the lining of my Yamamoto jacket. The pattern was actually for a 34 inch bust (I’m 38”), but after deliberating whether to grade up the pattern or make a muslin, I did a very un-me thing and opted to throw all caution to the wind and just make it up as-is since it probably had a ton of ease in it anyway. And I’m glad I did, because my gamble paid off – I love the way it fits, and the only time it seems too small is squeezing my big head through the neck opening!