I made no secret of my total love and adoration of Burda’s September issue last year. In my opinion (and many of you!) this was the standout, stellar issue in an otherwise mediocre year for the magazine. I’m slowly working my way through everything I wanted to sew from that issue (some good and some bad!) but now it was the time for the cover dress, #122.
I showed you the pattern alterations I made to “un-petite” this pattern, though I reckon I could have even added a bit more to the middle of piece 2 as my pointiroma has less lengthwise stretch as my muslin knit, making the underbust seam just barely under my bust. The horizontal seam between pieces 3 and 4 hits me right at my natural waist on the sides, which I think is just great. I also took 6 inches off the hem of pieces 7 and 8 so that this is above the knee rather than below.
We’ve reached the end of another year, and another year of my monthly Burda magazine roundups. I started writing these regular reviews back in 2012 as a way of reminding myself of patterns that I’d otherwise just forget after a few months. Back before I had my own pattern business, I even had time to sew some of them (*sobs quietly to self about lack of time*)!
As I know many of you have said how much you enjoy my monthly review posts (and the stats on my website prove as much), I thought I’d refresh all our memories with a completely biased rundown of my favourites from the past year. In some cases, ones I wasn’t so sure on have become much more attractive, and others that I liked at the time have faded. And in the case of a few months, none of them have really stood the test of time (or I was just choosing them because they were the best of a mediocre bunch), so I haven’t included them at all here.
I (silently) set myself the challenge to sew one garment from each issue of Burda magazine (aka BurdaStyle) in 2012, and I’m proud to say I completed it! I’m not the sort of person to make New Year’s resolutions, or proclaim lofty goals to everyone who’ll listen – I’m more the sort to quietly commit myself to something, and see if anyone notices what I’m up to before the completion… I do know that Kristy has also been keeping up with the Burda challenge this year, and it’s been fun to see which patterns she’s chosen from the same issues (and on occasion we selected the same pattern!).
There were some roaring successes, a few fails (both my fault and not), and some that I changed my mind on only after months of wear. So I thought it was worthwhile to have a look through all the projects from this year, and my thoughts on each looking back from now…
Link to original post: Great Basic – Grey Flannel Trousers
At the time I said: There’s nothing particularly earth-shattering about this design, but I just thought it looked nicely versatile, and something I could wear to business meetings as well as just team with a teeshirt if I fancied it.
My thoughts now: I don’t think these look as nice in the photoshoot as they do in real life. I genuinely love and adore these, and have worn them pretty much nonstop, at least once a week to work, since I made them a year ago. I wouldn’t change a single thing about this pattern, and the silk pocket linings fill me with glee everything I slip my hands inside. I really do need to make some more of these!
Last week I told you all about this dress – the pattern details, how I traced all fourteen of those curved, monster front darts, the things I omitted, the things I changed, and the things I’d want to know if I were you, sewing this for the first time.
So if you want to know all the geeky details (including the UK shop where I bought this lovely sage green marl ponti roma jersey!), then you best read that post, because this one’s going to be light on words and heavy on photos!
What I will say again is that this is a reprint of an original pattern Burda printed in 1956, but graded up to the normal Burda size range and included in the the November Burda magazine (or you can purchase it as a pdf here if you missed the magazine).
I’m stupidly happy with this dress – it’s the exact right snug, clingy, long sleeved knit sheath dress that I love to wear in winter. For the past two winters, my favourite dress has been the purple September 2010 Burda cover dress and this dress reminds me a lot of it, with a similar fit and feel.
I’ve been buying Burda magazine (formerly “Burda World Of Fashion”, now “Burda Style”) since 2005, and I’ve seen its greatness come and go (and then come back again) in waves. It’s been getting steadily better over the course of 2012, but this August issue is the best one in a LONG time! Definitely the best this year (along with May 2012), but possibly it ranks up there with September 2010 and August 2006 even in my own personal Burda Issue Hall Of Fame!
I pretty much love everything in this feature with the white background, but let’s take these one step at a time.
First up is this blue tuxedo with slim trousers and a great jacket with interesting, non-standard lapels. How could I not love this, when I’ve already made a blue tuxedo with slim trousers and a jacket with interesting lapels back in 2008 (and also from Burda patterns)??! LOVE.
I really love the shape of this dirndl-inspired dress, with its cap sleeves and interesting bodice seams, but part of me is also concerned by the sharp seaming – they look awfully similar to the seams on a Burda slip pattern I tried that really didn’t work for me (ahem, pointy boobs) so I’d want to definitely muslin this bodice before going further.
Remember back in January when I made the winter version of the Burda September 201 cover dress (#122) with long sleeves in purple pont di roma? It looked like this…
Well, at the time, I said I’d definitely make a summery version, too, but then again, I often saw I’ll remake patterns and then I hardly ever do, so I can’t really blame you if you thought you’d never see this pattern again!
But you’d be wrong! This dress is just so stratospherically flattering and magical that I couldn’t resist making a summer version in pale pink and grey lace, even though it meant hours of hand basting the lace onto the knit during our French road trip. And then once I was home, fusing metres upon metres of vilene bias tape to the various curved seams so they wouldn’t ripple during wear.
All this before I even constructed a single seam, but you know what – it was totally worth it.
Thank you all SO much for all the feedback on my pattern shortlist earlier this week. It’s so incredibly helpful to hear from others which have worked and which haven’t, and to get me thinking on what I most like to wear (and what I don’t!).
Since I tend to email commenters personally but not put my responses in the comments themselves, I thought it might be helpful to answer a few general questions from the comments. I’m not really seeing this as an overly dressy/posh/fussy dress – for me, the linen dress on its own would be something I’d wear to the office, out to lunch with friends, or out in town, and the motif I bought in Paris is just a sort of permanent necklace. I always overdress anyway, and I’m not envisioning this as anything “left for best” in the slightest! Believe me, there’s very little I keep aside and out of my daily rotation!
Nancy K suggested a tunic might be more wearable than a dress, but I had to admit to her that I really, really don’t feel comfortable wearing tunics. There’s just something about the awkward “too long for a top but too short for a dress” length plus too many layers that just makes me feel self conscious. Whereas I wear dresses and skirts almost continuously in summer (compounded by the fact that I don’t wear shorts)!
Finally, I decided against a bunch of lovely sheath dress patterns purely for linen/wrinkle reasons, and my thinking that these would probably have more horizontal wrinkles from sitting than full-skirted numbers. I’m debating whether I’ll underline this dress or not for that same reason, but I suppose it all depends on if I can find suitable cotton or silk lightweight fabric for a good price while we’re in France.
Enough with the commentary – I finally decided on dress #102 from the KnipMode 03/2010 supplement (one I didn’t even scan in my initial review! gasp!).
Happy new year! It’s traditional for me to reflect on the year that’s just finished on the first of a new year, and this year’s a weird one because I’d love to just say “this year sucked”, but there were some fantastic things that happened this year amoungst all the sickness, disappointment, frustration, and hard work. So let’s try and focus on those.
A few weeks ago J and I took a long weekend away in Amsterdam, but the majority of these patterns actually came from a different trip he’d made for work a few weeks earlier. It turns out that the newsagent inside Rotterdam station is a haven of sewing pattern magazines, who knew?? So rather than do a post on each of these, I thought I’d pull out my highlights, and take the chance again to explain how accessible the pattern sheets and instructions are for non-Dutch speakers…
I generally like to only work on one project at a time, but sometimes, for ease of tracing or bulk-cutting, or because (heaven forbid!) I run out of some necessary supply, I end up working on multiple projects at once. For me, this road is the way to Unfinished Objects (UFOs), and a treacherous one to travel down.
Far, far more frequently, though, I get a posting backlog so it just appears as though I’m working on a few things at once!
So right now, my tally is…
The Disco top and leggings
I posted about the leggings in December and the top last week, but I owe you a proper photoshoot for both!
The pink and orange tie-back top
I can’t talk too much about this one here because my niece reads the site, but this one has been finished for a few weeks, and I’ll get some photos of her wearing it when I’m over in the States after Easter.
The striped raglan tee
This is new-to-you, but I’ve also sewed a top for my nephew to give at the same time. I just finished this one this weekend, and I’ll also get photos of him wearing it when I’m in the States.