While I’m still waiting for the fabric to arrive from America for my last Christmas present, I decided to add to my trouser collection and make a second pair of the black biker trousers, which are BWOF 05/2006 #112. I realised in my observations of what I’m wearing this month that my trousers in general are way too dark and I need some slightly lighter ones to allow me to wear (my many) black tops with them.
I’ve just spent nearly all of my four day weekend (double bank holiday, woo!) behind my sewing machine and ironing board, and I couldn’t be happier! For the last few years I’ve made myself something nice and new to wear on my birthday, so today I’m wearing my new clothes! It dulls the pain of turning 29, you see… 😉
I can’t start this post today without first sending out a massive, massive THANK YOU to everyone who’ve commented and gotten in touch on all forms of social media to say congratulations on my book deal. The response has absolutely exceeded my expectations and I’ve been overwhelmed by the love, enthusiasm, and confidence you all have in me. Thank you.
Over the last few months, I’ve been working on the book full-time, putting all my energy, thoughts, energy, and even my dreams into the book (no, really – a solution to one of my design problems actually came to me in a dream!). But I know it’s easy to get burned out in a project like this so I try very, very hard to Keep Weekends Sacred and not work on the book. But I still want to do a little bit of sewing here and there (not just sock loom knitting!), so I’ve been doing quick little weekend projects unrelated to the book that I can clear out of my sewing room in time for activewear sewing during the week.
Last month’s issue of Love Sewing magazine included McCalls 7381 free and I thought it looked like a nice little dress to make up over a weekend (if you’re in the States, this pattern’s on sale through the end of today, just fyi!). My stash is absolutely at capacity with fabrics for book samples, so I wanted to use up something I already had and found a Japanese print cotton that my friend Alex brought me back from Tomato in Tokyo last winter. Ideally, the pattern should use something less structured and more flowy than a quilting cotton, but I don’t tend to buy many fabrics like that, so I figured it’d be fine for a casual summer day dress.
I’ve been super busy over the past week and weekend preparing for our upcoming road trip through France over the double bank holiday extravaganza*…
Making these packets really reminded me of all those sewing projects I prepped before I went into hospital!
Included are:
It doesn’t seem that long ago that I was first laying out my initial plans for this mini wardrobe, but now I’ve had some time to step back and have a look over what I managed to accomplish last month. I made this wardrobe mostly for myself, to use some luscious fabrics from my stash in combination with patterns that really appealed to me, but I also kept one eye on the contest requirements running over at PaternReview.com to make sure I remained within their rules, too. Here’s my entry into their contest, or you can just read on below…
I started with a blue viscose, draped knit top that I’d bought from ASOS and really liked, but I wanted to wear with both casual and dressy bottoms.
To coordinate, I sewed:
1. Jalie jeans – I’d made a muslin but the waistband was horrible so I had my work cut out for me on this pair using great quality stretch denim from Mood in NYC, plus some London streetsign fabric for the waistband facings and pockets. I used my vintage hand crank Singer machine for all the topstitching, plus I got to use my vintage buttonholer attachment and high quality rivets for the first time! I fixed all the waistband issues in this pair and these are now my favourite jeans. Read more…
You wouldn’t know it from the lack of sewing photos, but I’ve actually been fairly productive over the past two weeks.
I was a terrible auntie this year and failed to make anything nice for my niece and nephew this Christmas, and my sister-in-law said I should just send them something when I get around to it, seeing as how they’re both so overwhelmed at Christmas anyhow. So before I got started on my March Mini Wardrobe stuff, I took an afternoon to make these, which are currently in transit:
I made a fluffy pink zebra minkee bolero for my 7 year old niece, and an adapted (ie: no hood) monsters and red jersey tee for my 8 year old nephew. You’ll see more about these when they try them on, with any luck…
And while I was clearing the sewing guilt decks, I finally also made the silver silk jersey dress I’d promised (and muslined) for James’s sister over a year ago!
About a year ago I bought some gorgeous, ex-Burberry wool coating fabric from Ditto with plans to eventually make another winter coat. The muted turquoise wool has a patterned herringbone weave on one side but it’s also very thick and un-drapey but has the advantage of not fraying at all (almost like a boiled wool or Melton).
The fabric is so thick that I knew had to choose my pattern wisely, leaving out coats with lots of pleats or gathers that would’ve meant lots of bulk here.
As soon as I saw the Armani knockoff coat in the September Burda issue, I thought I’d found the match for my fabric, but as you recall, that pattern was just downright awful. So I started looking through my coat patterns again for something suitable, and Claire (Seemane) suggested I combine Patrones 285 #29 with some elements of the other coats in that issue, which is more or less what I ended up doing (though I need to change my tech drawing here to show the applied welt pockets I finally decided on rather than buttoned welts).
I had about a half meter of tubular black cotton interlock leftover in my stash, and
Burda WOF 11/2008 #125 looked to be an excellent use for it! It’s in the workout section of this issue, and #124 is a variation of the same shirt with longer sleeves and a triangular neck insert. I was aiming to make the long sleeves minus the insert, but as it turned out, I was really only able to squeeze in the short sleeves with some creative refolding of the fabric after cutting out half the pieces.
