Category: Gallery

Blog

Gallery

Surf to Summit Top – Winter Merino version

Wow, thank you all so so much for your enthusiasm on the launch of my latest patterns! More than one person went and bought all seven of my patterns in one go, too, which is just crazy wonderful! Can you imagine the fun weekends of sewing them all up?? I’ve been totally bowled over by your comments, encouragement, and enthusiasm, and I haven’t even shown you all the great versions I’ve been busily sewing over the past few months yet, either.

I’m going to start with one of the more basic versions, but one that should particularly appeal to those of you experiencing a North American winter right now, as it’s perfect for winter base layers. I sewed this one up in a freaking fantastic merino jersey which has a wicking backing fused onto it. It came from Mill Yardage in America, and I also bought the mustard colourway, too, which I actually love even more than the teal! I highly recommend grabbing 2yds of this if you’d like your own version (I have no affiliation whatsoever!).

Let me first take a minute to introduce Emily, my athlete-model for the ladies’ version of the pattern. Emily runs with me every week at Run Dem Crew, but we also ran the Copenhagen marathon together a few years ago, too. But Emily is a truly talented, multisport athlete – she’s not just a runner, but an avid Cornish surfer, snowboarder, and skateboarder, too. She also cycles just about everywhere in London, so she was the perfect choice to show the versatility of the Surf to Summit Top pattern!

Gallery

Mustard ponte seamed sheath dress

Like many of my most well-loved dresses, this one was quite a long time in the making. A few years back I’d bought a yellow ponte sheath dress from ASOS that had some amazing seamlines. I don’t often buy clothes anymore these days (preferring to spend my time sewing than fighting my way to the shops, or waiting days for an internet purchase that’s low quality or not quite right), but I really liked this dress, and wore it often despite the sleeves and hem being too short. Inevitably, the yellow also got dingey and pilled over time, but I still liked the overall design.

So I traced it! I literally just laid the dress over brown paper and ran a serrated tracing wheel over the different sections, leaving an impression underneath, just like how I trace patterns. I remember I traced James’s well-loved linen shirt at the same time, so it was a few months ago, and even though I had this mustard ponte in my stash for even longer, it took me a while to get around to sewing it up.

It may look like a complicated design, but it’s actually really quick to sew up on the overlocker, and only the back invisible zipper takes a little bit of sewing machine time.

Here you can see me holding the original dress, whilst wearing my copy!

All the things I loved about the original dress are present here – the figure-hugging design, the flowing, curved panels, the vibrant colour – but the sleeves are nice and long instead of “unintentional bracelet length”, and the hem doesn’t go scandalously short when I bend over!

Gallery

A Tour de France inspired box bag

Today is James’s birthday!!

I recently noticed his dop kit (toiletries bag) was getting a bit ratty, and I thought it might be nice to make him a replacement, and I stored the idea away in the back of my brain for a while. Then I saw that Spoonflower were having a BOGOF sale on all fat quarters, so I jumped at the chance to buy him some nicely coordinated Tour de France fabrics, since he loves Le Tour!

Since you could mix and match the base fabrics, I bought one fat quarter of “Vive Le Tour de France!” printed onto recycled eco-canvas for the exterior, and a fat quarter of “Les Montagnes” on quilting cotton for the lining. The colours are nice and manly, the prints coordinate perfectly, and it was a pairing I really hoped he’d like.

I then went in search of a good, free boxbag tutorial that wouldn’t use more than a fat quarter, was lined, and looked good, and I settled on my friend Stacy Sews’ free box bag tutorial, which also comes as a pdf if you’d rather view it on your tablet as you work (like me!)

Gallery

Triathlon Leggings and Three Molehills

I’ve been a fan of FunkiFabrics for a long time (ie: before it was cool!), having made a sports bra, shorts, and leggings from their digital print lycra back in 2013. I’ve been meaning to get some more to use for myself, but it always felt like I was buying it on request for clients and students and never for me!

But recently I decided enough was enough ad I splurged on some luuuuuuuuuscious Funki Fabrics lycra in the “triathlon” print (bought with my own money). This fabric could not be more me – geometric print with turquoise and purples?! (It also comes in a red/orange/pink colourway).

I teamed it up with the basic, one-piece Kwik Sew leggings pattern that I’d recently altered in strange places to suit my runner’s legs, so I knew that the pattern would work well on the run and not bother me by shifting around! I’d made these with an eye to wear at the Three Molehills race, but the old adage “Nothing new on race day” lives deep within my psyche, so I took them out for a test run through Hampstead Heath (and the infamous Swains Lane) the weekend before:

It was only a short loop round the Heath, but long enough for me to tell they were going to be great (and that the mud washed out of them just fine on a cold sports wash!).

When I got home and put a sweatshirt on to warm up, I realised how well the print teamed with royal blue as well as purple! It’s a definite bonus for me when I can pair leggings with a number of tops in my running wardrobe…

So when the morning of the Three Molehills race arrived, I wasn’t even all that concerned that the forecast was for heavy downpours the entire day – at least I had fun leggings to wear round the super hilly, 16 mile course mudbath!


Photo credit: SussexSportPhotography.com

Gallery

Cheetah print running leggings

My Fun Sewing Weekend was going so well after I made my galaxy sweatshirt and black travel skirt that I decided to tweak the fit on my Kwik Sew one-piece leggings pattern and test it out on some unsuspecting cheetah-print nylon lycra from UK Fabrics (well, they call it leopard, but I say cheetah!).

I’d made this pattern a few times for myself and many times in classes, but I noticed when I made my crazy cat lady leggings recently that the fit was a bit too loose in places. I totally blame this on my training firming me up further, since the leggings were loose around the hips, upper thighs, and ankles. And perfectly fine at my runner’s calves and quads!

So I shaved off a good centimeter from the front & back crotch curves (meaning 4cm overall), another 1.5cm wedge from the inner thigh on both sides, and then a hefty 3cm wedge from both sides at the ankles. I have tiny, bird-like ankles, and the standard ankle width was just flapping in the breeze… So now my pattern is something like Size Small/XS in the waist and hips & upper thigh, Medium in the lower thigh/knee/calf, and XSish in the ankles. Hooray for custom fit!

These literally took me 20 minutes to cut out and sew together, and I wore them out on my Sunday run around Greenwich Park and back home along the river. These felt so much better for the little fitting tweaks – the cat leggings start to fall down after a few kilometers and pool around my quads (a sure sign they’re too loose above that point), but these stayed in place for the whole 20km run!

Gallery

A black travel skirt

I’ve noticed a hole in my wardrobe recently – I really don’t have any plain black skirts that fit me anymore. I found myself wearing my blue travel skirt I sewed up before we went to Mexico last summer an awful lot, and I seemed to get compliments every time I wore it, too.

So when I saw Tia Knight’s very reasonably priced scuba range, I picked up 3m of black to use for both the contrast on my galaxy print sweatshirt, and to make another travel skirt like my blue one.


Not the most flattering tech drawing! It’s more A-line than this in real life…

Like the first blue version, this is the skirt pattern from Christine Jonson’s Travel Trio Three pattern, which surely must be one of my best-value wardrobe patterns ever, as I’ve made the top 3-4 times now, and now the skirt twice, too. Like before, the skirt is shortened by 12cm at the “lengthen or shorten here” lines, which creates a really flattering hem length for my figure.


Seen here with the gathered turtleneck view from the same pattern, which I made back in 2011!

I really love how flattering and comfortable this skirt is – it’s made from a knit with an elastic waistband, but it doesn’t look sloppy at all. It’s also got two really deep front pockets built in to the seaming, and I’ve got no worries that my phone will fall out when I’m jumping around the moorings.

Gallery

A galaxy print statement sweatshirt

As I mentioned last week, this past weekend was the first one in about a month where I wasn’t working, and I totally planned to fill it with as much Fun Sewing as possible!

First up was a “statement sweatshirt” using some luscious galaxy print ponte leftover from my birthday dress. I love that dress, but I loved the fabric so much that I wanted to be able to wear it with jeans and in casual settings where that va-va-voom sheath dress couldn’t really go.

I don’t usually sew from Big Four patterns as they’re so freaking expensive here, but in order to get the cheapest price on the Kwik Sew leggings pattern for my Like the Wind workshop, I had to become a Sew Today member, which came with my choice of two free patterns. After a bit of a think, I selected McCalls 6992 and McCalls 7026, which I actually frankpatterned together here!


Seen here paired with my Donna Karan denim-look leggings

It’s usually my experience that Big Four patterns have way too much ease, and this was no different. My measurements put me squarely as a Size 16, but after a peek at the finished garment measurements printed on the pattern, I saw that a 14 would be plenty big enough, and that’s what I cut. Really, a 16 would’ve just drowned me.

I decided to use some black scuba from Tia Knight for the contrast raglan sleeves and neck band, and I bought enough to make a skirt from the same yardage, which you’ll see later this week!


I somehow managed to not get any back view photos – sorry about that! The back looks pretty identical to the front, however!

Gallery

Digital-print Cowl neck top

Every now and then, I feel like I really crack a garment – I end up with something that truly blends the most perfect fabric with the perfect pattern. I wasn’t entirely sure until I wore it for a day, but this top really nailed it! It feels 100% designer, special, and yet me at the same time.

The cowl-neck tee pattern is from the October 2014 issue of Burda magazine or available to buy individually as a pdf, and it came in three versions – a plain top (which is the one I made) – a tee sliced into various colourblocks, or a plain dress.

But this garment is really all about the fabric, and the pattern itself plays a supporting role. In fact, most of the time, care, and attention to the entire process was in placing the pattern pieces! Look what I had to start with:

I bought this digital print lycra from Ditto Fabrics when I was down in Brighton this summer (an Italian designer offcut that I snagged for £15!). Originally I thought I’d have the main body in the trompe l’oiel knitted houndstooth as that was what drew me to the fabric, but the houndstooth portion wasn’t quite long enough for the front and back, so I placed those over the “lace” portions and cut the sleeves from the houndstooth instead.


Worn with my Colette Beignet skirt I made back in 2010 that’s sadly, a bit too big for me now (it’s really relying on cinching that belt!

I used a size 40 for the first time here, which is my “new” Burda size since I’ve lost a few cm through training, and the fit is just as I’d like it, really. I loooooove the slim fit sleeves in particular on this pattern. They’re extra long here, too – it’s noted in the instructions are that the sleeves are 10cm longer than normal. I wasn’t sure if I’d keep them extra long or not, but as I was laying out the sleeves, I saw that the piece overlapped into the lace print area nicely, creating a sort of cuff-effect at the sleeve that I really liked the look of:

Gallery

A Lime Linen Men's Shirt

James has a black linen shirt from Muji that he utterly loves. He’s worn it very nearly to death over almost ten years, though, with it rather faded and with a hole worn in in one place. So he asked me if I could copy it, as it’s a design that he’s never been able to find it shops again.


I’m so proud that my Illustrator skills are such that I can whip up a tech drawing like this in a few minutes now!

It’s an over-the-head design with a front button placket, stand collar, back yoke, and short sleeves with little button tabs on the sleeve hems. The only change I made from the original was to introduce a small pleat at the back yoke, as I just think men’s yoked shirts look weird when they don’t have them, plus it gives a bit of wearing ease back there.

I traced out his existing shirt with craft paper and my serrated tracing wheel, and made a quick muslin, which miraculously needed no fitting changes! Then it was onto the first real version, made up in a lime-green linen-blend mix from Ditto which he chose when we were in their Brighton shop earlier this year.

Plackets always tend to intimidate me as they seem like a bit of witchcraft – how can this weird shape turn into that in just a few steps?? So I put off sewing it, until I remembered that I’d scanned and digitised the placket template from David Page Coffin’s excellent “Shirtmaking” book. This is one of my clever-er ideas, as it means I just just adjust the width and length of the placket in Illustrator and print myself off a fresh template. Because obviously the dimensions for sleeve plackets for men’s shirts are of a different scale than the neck placket here!

Gallery

A Yellow Lace Marlborough bra (that fits!)

I have a long and rather conflicted history with bra sewing. I sewed my first bra five years ago, but despite being an accomplished seamstress and having a really standard body shape, I still haven’t managed to sew a single bra that I’m happy enough to wear on a regular basis in the time since.

Until now.

I knew Orange Lingerie had a bra pattern in the works for the better part of a year, and I knew her bra construction book was awesome, and, when I met Norma on her trip to London last year, she gave me bra fitting advice in a restaurant toilet – and still when she finally released the Marlborough bra pattern I was skeptical. That’s just how burned I’ve been by bra patterns in the past.

But I eventually did break down and buy it, with the thought to throw out all my other tweaks, calculations, traced RTW pieces, and just start fresh with this pattern and see where to go from there.

Choosing a size was actually the most difficult part for me – despite being a 34B in pretty much every RTW bra brand ever, the different formulas used to calculate bra sizes online are insane. Various calculation methods have said I’m anywhere from a 40A (Orange Lingerie’s method) to a 34DD (Bra size calculator’s method), both of which are just laughable (and yes, before you tell me to go get sized in person, I’ve done that in the past, and they said I actually am a 34B). So I threw both out and just made my RTW size, a 34B, with no changes.

Before cutting into anything good, I first made a black test version – it’s unlined with unfinished edges, with various bits cut off of old RTW bras, and “plunge” underwires that were a bit too short. But it freaking fit.

I wasn’t about to get too excited (I’ve been down that road before, declaring I’d perfected bra fit, finally, only to have problems emerge over time and wear). So I wore it for a week or two. And it still fit well. So I cut into the good stuff.

Everything in this pale yellow version is from my (rather extensive) lingerie sewing stash, and I hadn’t remembered until afterwards, but this gorgeous lace was actually a gift from Norma herself, when she came to visit London! You may notice that my straps have an M&S lingerie brand on them, even. Yes, I definitely recycle when the RTW parts are nearly-new and save me some time!