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The grey marl Manequim big shirt

I chose the title “big shirt” as an homage to Burda’s strange predilection for calling any oversized top a “big shirt”. Looking at the size of this top, I think it definitely applies here!

This Manequim top was printed twice, as July 2010 #307 and again as May 2011 #259. I liked it enough the first time around to trace it off Susannah’s copy, but then when I saw it the second time, I knew it must be a keeper to be repeated and be in my size, so I gave this a go in some drapey, viscose grey marl jersey I’d bought from Totally Fabrics a while back.

You can see it’s a roomy fit from both magazine photos, but you can’t really tell exactly how large this runs – I measured the hem circumference at over 150cm!! I always make Manequim size 44, but this is over 50cm of ease! OMG! I’d say that if you are usually a Manequim 46, 48, or even a 50 or 52, you’d be absolutely fine in sewing this up, even though it’s marked as size 44.

Manequim say to pull the hem in with elastic in a casing, but I chose to apply inch-wide waistband elastic instead. I measured the elastic to my hips and then stretched it as much as humanly possible and it only just stretched to the fabric hem.

But the adventure doesn’t stop there – I had to introduce gathers in several places not indicated on the pattern in order to get pieces to line up. Namely, the bottom edge of the sleeve where it meets to sleeve band, and also around the neck edge. So in reality, I gathered all four edges of that sleeve piece. With all the gathers plus the bubbled hem, it’s vital that you have a lightweight, drapey knit for this top.

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A black and brown lacey lingerie set (and exclusive freebie!)

I think it was inevitable that I’d need a quick and fun distraction from all my pattern drafting and muslins, and nothing spells “quick” and “fun” like lingerie! Seriously, if you’ve never sewn lingerie, you won’t really understand the appeal, but playing with tiny bits of lace and trim is just so creative and rewarding, especially for ladies like me who really aren’t into embellishment elsewhere in their wardrobes.

Since it fit so well before, I used the same modified bra pattern from my purple hearts bra, though this time I used black, pushup foam cups and the black/brown Alice lingerie kit from The Sewing Chest.

The first step was to cover the cups with the rigid lace. The lace in the kit was 50cm long, with two scalloped edges, so I aligned a scalloped edge along the top of the cup, then pinned and smoothed and made a few needed pleats in order to get it looking nice. If the lace or covering material is stretchy, then you don’t need any pleats in it, but as mine was rigid, a few small pleats were necessary towards the bottom.

Here’s the covered and uncovered cups:

Then I did the same with the other cup, though I had to use the opposite scalloped edge so both cups were symmetrical. In bra making, symmetry is king!!

With a wide zigzag stitch, I basted the lace around all the edges and trimmed the excess. I actually went back later and added some stretched, narrow elastic on the inside of the top of the cups, but I’d recommend actually doing this, or applying FOE (foldover elastic) to the upper cup edge before stretching the lace over your cups to avoid a second line of zigzagging over the lace. Even if you think your cups are sturdy enough to not need the elastic, it really makes a difference in keeping the top of the cup close to your body and not getting any gaping.

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A functional KitchenAid mixer cover

Back in March, I joined the ranks of the middle class aspirational home cooks when James bought me a KitchenAid mixer for my birthday. I asked for (and received!) yes, a white one, because, while I like the red ones, they’re totally not worth £100 more just for the colour! Anyway, we were finally able to rearrange our tiny galley space to accommodate it so I finally broke it out of the box to make macarons last weekend.

The macarons were a resounding success (I also discovered the sole thing on earth that’s tastier than macarons – macaron batter!), but the only storage space for the mixer is out in the open, so I needed to sew a cover for it, lest I have to wash the dust off it every time I want to use it!

I was feeling supremely lazy, so rather than measure it myself, I just used the
tutorial and pattern here to sew up a really quick cover.

I made a few changes from the above site, though, the main being that mine is not quilted (it’s not like the mixer needs to stay warm!), and mine has a seam at the top since my print is directional and I didn’t want upside-down people on one side.

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A silk chrysanthemum Sorbetto blouse

Every now and then I mention a few people from my personal life when they enter into my sewing world for whatever reason, but regular readers will probably recognise the name of “Neighbour Helen” more than most. As a neighbour, close friend, and convenient fashion industry alumni, she’s helped me assess muslins, balance proportions, learn how to rotate darts, and she even drew the amazing illustration for my free ruffled wristlet pattern!

So I was very saddened to hear that she and her husband are moving their barge to France in a few weeks’ time, to travel through the French canals for the foreseeable future (ok, saddened and jealous!). Since it was also her birthday, my gift to her was to make her a silk blouse of her choosing.

She chose the gorgeous chrysanthemum silk that was leftover from my blouse and I even let her try mine on, but she felt my top was too blousy for her and requested a simple shell instead.

So I turned to the new (and free!) Colette Patterns Sorbetto top!

I made a few changes, though – the most obvious is that I eliminated the central pleat (which would have been too busy with the large scale print), and I lengthened hem by 3” as others said this came up short.

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A drapey colourblock top

I’m a big fan of the occasional “quick knit top”, but this time around, I wanted a knit top with a more challenging design to give my brain more of a 3-D spatial workout.

I was really intrigued by the pieces for KnipMode June 2011 #15 when I first saw the magazine, and even after tracing it out and laying the paper pieces together, I still wasn’t 100% sure how they were going to fit together.

I thought it best to make this up using scrap fabrics (just in case!), so I pulled out a couple of those awkward, less than 1m offcut fabrics from my stash:

To be honest, while I enjoyed the challenge of constructing the design, I wasn’t so sure about how the design would look on me throughout the entire construction. But as soon as I tried it on for the first time, I was struck by how well my colourblocking worked, and how nicely Jonathan Saunders the look is!

I get to tick three separate SS11 trends here – colourblocking, muted hues, AND volume! All in one top!

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Silver silk jersey Lekala cowl top

I feel like I made this top so long ago, but the delay in showing it to you really wasn’t my fault! First it got delayed for a week while I went and bought more grey topstitching thread for the shoulder bands (and then immediately afterwards I found my other spool inside the case of my vintage hand crank Singer machine! Isn’t that always the way??), and then I had another week delay in taking photos while we waited for a break in the awful weather (mid-50sF and rainy for the past week, guh).

But cast your mind back with me and you’ll recall that I chose Lekala 4020, only I opted to create echoing sleeve bands on the back to decrease the “coffin back” look:

I’ve got full instructions on this pattern alteration and my order of construction coming shortly (honestly, they’re ready to go – I made the wise decision to write them right after making mine), so if you like the design and you’re roughly a Burda size 44, you may want to snap up this pattern while size 44s are free on Lekala’s site for another few days….

I made this top using some more offcuts of silver silk jersey, either leftover from Gez’s bridesmaid dress or from my sister-in-law’s LMB tunic, I’m not entirely sure which. But this stuff is so lush and drapey and easy to wear that I just can’t bear to let a single scrap go to waste! And the cowl neck here definitely benefits from a nice, drapey fabric, too.

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A different kind of lingerie success

I’ve made three bras so far, and despite winning the PR Lingerie contest last year, I’ve never been that happy with the fit of any of those bras. I mean, they were okay, but the style is different to the kind of bras I buy, and the underwires dug in, and well, the girls just didn’t look their best. So they’ve kinda worked their way to the bottom of my lingerie drawer, which makes me sad. I sew to wear, not to shove in a drawer!

As I mentioned last week, I got very excited about the notion of sewing a bra made with foam cups, which are the sort I always buy, and speaking to Kellie at The Sewing Chest, she got me all set up with the right bits to have my first go. I made a toile using her purple hearts foam cups over the weekend and the fit is so good I wore it all day Sunday and now again Monday!

I started the process by making a rigorous comparison of the Kwik Sew 3300 pattern vs two RTW bra backs and ended up drafting a back similar to a Ted Baker one that fits me well.

Here you can see the difference between the KwikSew back (in brown) and my newly drafted-from-RTW back (in white) –

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The turquoise and silver motif dress

I am very pleased to finally be able to show you this dress, which has been quite a while in the making!

I first bought the motif at Mode et Travaux in Paris when we visiting there last summer, but then a few months ago I decided that I really wanted to do something with it, so I started laying out my first pattern ideas. Then I finally decided on a a pattern and started basting the motif onto my linen in preparation for our French road trip, where I painstakingly sewed the motif onto the dress using silver thread and an embroidery hoop.

The finished dress is a variation on dress #102 from the March 2010 KnipMode supplement, but I modified the neckline heavily so that it’d match the motif’s curves. In actuality, I cut the curve of the neckline after I’d completely sewed the motif into place!

Since I changed the front neckline, I also had the widen the back at the neck edge to match the front, too. It means my big head can only just fit through, as it’s much narrower than the original pattern.

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The Burda September cover dress (summer lace version)

Remember back in January when I made the winter version of the Burda September 201 cover dress (#122) with long sleeves in purple pont di roma? It looked like this…

Well, at the time, I said I’d definitely make a summery version, too, but then again, I often saw I’ll remake patterns and then I hardly ever do, so I can’t really blame you if you thought you’d never see this pattern again!

But you’d be wrong! This dress is just so stratospherically flattering and magical that I couldn’t resist making a summer version in pale pink and grey lace, even though it meant hours of hand basting the lace onto the knit during our French road trip. And then once I was home, fusing metres upon metres of vilene bias tape to the various curved seams so they wouldn’t ripple during wear.

All this before I even constructed a single seam, but you know what – it was totally worth it.

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A fuzzy pink bolero

Following on from last week when I showed you the shirt I made for my nephew, I also wanted to share the super-belated Christmas garment I sewed for his cousin, my niece.

When I saw the cute boleros in the February Burda magazine, I just knew I had to make one for Megan. Bolero #142 seemed to be the most wearable version for Spring and Summer, and I had just enough of this incredibly soft, pink zebra print minkee I’d bought for her at Fabric.com!

Honestly, how great a model is this girl??