And now, the finale in my tweed and satin three piece suit, the flirty kick skirt, BWOF 08/2006 #103! Yes, it’s all business in the front, and sex appeal in the back with those curvy seams and slim pencil stylings…
The back view is where the fun starts!
You’ve seen it in the tweed and satin three piece suit, now it’s time to reveal the blouse on its own!
Marfy 1210 is the first Marfy pattern I’ve ever sewn, and if you’re not familiar with them, Marfy patterns come with no instructions, no technical drawing, no layout diagrams, nothing. You don’t even get any other sizes – just the one you’ve ordered, in pre-cut tissue, just like vintage patterns.
So the above is all I had to go on, plus a few cryptic phrases rubber stamped onto the tissue itself (if you thought “Burda-isms” were bad, hoo boy, you should see Marfy!). Still, I knew I was up for a challenge, and to be honest, the construction wasn’t any more different than dealing with KnipMode or Patrones when I can’t understand the instructions.
There are a lot of things I like about this blouse, but there are also a fair amount of things I’d change if I made it again.
Almost a year ago I saw and instantly fell in love with this Trina Turk capelet:
Around the same time, the lovely ladies at Go Patterns sent me their new capelet pattern, #2002 after I was so impressed with their little black dress pattern. Really, how nice of them!
Looking at the two together, I instantly saw the possibilities, but didn’t quite get around to finding the right fabric or the time last winter, but this year it all came together to form this sweet little capelet…
Continuing on with my need to fill my wardrobe’s trouser-shaped void, I decided this time around to try (gasp!) a different trouser pattern! But since I still wasn’t sure how well BWOF 05/2006 #112 would fit me, I opted to sew it up in the leftover black cotton drill from Simon’s pirate coat so that nothing would be lost if the fit was awful.
Frankly, I should’ve trusted Burda more – the fit is even better on these than on my casual TNT (“tried and true”) pattern I’ve been making for ages. These trousers have a seam running down the front leg that goes right into the pockets at the waist, and I think this extra seam really helps to shape them more closely to my legs.
I couldn’t wait for the photoshoot to wear these, though – so forgive the wrinkles! By this point they’d already been out for a friend’s birthday cocktails followed by langostines (yum!) in Soho, plus a full day at work. So just trust me when I say that there are no fit wrinkles when they’re fresh…
I’ve been fantasising about making this dress ever since February, and I finally got the right inspiration to make it, and in a lovely fabric that nicely bridges the Summer/Fall/Winter gap. BWOF 02/2008 #103 is a knit dress with raglan sleeves, wide boatneck collar, and a really distinctive front twist leading down into a wrap skirt.
I’m in rather desperate need of trousers for my Fall/Winter wardrobe, and so I naturally turned to Burda WOF 08/2006 #109. You may remember that this is essentially my favourite trouser pattern ever – I’ve made it as jeans (twice!), in brown twill, and even in red corduroy. The fit is perfect for me, and it serves as the backbone of my wardrobe when I just need some nice, wearable trousers and don’t feel the need to be particularly challenged by a new pattern. As much as I love trying new patterns and techniques, sometimes you just need something reliable that you know is definitely going to work.
I was in such a buzz of sewing activity on this bank holiday Monday that I finally got a chance to make BurdaStyle’s Marcel sleep mask pattern that I’ve been meaning to sew for ages now!
One sleep mask is for myself, but the second one is a surprise for my friend (and will-be bridesmaid) Gez (who got it slipped through her letterbox last night!).
The adorable kitties fabric is from a tunic she gave me that was a bit too long for a shirt but too short for a dress, so I chopped off some length and saved the offcut to make something for her. The grey fabric is from a skirt her auntie gave me years ago that I completely forgot I even had until I dived into my scraps bin looking for something to use here. The dark grey backing was the skirt itself, and the shiny (silk?) casing used to be the waistband of the skirt. So it’s an entirely recycled sleep mask!
There aren’t any instructions for the pattern, but it’s very easy to make one and would be a great project for beginners:
You may remember that I made my silver linen dress to wear to our friends Holly and Simon’s wedding this weekend. While at Holly’s delightful (and crafty!) hen party / tea party on Sunday, I mentioned that I was debating whether to make a matching fascinator and it was demanded that I comply!
So in the spirit of my first fascinator, I got out a bit of scrap plastic, some soft, squishy fleece, silver linen leftover from my dress, and grey netting and went to town…
The culmination of July’s Knit Month was sewing my own swimsuit, but due to motivational difficulties in the photoshoot and photo editing post-production, I’m afraid the photos are a few weeks late!
You might remember when I sewed my muslin suit that I used KnipMode 06/2008 #1 and lengthened the bodice pieces by one inch.
I haven’t worn one piece suits for a few years, but I remember RTW suits from high school always being a bit short in the torso, so I’m not surprised this would be the same, despite my never having to do long-torso alterations for anything else.
I do wish, however, that I’d taken some photos of myself in the muslin suit because you see things in photos that just don’t appear in a full length mirror sometimes.
This dress has been fully formed in my mind ever since February, when I bought Burda 7783 and this beautiful linen/lurex blend at Hickeys in Dublin. Luckily, they print the fabric content and washing instructions right on the receipts, so I can tell you with some degree of accuracy that this dress is 53% linen, 44% rayon, and 3% lurex. As far as I’m concerned, this fabric is 100% gorgeous – it’s got a subtle bit of shine under bright lights that really makes it special.
