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The LMB draped dress – muslin

As good as my word, I sewed up a muslin for my birthday dress (next week, birthday fans!), which will be the draped jersey dress from the Feb 2010 La Mia Boutique magazine, #6:

I sewed up the muslin in a viscose jersey, chosen for its very similar draping to silk jersey (with the bridesmaids’ dresses also in silk jersey, I bought TONS of this!), but it is pretty thin and see-through so it’s really only ever going to be good for muslins. After sewing a size 44 in the turtleneck and finding it quite roomy, I decided to go with a 44 here, too, even though I should be a 46 according to their size charts. This is sewn up exactly as per their paper pattern, with no alterations.

Here’s the front, side, and back views of the muslin:

Mentally sewing the LMB draped dress

I’ve gotten as far as I can on my secret other project while I wait for supplies (mostly new labels – can you believe I’ve sewn through the last lot of 120-odd Fehr Trade labels in the past two years??), so I cut out my muslin pieces for my birthday dress. If you’ve got a good memory, it’s this luuuurrrrrvely draped number from the Feb 2010 La Mia Boutique magazine, #6:

What I normally do for foreign language patterns (La Mia Boutique is in Italian) is look at the pieces and get a brief order of construction in my head. Usually I work from the top down, starting with assembling the front bodice pieces then join to the back at the shoulders, then finish the neckline, then if it’s a knit, attach the sleeves at the armscye and sew up the side seams, or if it’s a woven, do the side seams first them attach the sleeve in the round. After sewing for a while, you begin to see that most pattern instructions have you sew things in roughly the same order, so you can just do those here to suit this particular pattern.

But for more complicated patterns like this one, I like to sit down with a pen and paper and mentally go through the whole process, visualising how the different pieces interact and the pros and cons of doing which seams in which order (like “if I do this first, is it going to make it awkward to serge that?”). It’s a great mental exercise in spatial thinking, and one of the most pleasurable aspects of sewing for me.

And it means I don’t have to type in every single word of the foreign instructions and figure out what the translator’s trying to tell me (sewing terms are not the best translated! )!

So since I was writing these out anyway, I thought my order of construction might help others who were eyeing up this pattern.

The forecast

On Saturday I took a trip out to Goldhawk Road with neighbour Helen with a strict list on my iPhone and an even stricter budget! My brain and eyes start to glaze over whenever I enter a fabric store so I have to come prepared with a list now to keep myself focused.

My list was mostly pretty boring – lots of linings (I got a few metres of a silk/cotton woven mix in both black and white for underlining some thin dress fabrics, and finally got some stretchy nylon tricot to line my Vogue sheath and test it for bridesmaid dress lining suitability) plus very cheap but very drapey viscose knit for birthday and bridesmaids dress muslins. The only real fun on my list was some luscious silk jersey for my birthday dress and a nice knit to make James’s sister a dress, and well, both ended up being silk jersey!

As they were cutting my dark turquoise silk jersey, the lady at Classic Textiles warned me their silk jersey will be going up in price to £18/m (once the current £16/m bolts are gone). And Fabric World across the street have black silk jersey (only black) for £10/m as a one-off right now, too. Consider yourself warned, Londoners!

So since I’ve already got the fabrics and the patterns paired, here they are for your visualisation (though they’re not quite the next things in my queue, I’ve got to juggle some muslins and draping in there first) –

Nude sheath dress in progress

I’ve been working on the partner to my grey tweed jacket, Vogue 8576 in a nude, pale pink poly/viscose stretch suiting I bought from Totally Fabrics during one of their fantastic sales.

I usually detest tracing Vogue patterns since their tissue paper is so flimsy, utterly enormous and so unwieldy to work with, but this one was surprisingly small since there’s only one view so no need for tons of extraneous pieces. Still not as easy as tracing KnipMode’s compact newsprint, for instance, but not enough to put me off sewing Vogue for months on end like it did previously!

The overall shape of this dress is quite simple, but it’s cut up into a ton of triangles and curves that can be tricky to visualise. So my first step was to lay them all out and see how they went together (seam allowances are included here so they don’t line up nicely like I’m used to though).

Silver Tweed beginnings…

With the first Planned Partnership done & dusted in the form of my techno skirt and sequin top, it’s been time to start concentrating on another pairing – the pale silver tweed to go with the nude stretch suiting…

I decided to go with the bottom jacket seen above, so I traced all the pieces of it and the skirt pattern, playing it very carefully and was able to fit BOTH the cropped jacket and the skirt out of the 1.5m of tweed I’d bought! Woohoo! It was by no means certain, but my powers of fabric Tetris prevailed and I’m rather proud.

Marni silk blouse – muslin cold feet

In light of NancyK’s conclusion that KnipMode designer knockoffs aren’t as thoroughly tested as the rest of their patterns, I decided to make a muslin of the KnipMode August 09 Marni catwalk blouse before cutting into my nice teal silk satin (charmeuse).

Only now that I’ve got my bedsheet muslin done, I’m unsure about whether I like it or not. Now, you do have to use a bit of imagination here to block out the busy bedsheet prints (in reality, it’ll all be one solid teal colour, plus collar and cuffs):

Planning Sewing Partnerships

In an attempt to get myself to focus on pairing up the lovely (and overflowing) fabrics I’ve got on hand with the lovely (and overflowing) patterns I’ve got on hand, I did a bit of mental and virtual pairing using my scanned catalogues of fabric and patterns and a bit a Photoshop wizardry. I don’t particularly like doing SWAP wardrobes as they’re so rigid they end up feeling like a chore by about the third garment, so instead I wanted to focus on partnerships of fabrics and garments that could go with each other.

The first is the most straightforward: a skirt and blouse combo.

The skirt is one from last October’s KnipMode and features two big chunky zippers on the wide waistband. I just took the plunge and bought two fantastic brass teethed ones with big ring pulls from Zipperstop’s eBay store, only to find out that the brown colour in their photo was actually bright purple. They’ll now definitely be a “feature”!. The blouse is from my beloved August issue and is the Marni catwalk clone – I’ll be sewing that in some pewter silk charmeuse from Goldhawk Road that really brings out the blue in the skirt’s wool flannel.

Ticking Over

I’ve been doing loads more Christmas sewing but I can only show you the barest amount since so many friends and family read the site. But that just means there’s going to be a glut of posts going up between Christmas and New Year, plus I just got two KnipModes so I can show you my picks from October through January, plus I got gifted the Twinkle Sews book so I’ve got loads to say about that, plus it’s soon time for my year end roundup! So lots coming up, and it’s probably a good thing we’re staying at home over the holidays!

But first, two gifts I can show you some peeks of… My friend Pip has cottoned on to the fact that I can make her things in silk that cost way less than in the shops – last year it was the silk pyjamas, but this year she really wanted silk pillowcases, so I made her a pair in black silk charmeuse based on the measurements of my own cases, plus I added a bit of contrast reverse side and a line of piping to jazz it up a bit.

And even though James reads the site, he had so much input into his sweatshirt that it’s hardly going to be a surprise on Christmas morning!

Tricky pattern? Build a paper model first!

After a weekend of tracing patterns and sewing kids clothes (some you’ll see later, but others are Christmas gifts not to be ruined), I finally got a chance this evening to cut out the fabric for the wool jersey top from the latest Patrones, #285, that I wrote about last week:

I came across some gorgeous ex-Prada wool jersey at Ditto Fabrics (you’ll remember them from earlier in the summer when I visited their Brighton shop) and knew I was destined to pair fabric and pattern together! (NB: if you’re planning on making this top with this fabric, buy 2m instead of the 1.5m called for in Patrones as it’s ever-so-slightly narrower than Patrones’s and I had a real tricky time fitting everything into 1.5m!) I also bought some dark turquoise ex-Burberry coating, some I-can’t-believe-it’s-not-silk ex-Prada polyester jersey with trompe l’oiel sequin print, Paul Smith grey marl jersey with stars, and some black stretch denim (all pictured at the bottom of my fabric stash gallery if you fancy a perv!). Honestly, I’m beginning to think the owner Gill is a bit like the UK version of Gorgeous Fabrics, she has such an eye for quality ex-designer stuff!

The funny this about this pattern is that on first glance, it looks like a really easy garment – just a basic blouse with dolman sleeves and some horizontal seaming in the front and back, topped off with a triangular collar with a bit of gathering detail and a covered button. Or so it’d seem. Look a bit closer at the pattern pieces and start chucking bits of the instructions through Google Translate, and it all starts to become a bit more interesting…

Welts and Hives

I’ve sewn as far as I can now on the KnipMode Weekend Bag without the extra laminate – I’ve finished the lining, the three exterior pockets, and joined the two main pieces, but the next step is to attach the zipper to the long strips adjacent to it, and those are the bits I ran out of laminate for (oh, I decided to be lazy/cheap and forego the piping, btw).

So rather than twiddle my thumbs while I wait for the postal strike to run its course, I thumbed through my fabric stash instead to get some inspiration for some “me sewing”, after making so many christmas presents (which I can’t show you til December since the recipents visit here, sorry). Funny, but the two fabrics that jumped out at me the most were two I didn’t buy at all – a browny tweed tartan wool and a royal blue tartan sheer silk. Both are remnants, and both were gifted to me by my neighbour Helen.

My next step was to go through my pile of pattern magazines and find suitable patterns for them both, and I ended up with: