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Manequim magazine – February 2015

When this latest issue of Manequim magazine landed in my post box, I had to stifle a laugh and a double-take that I hadn’t accidentally received a copy of Seventeen magazine from my childhood. Could they have possibly chosen a more 1990s, off-putting cover image?? Like, totally!

Here are the Plus patterns this month: a tunic, simple cowl dres (similar to that Vogue Donna Karan one everyone in the blogosphere sewed up!), and a parka jacket.

Are twist dresses done yet? This one feels really similar to a Pattern Magic design, albeit with a novel back.

From the designer (whom I’ve never heard of & didn’t note down) style section this month, a cute little skort with a panelled front.

Steeplechase Leggings – on sale now!

My Steeplechase Leggings pattern is finally available to buy! Yay!


How awesome is the cover illustration I commissioned from Lauren Cox? I wanted to change up the design a bit for 2015, so I got in touch with her and I created a back cover for the first time as well!

The official pattern description:
These leggings have no inseams! Instead, a curved, outer seam runs from the back of the ankle up to the centre front, where it joins a separate yoke piece. There’s an optional, hidden back pocket, elasticated waistband, and your choice of three lengths: biker short, capri, or full length leggings.

I am seriously SO excited to finally release this pattern – I’ve made up so many samples for myself (and my athlete-model niece) and I even ran a half marathon in a pair on Sunday, too! Even if you’ve never had problems with inner-leg chafing, you’ll suddenly wonder how you ever managed without these – they’re just so comfortable to wear!

And if you’re an equestrian, then you’re in luck, because these are great for riding, especially if you add a little bit of silicone grip to the inner knees – which I’ve marked on the pattern for you, because these pieces look weird! Seriously, get your “WTF face” ready when you look at these pattern pieces, because I guarantee they’re unlike anything you’ve seen before! But they’re still super quick to sew up – most of my pattern testers said they only took 2-3hrs to make, including piecing the pattern together!

Book review: The Great British Sewing Bee: Fashion with Fabric

This is not an unbiased review – if you recall, I worked behind the scenes on the production of the third series of The Great British Sewing Bee tv show, then again on the Children in Need specials (which were actually recorded after the main series, despite airing first), and right after that was done, I started work on the book which accompanies the series, The Great British Sewing Bee: Fashion with Fabric, under the amazing, dedicated, and super talented Claire-Louise Hardie (aka “the thriftystitcher”).

But even though I spent several months as part of the sewing team who developed, adapted, sewed, illustrated, and assisted with the patterns in this book, I have zero financial stake in the sales of this book – I’ve already been paid for my work, regardless if there are zero sales or several million. So this review is unbiased in that regard anyway.

But really, I mostly want to show you all what’s in this book, because a) myself and the team worked really freaking hard to deliver a book chock full of quality patterns, and b) because it really is the perfect book that intermediate/advanced sewists have been craving for a long, long, time. Don’t get me wrong – there are some easy, beginner styles in here, too, but there are loads of projects that are more advanced and have really interesting shapes and design lines.

It should really say something that I spent months of my life sewing up these patterns (both the ones you see as samples in the book, but many, many test versions you don’t see) and I still want to make a ton more. Seriously.

But let’s start with the patterns, shall we?

It’s a great sign that the pattern sheet stack is nearly as thick as the book itself, and each sheet is labelled on the upper right corner so you can see which patterns are printed on that sheet as you flip through the stack. The patterns need to be traced (here’s how I trace a pattern, btw), but they’re colour coded and really nicely spaced out – waaaaaay easier on the eyes than Burda’s pattern sheets, for example, and the sheets themselves are printed on hefty paper, a bit like the old KwikSew patterns. And the sheets aren’t freaking enormous like Vogue’s ones that cover my entire lounge!

Here’s the size chart, which ranges from size 8 (B32.5/W25.5/H36in) to 20 (B45.5/W38.5/H49.5in). Since there are also kids and mens patterns, too, there are (obviously!) different size charts for them. But there are also a few garments in the book which you draft from your own measurements, so if you’re outside the size range you can still make a few things (like Lorna’s curtain skirt from episode three!).

There’s the obligitary section at the start of any sewing book explaining about the supplies you need, how to trace a pattern, sew hand stitches, etc. To be honest, I always just skip past these since I know what I’m doing. But there’s also a section on common fit alterations like an FBA or trouser fitting alterations, too.

But onto the patterns themselves! I haven’t highlighted every single one, but rather pulled out my favourites (or ones where I’ve sewn the sample you see in the book!). For each pattern, you also get a “hack” variation which re-uses the same basic pattern pieces but in a new way to get a totally different look. IMHO, Claire-Louise did a great job in putting new twists on these patterns and showing how you can really make them your own.

In the Cottons section, you get a pattern for capri trousers, which you may recognise from the first episode!

Manequim magazine January 2015

Well, it wasn’t just me, then – loads of you also thought the March Burda was a total stinker! Well, here to mop up your tears with an injection of Brazilian sunshine is the January edition of Manequim magazine (the issues take a little while to make their way across the world to my postbox…).

First up is a pattern from the “soap style” section, a rather nice little top with a collar, gathered back yoke, and long front zipper. Also of note is that this style is available in the full size range for regular Manequim patterns, 38-48, meaning pretty much anyone could make this or use this as a basis for sizing up other shirt patterns which aren’t in your size…

From the cover, I rather liked the design of this flirty, fun little summer dress, and even moreso when I saw it’s made in neoprene (which I assume is actually scuba). The asymmetric hem with the pleated layer is a great little detail.

There’s no designer-style section this month, instead they’ve disappointingly used the 1970s as the design inspiration instead. IMHO, the 70s are the worst decade for fashion so I was surprised I liked even a single pattern from it! But this little camisole stood out, not just for its frill and open back, but also because it uses less than a meter of fabric and is offered in multiple sizes.

I don’t know where you would find a zipper long enough to stretch the whole way down the back of this dress (or you could just make do with a shorter, invisible zip I suppose!), but the real feature here is in the front, anyway! Brazilians love to show a little bit of skin, and the cutaway abdomen in an otherwise demure gown is a really interesting design detail.

Burda magazine March 2015

I’m of two minds when I get a pattern magazine in the post and there’s really nothing I want to sew from it. On one hand – “arrgh! What a waste of my subscription money!”, but on the other, well, at least there’s nothing new to be added to my already-overflowing Must Sew list, right?

I don’t often comment on the covers of magazines, but seriously, did no one at Burda HQ look at the “aloha hawaii” writing overlaid onto the skirt of the same colour and not foresee problems?!? Maybe we should reclaim “aloha haw” and get it trending on twitter, pff.

Oh geez. Let’s start with the abomination on the left – to me this looks like she took a burlap feedsack, wrapped it around her waist, and borrowed some man’s belt to hastily cinch it together. The jungle background isn’t helping, either, all I can think is that she’s on some survival tv show, forced to cover herself with whatever’s available. The unwearable jumpsuit on the right is almost chic in comparison – if you overlook the fact that it’s open to the navel ad requires wearing something else underneath it (the jumpsuit in the upcoming Sewing Bee book is far, far nicer).

This dolman-sleeved woven top is quite a nice take on a woven tee (which are much more frequently short sleeved or sleevless). I’m not completely sold on the underbust gathering, but that could easily be converted to pleats or darts. Still, a nice enough staple to have in your pattern arsenal.

This wrap dress is probably my favourite of this issue – I rather like the waist treatment, and the deep pleats at the skirt are flattering, too. Overall, a really nice, fresh take on the usual wrap dress.

A Mountain of Your Makes (Part Three)

We’ve made it – thanks for climbing the mountain with me! I hope these last few makes of yours are as inspiring to you as they are to me. I always love seeing my patterns go off and have a life of their own – being interpreted in ways I’d never imagined, changed to suit different bodies, activities, and tastes, and truly become your own.

Katherine’s Surf to Summit rashie


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AZGreyGirl’s two different striped Duathlon capris


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JessieBear’s Surf to Summit with ingenious thumb-hole mitts and piping


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Elizabeth’s rainbow leopard Surf to Summit for her sister


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A Mountain of Your Makes (Part One)

I am long, long overdue at showing off all your incredible, inspiring, and beautiful versions of my patterns, and I’ve accumulated so many over the past 6 months or so (shocking, I know!) that it’s enough to fill not one, not two, but three posts! These are only in rough date order from when I collected them, so if you don’t see your more recent make included, hold on, as it may be in Parts Two or Three (all of the Surf to Summit Tops are yet to come!).

Devon and her “Rainbow Sparkle Pants of Awesome” PB Jams


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Winnie’s third(!) art-print VNA


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Ms McCall’s spotty Duathlons


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Kat’s new XYT Workout Top


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Ms McCall’s Threshold Shorts


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Maria’s Funki Fabrics “dyesplosion” XYT Top & Duathlon Shorts


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Burda magazine February 2015

I’m a bit behind on my review due to my emergency trip to the States, but this wasn’t the greatest issue ever anyway, IMHO, but there’s plenty enough to like (and to moan about!).

This shirt is probably my favourite of the entire issue – I love its angular seams, inset corners at the shoulder, and general shape. I thought it’d be the perfect partner for some muted, geometric Liberty lawn in my stash, but the pattern actually calls for jersey. For once I actually don’t want to sew something in jersey, figures! I also quite like the asymmetric skirt it’s paired with. It’s just a basic pencil skirt with some additional, diagonal darts and a drape but I think it works here.

This coat pattern is shown in several guises throughout the magazine, but I like this classic navy version the best (minus the weird patch pockets over the boobs!). It’s also the pattern with coloured, illustrated instructions this month, too.

Here’s that same angular-seamed shirt as seen above, but made in a thicker fabric so it looks more like a sweatshirt than a teeshirt. The skirt it’s paired with here is very simple, but works well to showcase a special fabric, or in this case, just two great colours! (also, bonus points for including a bicycle in the photoshoot, Burda!)

Goodbye Granny

Sorry for the silence this past week, but I had to take an extremely-last minute, emergency flight back to the States last week to attend my grandmother’s funeral (as in “book me a flight for tomorrow“). Her last gift to us all was to prompt a family reunion, and I really felt strongly that I had to be there, so it was good to have some family time despite the circumstances.


Granny and I at our wedding reception in 2010

Granny has been in the background of my sewing for pretty much my entire life, but there were a few times when she featured heavily on this site, in particular when I refashioned her wedding gown into mine in 2010, but also earlier the same year when I made her a blouse from some vintage fabric in her stash (and which my mom said she was still wearing regularly right up until the end).

If you’re a new reader to this site and haven’t yet seen my wedding dress project, then really, I urge you to just stop for a minute, click through and take a look. Granny was so immensely proud that I looked so beautiful in “her dress” and she continued to show our wedding album to everyone she could. I had so many relatives come up to me at the funeral saying how much they loved that I turned her gown into mine.

Overall, this weekend really reinforced to me how much “making” is in my DNA – I knew Granny had been quite crafty, but I hadn’t realised that she was actually a seamstress in her early life before going back to school as a young mother and becoming an insurance underwriter. She continued to quilt and sew clothing throughout her life, but also knit and crochet, too. Happily, I was gifted a very modern-looking yoked cardigan that she’d knitted years ago (I actually wore it to work yesterday!) since I was the only one in the family it really fitted (ditto to a gorgeous pair of sage green leather gloves and an astonishingly beautiful vintage coat).


The funeral stationary was quilt-themed!

Over the course of the weekend, the family went through some of Granny’s most cherished items, and my granddad asked if I’d like to see her sewing machine. Of course I did, and before I knew it, I had it humming away fixing a tear on my sister-in-law’s trousers!

The Sonata is Saved

My main sewing machine is a Joann Sonata, metal-body sewing machine, produced in 1984 and running on a voltage converter since my mom brought it over in her suitcase 12 years ago. It was a gift from my sister-in-law, having been in her family for the past 30 years, and it has been sewing like a dream through pretty much everything you’ve seen on this site since I started writing it in 2005.


The Sonata in 2006(?), pre-boatlife

In all that time, I’ve never taken it to be serviced, and – I’ll admit – I’m not the most regular oil-er, either. But everything was fine until a few months ago, when the foot pedal started to feel decidedly jerky. I’d have to press down quite far before the machine would respond, and then it’d be off at positively industrial speed.

This I could live with.

But then it started to continue sewing even after I’d left my foot off the pedal, sewing off happily into the beyond at lightspeed, leaving me to scream and kill the power switch. Obviously this could not really continue, so I begrudgingly rang up the Maury sewing machine repair shop I’d used a few years ago when my overlocker looper got bent out of shape. The shop isn’t that far away, but since the machine is heavy, I’d been dreading taking it up there, as I’d need James to drive me out on a Saturday.

I’m going to reiterate again that my machine is some random-ass brand no-one’s ever heard of, running on a foreign voltage. But he listened to the issue, and without even needing to open up the case to look at it, told me several ways he could fix it (he’d usually just graft on a new pedal, but with mine being 110v that’d be a long eBay wait). Plus I wanted a few other tweaks and a good oiling, and he said he’d give me a ring when he knew more. I should digress at this point to say that I also brought my overlocker along because I’d bought a replacement upper blade but didn’t have the special Bernina wrench required to take the &%^#% old one off. He swapped it over as I stood there (no charge!), then as we were leaving, ran out into the rain to tell me exactly which wrench to buy if I’d like to change it myself in future. What a dude!