Blog

The Motherload of KnipMode – Part Two

You can read my roundup of Part One of the haul of older KnipModes from Hilde here, but now it’s time for the exciting conclusion to my newly-acquired stash of KnipModes from 2005 through 2007.

KnipMode May 2006

Wow Knip have gone full-on wedding crazy here! The bridal feature takes up a good third of the magazine! Ok so the wedding gown is not really to my taste, but I still think it’s a shame that the pattern is a special-offer to post away for and isn’t included…

…but the patterns for the rest of the bridal party are!! Everyone from the baby to mother of the bride to wow! those are the first maternity patterns I’ve ever seen in Knip! I wonder why they stopped printing them, especially since Burda and Patrones seem to publish maternity patterns with some regularity.

I really liked the khaki and white colour scheme of this feature, especially with this model’s colouring, but my favourite pattern of the lot was these nice pleated trousers:

La Mia Boutique November 2010

With KnipMode pulling out all the stops for their fantastic new December issue, would La Mia Boutique rise to the challenge and present an issue full of wonderful, glitzy holiday wear?

Err, sadly, no. But let’s have a look anyway…

This minidress has some interesting pleating going on at the centre front, but it’s a detail I’ve seen countless times in RTW, and one that Burda published patterns for at least two years ago. But it’s still a nice, very wearable look, and hems can always be lengthened.

This knit cowl dress with shoulder yokes would look great in a luxe, drapey fabric like silk jersey…

KnipMode December 2010

If you thought November was a great issue, wait til you see what KnipMode have in store for us this month! In my opinion, this is one of their best issues in months, and it’s resulted in me sewing a dress from it before the month has even started! That’s a new record, even for me!

So let’s take a look inside…

Right from the first page, I knew this would be a good issue, as I turned the page and gasped with joy when I saw this asymmetrical cocktail dress for stretch wovens. I absolutely love the three curved bands that come up and over the hip and are released into full pleats at the skirt. These bands also carry on around the back at the waist level, so you don’t get a plain “coffin back”, either.

You’ve already seen this one since I sewed this over the weekend, but I love love love this shawl collar dress!! The skirt pieces meet in the centre front then come up and around the neck and back down again to form the collar. This is so nice in person, too, just you wait til I can get a photoshoot up!

The Motherload of KnipMode – Part One

About 8 months ago, I got an awesome email from FehrTrade reader Hilde asking if I’d like her mom’s stash of KnipMode magazines from 2005-2007 as she wasn’t really using them much any more and they both thought I’d give them a good home.

Would I??? Omg.

So therein started the logistical planning to transport a rather heavy stack of magazines from The Netherlands over to London… Around this time we thought we’d be driving navigation equipment over to northern Holland in preparation for a neighbour’s North Sea crossing, so we’d make a detour to Hilde’s, but logistics didn’t work out and we weren’t needed for the neighbour’s barge anyway. And then, in a fantastic twist, a few weeks ago Hilde told me her sister lives in London and brought the stash over in her suitcase for me! So I only had to make a 10 minute walk from my office to her sister’s flat (seriously, what luck that she lives so close!) to pick up the magazines and thank her profusely for lugging them in her suitcase.

And for the past fortnight or so I’ve been absolutely pouring over them, picking out my Must Sews, investigating tiny design details, and noticing what changes Knip have made in the past 5 years.

There were too many for me to scan in one session, so here’s my picks from the early half of the stash, with Part Two to follow next week!

KnipMode 11-2005

OMG Lingerie!! I have already got the most perfect fabrics in my stash to make the camisole with the bra cups – the olive green stretch lace I bought in Paris coordinates perfectly with a teeshirt I got free with a magazine but was comically tiny (what percentage of the UK female population has a bust smaller than 27 inches? Seriously.). I think there might be enough to do the cami with a bit of the teeshirt’s sleeves left for a thong gusset. And you know how much I liked the KnipMode lingerie pattern I already had

KnipMode November 2010

Like the October La Mia Boutique, this issue arrived while I was away on our honeymoon so I’m only just now digesting it (nearly in time for the next issue to arrive any day now).

From the rugged outdoor feature, I really loved this pair of jeans. Mid-leg seams are always so slimming, the ankle zips look great on a tapered leg, and I just love Knip’s trouser details. The only thing I’m not so sure about are those vertical front pockets…

The tech drawing makes this jacket look quite ordinary, but I love it in the pique they’ve used here – it looks simultaneously 60s and current! And the skirt pattern it’s paired with would be a great basic in any fabric.

La Mia Boutique Oct 2010

This is going to be old news to fellow subscribers since this issue arrived while I was on honeymoon a few weeks ago, but I hope it’s helpful for those of you who use these posts to determine whether to buy the issues on eBay or not!

This issue of La Mia Boutique was really focused on jackets and light coats, so the cover image was pretty representative!

I think this coat was my favourite of the whole issue – I absolutely love that collar! I think the button placement is really “off” on this, though (that bottom set just looks far too low down), but I never pay attention to button markings on patterns anyway, so that’d be trivial to change.

I don’t normally go for tunic length OR billowy shapes, but I really like that this is made in a linen-y fabric, and the back technical drawing absolutely intrigues me. This is where I really wish I could speak Italian to figure out what’s being done on that back yoke. Without a back view photo, it’s difficult to tell exactly what’s there – contrast fabric? Lace? Pleating? Embroidery?

In America…

Having an international relationship (even when the expat half is as firmly ensconced as I am) makes weddings a bit tricky. We’re lucky that we didn’t have to take immigration laws into account, but even so, we needed to have wedding celebrations on both sides of the Atlantic to include as many people as possible. So a few days after the wedding, we flew over to Pennsylvania, spent a few days at my parents’ house in Perry County, then had our celebration dinner in Lancaster, taking the train down to Philly to catch up with my Man of Honour, then the Acela train up to NYC for a week of a proper honeymoon before flying back home to London.

So to start, I decided that I wanted to give my Granny a nice memento of her gown, since she had given it all to me, and I ended up with some medium-sized scraps of the really nice silk satin after finishing my gown. So before I left I made up four sachets filled with lavender buds I’d grown on deck, and during the flight I embroidered a silk square for each of these with the initials of her four grandchildren and their spouses, plus the year they were married. It just worked out nicely that my cousin Charlie was the last of us to wed, having their wedding two weeks after ours!

I then finished up the sachet construction at my parents’ house and presented these to Granny before the Lancaster reception dinner.

There was also a nice surprise of a massive box of vintage haberdashery she’d found in a charity shop. I only picked a few things out of it, but I just couldn’t resist some of this glorious packaging!

Then my mom insisted on driving me out to this Amish fabric shop she knows in Perry County – it was only a little ways past my old high school, but I was just blown away by the prices!! I went NUTS in the zippers – tons of really long invisible zips for 75 cents or a dollar (when I’d pay at least £3-4 each for these in London), buttons for as low as 2 cents each (when’s the last time you saw anything for 2 cents??), tons of ricrac and trims, embroidery floss for 30 cents, and (of course!!) they had the bobbins for my hand crank vintage Singer. For 15 cents each!

Our DIY wedding – the music

We’ve been to quite a few weddings and big parties over the last few years, and one thing became painfully apparent after one or two – event DJs are absolutely, embarrassingly awful and there is no way that we were going to have one ruin our party. We’ve heard DJs consistently call the guest of honour by a wrong (but similar) name, play tracks they utterly hate, and totally ignore those cds of “special songs” that they really, really wanted to hear on the night. We’ve heard so much bad and inappropriate music at weddings that James and I even have a running list of Songs That Should Never Be Played At A Wedding Ever (which includes Toni Braxton “Unbreak My Heart”, 50 Cent “Candy Shop”, and Shaggy “It Wasn’t Me”, which we’ve all heard firsthand at weddings).

Now, really, I don’t say this lightly – we are both huge music lovers. We both worked in student radio for years (mostly to get the free cds!), and I’ve worked on the fringes of the music industry for the last eight years (remember the Glastonbury dress?). So not only do we love music, but we know good music, and we know instinctively what order and flow to put the music in over the course of an evening when you want to get the dancefloor going and keep it going. We know when to play obscure (but danceable) indie music, and when to throw in those nostalgic, floor-filling trashy hits (“Baby Got Back”, I’m looking directly at you!).

Our DIY wedding – Cupcakes

Mmm, cake, the sweetest decision to make for any wedding, yet one that’s all-too-easy to get horribly wrong (Unfortunately one wedding I attended years ago had a beautiful cake that was mouldy inside when cut into!!)

Luckily, we had Sarah at Maison Cupcake, a friend of a friend and an amaaaazing food blogger and baker, on our side. Honestly, she’s already in my RSS feed reader and I want to eat her whole site on a regular basis!! Like James’s Auntie Anne (who did our flowers), Sarah’s also a “keen amateur” and not usually a baker for hire. With the quality and detail in the cakes she made for us, though I’m sure she could make a living from this if she wanted to!

We mostly wanted cupcakes, both for ease of serving and the ability to taste more flavours, but we also opted to have a small cake for us to cut. All we stipulated is that we didn’t want a fruitcake (as is traditional for UK wedding cakes) and that we didn’t want to use a cake topper or have writing on it or anything. Sarah suggested something like this chocolate and booze-soaked cherry cake and we nearly bit her arm off! She topped it all with a delicious fondant icing, and yes, she made all those tiny flowers herself!!

Our DIY wedding – printed materials

One cost that can add up really quickly for a wedding are all the printed materials you need for the day. I’m not just talking about the invites (which can get ridiculously expensive if you go the letterpress, inner envelope, return card, RSVP envelope, etc route!), but also all the other bits of papery stuff that is forgotten until a few days before when you realise you actually do need them!

The illustration

The first step in our wedding design process was to commission a cartoon drawing of us from the illustrator John Allison (of Scary Go Round fame). James has been a big fan of his comic for ages now, and we both really liked his design style. So we sent him a photo of us, a brief description of James’s suit and my dress (at that point I was still thinking of that Vogue cowl-neck number) and to imagine 6 months’ more hair on my head. Which somehow he got eerily spot-on.

(Apologies for the awful jpg artifacting – I’ve not got the big version of the illustration in front of me to work from)

The wedding website

With the illustration in a nice, big file, we could then set about making our wedding website, which was to be the crux of our invitations. We both work in web developments, and absolutely everyone we know, right up to my grandparents, has an email address, so this way we could put the bulk of the information for both receptions on our site and be able to update it later, too. The RSVPs were all online, using a Google Spreadsheets form (easy to set up, easier for people to reply to than a trip to the post office, and we could both get access to the running tally), and all the usual venue info and registry links could be added without having to worry about word counts and layout.

I can now post a link to it for you to have a look at James’s standards-compliant coding prowess, because I don’t have to worry about you all messing up the RSVPs or gatecrashing or anything! The worst that can happen is that you decide to buy us some more insulation off our registry…

Invites

So with the website in place, all the invites really had to do was give folks the date, and point them towards the website. We ran up two sets of postcards from Moo.com (one set for the UK wedding and reception, and one for the Pennsylvania reception). And to set the tone, the wording was “James and Melissa are finally getting married!” ha!