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Book review: The Great British Sewing Bee: Fashion with Fabric

This is not an unbiased review – if you recall, I worked behind the scenes on the production of the third series of The Great British Sewing Bee tv show, then again on the Children in Need specials (which were actually recorded after the main series, despite airing first), and right after that was done, I started work on the book which accompanies the series, The Great British Sewing Bee: Fashion with Fabric, under the amazing, dedicated, and super talented Claire-Louise Hardie (aka “the thriftystitcher”).

But even though I spent several months as part of the sewing team who developed, adapted, sewed, illustrated, and assisted with the patterns in this book, I have zero financial stake in the sales of this book – I’ve already been paid for my work, regardless if there are zero sales or several million. So this review is unbiased in that regard anyway.

But really, I mostly want to show you all what’s in this book, because a) myself and the team worked really freaking hard to deliver a book chock full of quality patterns, and b) because it really is the perfect book that intermediate/advanced sewists have been craving for a long, long, time. Don’t get me wrong – there are some easy, beginner styles in here, too, but there are loads of projects that are more advanced and have really interesting shapes and design lines.

It should really say something that I spent months of my life sewing up these patterns (both the ones you see as samples in the book, but many, many test versions you don’t see) and I still want to make a ton more. Seriously.

But let’s start with the patterns, shall we?

It’s a great sign that the pattern sheet stack is nearly as thick as the book itself, and each sheet is labelled on the upper right corner so you can see which patterns are printed on that sheet as you flip through the stack. The patterns need to be traced (here’s how I trace a pattern, btw), but they’re colour coded and really nicely spaced out – waaaaaay easier on the eyes than Burda’s pattern sheets, for example, and the sheets themselves are printed on hefty paper, a bit like the old KwikSew patterns. And the sheets aren’t freaking enormous like Vogue’s ones that cover my entire lounge!

Here’s the size chart, which ranges from size 8 (B32.5/W25.5/H36in) to 20 (B45.5/W38.5/H49.5in). Since there are also kids and mens patterns, too, there are (obviously!) different size charts for them. But there are also a few garments in the book which you draft from your own measurements, so if you’re outside the size range you can still make a few things (like Lorna’s curtain skirt from episode three!).

There’s the obligitary section at the start of any sewing book explaining about the supplies you need, how to trace a pattern, sew hand stitches, etc. To be honest, I always just skip past these since I know what I’m doing. But there’s also a section on common fit alterations like an FBA or trouser fitting alterations, too.

But onto the patterns themselves! I haven’t highlighted every single one, but rather pulled out my favourites (or ones where I’ve sewn the sample you see in the book!). For each pattern, you also get a “hack” variation which re-uses the same basic pattern pieces but in a new way to get a totally different look. IMHO, Claire-Louise did a great job in putting new twists on these patterns and showing how you can really make them your own.

In the Cottons section, you get a pattern for capri trousers, which you may recognise from the first episode!

Manequim magazine January 2015

Well, it wasn’t just me, then – loads of you also thought the March Burda was a total stinker! Well, here to mop up your tears with an injection of Brazilian sunshine is the January edition of Manequim magazine (the issues take a little while to make their way across the world to my postbox…).

First up is a pattern from the “soap style” section, a rather nice little top with a collar, gathered back yoke, and long front zipper. Also of note is that this style is available in the full size range for regular Manequim patterns, 38-48, meaning pretty much anyone could make this or use this as a basis for sizing up other shirt patterns which aren’t in your size…

From the cover, I rather liked the design of this flirty, fun little summer dress, and even moreso when I saw it’s made in neoprene (which I assume is actually scuba). The asymmetric hem with the pleated layer is a great little detail.

There’s no designer-style section this month, instead they’ve disappointingly used the 1970s as the design inspiration instead. IMHO, the 70s are the worst decade for fashion so I was surprised I liked even a single pattern from it! But this little camisole stood out, not just for its frill and open back, but also because it uses less than a meter of fabric and is offered in multiple sizes.

I don’t know where you would find a zipper long enough to stretch the whole way down the back of this dress (or you could just make do with a shorter, invisible zip I suppose!), but the real feature here is in the front, anyway! Brazilians love to show a little bit of skin, and the cutaway abdomen in an otherwise demure gown is a really interesting design detail.

Burda magazine March 2015

I’m of two minds when I get a pattern magazine in the post and there’s really nothing I want to sew from it. On one hand – “arrgh! What a waste of my subscription money!”, but on the other, well, at least there’s nothing new to be added to my already-overflowing Must Sew list, right?

I don’t often comment on the covers of magazines, but seriously, did no one at Burda HQ look at the “aloha hawaii” writing overlaid onto the skirt of the same colour and not foresee problems?!? Maybe we should reclaim “aloha haw” and get it trending on twitter, pff.

Oh geez. Let’s start with the abomination on the left – to me this looks like she took a burlap feedsack, wrapped it around her waist, and borrowed some man’s belt to hastily cinch it together. The jungle background isn’t helping, either, all I can think is that she’s on some survival tv show, forced to cover herself with whatever’s available. The unwearable jumpsuit on the right is almost chic in comparison – if you overlook the fact that it’s open to the navel ad requires wearing something else underneath it (the jumpsuit in the upcoming Sewing Bee book is far, far nicer).

This dolman-sleeved woven top is quite a nice take on a woven tee (which are much more frequently short sleeved or sleevless). I’m not completely sold on the underbust gathering, but that could easily be converted to pleats or darts. Still, a nice enough staple to have in your pattern arsenal.

This wrap dress is probably my favourite of this issue – I rather like the waist treatment, and the deep pleats at the skirt are flattering, too. Overall, a really nice, fresh take on the usual wrap dress.

A Mountain of Your Makes (Part Three)

We’ve made it – thanks for climbing the mountain with me! I hope these last few makes of yours are as inspiring to you as they are to me. I always love seeing my patterns go off and have a life of their own – being interpreted in ways I’d never imagined, changed to suit different bodies, activities, and tastes, and truly become your own.

Katherine’s Surf to Summit rashie


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AZGreyGirl’s two different striped Duathlon capris


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JessieBear’s Surf to Summit with ingenious thumb-hole mitts and piping


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Elizabeth’s rainbow leopard Surf to Summit for her sister


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A Mountain of Your Makes (Part Two)

Following on from yesterday’s Part One, I’ve got a whole new heap of activewear sewing inspiration coming your way. You ladies have been so busy sewing up a storm, and I love that you get so excited when I release a new pattern like the Surf to Summit Tops that you make it all in droves!

Winnie’s fabulous peacock print Duathlon capris


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Cidell’s winter running Surf to Summit Top for her husband, Jordan


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Katherine’s green cherries runderwear (included in my Threshold Shorts pattern)


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Veloswer’s kiwi-styled cycling Surf to Summit Top


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Carey’s teal and white Surf to Summit Top


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A Mountain of Your Makes (Part One)

I am long, long overdue at showing off all your incredible, inspiring, and beautiful versions of my patterns, and I’ve accumulated so many over the past 6 months or so (shocking, I know!) that it’s enough to fill not one, not two, but three posts! These are only in rough date order from when I collected them, so if you don’t see your more recent make included, hold on, as it may be in Parts Two or Three (all of the Surf to Summit Tops are yet to come!).

Devon and her “Rainbow Sparkle Pants of Awesome” PB Jams


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Winnie’s third(!) art-print VNA


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Ms McCall’s spotty Duathlons


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Kat’s new XYT Workout Top


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Ms McCall’s Threshold Shorts


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Maria’s Funki Fabrics “dyesplosion” XYT Top & Duathlon Shorts


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Designer-inspired Colourblocked Sheath Dress

I started planning this dress way back in the first week of December when I got your opinions on all the different colourblocking options, and it should tell you everything about how crazy busy I’ve been that I’ve only actually been able find the hour or two to make it last weekend.

You may recall the story of this “pattern” from when I made it in a solid, mustard-yellow ponte the first time around – I had a very well-loved ASOS dress that I traced off so it actually wasn’t from a pattern at all. (Others have asked if I’ll release it as a pattern, but it doesn’t really fit with my brand sorry!)

What I didn’t show you is that I tested my few pattern changes afterwards with a version of this pattern colourblocked in random ponte scraps from my stash, shortened to top-length, minus the CB invisible zip, and with a teeshirt-bound neckline instead of a facing.

It actually works quite well as a top (though I think the pieces near the hem could be better thought-out), but I wasn’t quite sold on the colourblocking choices, which were mostly decided based on fabric scrap sizes. It felt a bit… starfleet commander. And that’s a look only Catherine Daze can pull off!

But the original goal was to make another dress similar to the mustard-yellow version, inspired by this Chalayan dress that’s been hanging on my sewing room wall for ages:

I had the perfect teal viscose ponte leftover from a client commission, but I went out and bought a half metre of white and a metre of mustard ponte at Goldhawk Road to make up the other pieces. I really wanted the yellow at the waistline curve, but that would’ve meant having the white at the hem (instant grime!), so I ultimately went with the second colourblocking option!

I finally got a few minutes to cut out the pieces in mid-January (having been ill for the entire Christmas holidays!), but then I had to fly to the States for my Granny’s funeral a few days later, and the pieces were waiting for me when I got back. I finally had two hours spare last weekend to close myself into my sewing cave, so this was a great pick-me-up to get me back on track.

Burda magazine February 2015

I’m a bit behind on my review due to my emergency trip to the States, but this wasn’t the greatest issue ever anyway, IMHO, but there’s plenty enough to like (and to moan about!).

This shirt is probably my favourite of the entire issue – I love its angular seams, inset corners at the shoulder, and general shape. I thought it’d be the perfect partner for some muted, geometric Liberty lawn in my stash, but the pattern actually calls for jersey. For once I actually don’t want to sew something in jersey, figures! I also quite like the asymmetric skirt it’s paired with. It’s just a basic pencil skirt with some additional, diagonal darts and a drape but I think it works here.

This coat pattern is shown in several guises throughout the magazine, but I like this classic navy version the best (minus the weird patch pockets over the boobs!). It’s also the pattern with coloured, illustrated instructions this month, too.

Here’s that same angular-seamed shirt as seen above, but made in a thicker fabric so it looks more like a sweatshirt than a teeshirt. The skirt it’s paired with here is very simple, but works well to showcase a special fabric, or in this case, just two great colours! (also, bonus points for including a bicycle in the photoshoot, Burda!)