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The Honest 'Tooth

Even experienced sewers do dumb things. I hardly ever make muslins except when I’ve got really expensive fabric (like coating) or when I’m working with a pattern company I’ve not used very much before. But for Burdas, I know I’m a size 42, and that size 42 always fits me.

Until now. I’ve just finished sewing BWOF 05/2009 #117 and (yes I know it’s a stupid thing to do) I didn’t try it on until I put the invisible zipper in right at the end because it’s a PITA to get someone else to pin you in and out and frankly, I still hurt from that surgery so I just like to get into my sewing zen zone and proceed without interruptions. That’s my excuse, anyway.

So what’s Burda’s?? Being polite, I could say this pattern runs small. Besides the fact that Burda patterns don’t run anything, they just fit, every time, with German precision, since when is it okay to have zero inches of waist ease in any woven pattern (seriously – measured dress waist is 30 1/2 inches. Size 42 body waist measurement is 30 3/4 inches on the size chart)? Argh. I think I’m most annoyed because I trusted Burda so implicitly, and because I did such an awesome job on those pointed underarm gussets that so intimidated me (they actually turned out to be really easy – just make sure you thread-baste the seam lines, interface the point, and sew each in two steps like Burda suggests).

I even had to dial Susan down to her absolute smallest setting (39-29-40) to get the dress to fit onto her, and even then the zipper is really straining at the back bodice!

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Burda floral crossover dress

The second of my winter knit dresses is the cross-bodiced Burda WOF 06/09 #129. I’ve had my eye on this pattern ever since it came out, but I was amazed to see that no one had reviewed it yet on PR, so it’s definitely an undiscovered gem as far as I’m concerned!

I recently ordered a big batch of fabrics from Totally Fabrics (more on that later) in their 40% off everything sale including this brown floral viscose jersey print with shades of teal, fuschia, and grey thrown in. I only ordered one metre (of 1.5m available stock) but when it turned up, it turns out they gave me the whole 1.5m rather than have an awkwardly short leftover! Score! Even so, there was no way I could squeeze this entire dress out of the yardage available, so I had to do a clever amount of fabric Tetris, shorten the hem by 2 inches, make the sleeves 3/4 length, and sew the hidden front bodice piece from a constrasting grey marl jersey.

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The "Lauriana meets Dolce & Gabbana" dress

First up in my duet of winter knit dresses is this amazing knit cowl dress that fellow sewist Lauriana drafted for me(!!!) this summer. Whilst designing this, she not only correctly observed my size, but also that I adore cowl necks and assymetrical details, and gave me the option for a sleeveless or sleeved version! She’s the best! Since I’m in dire need of comfortable winter dresses, I opted to go for long sleeves this time around, but I would definitely make this again for summer without them.

I made it up in some luscious Dolce & Gabbana viscose knit that I bought at Ditto Fabrics HQ in Brighton in June. It’s been in my stash just waiting for the perfect pattern match, and since it’s such a crazy, busy print, I thought this pattern with both front and back on the fold would be great for keeping the swirled dots intact.

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Toddler two teeshirt

Sorry about the delay in the knit dress photos – I’d planned to do a photoshoot on Sunday but we had a mini hurricane all day, and then I had lung surgery yesterday so even though the dresses are finished (and I’ve started on a third!), it’ll be a few days until I can climb into them without wincing and make myself presentable.

So it’s a good thing that I’ve got these phots of my little neighbour Rosie’s 2nd birthday present to keep you occupied in the meantime, eh? A few weeks ago we were invited to her party and knowing how much she loved Matilda’s dress, I thought I’d make her something to announce the proud occasion.

There’s a great amount of toddler patterns in Burda magzines, but I finally settled on BWOF 05/2006 #137 which is just a simple teeshirt with shoulder snaps for easy dressing. I used some of the ex-Paul Smith grey jersey with stars, bought from Ditto Fabrics, and some lavender cotton interlock leftover from my mom’s dress to make it a little more girlie!

Inspiration

Patrones pals!

Remember that wool, collared Patrones top I made recently? Well, I’m so happy to report that my overly detailed instructions for it weren’t in vain, because Kim’s made this top, too! It’s fitting, really, since she’s the one who hooked me up with this issue in the first place… 😉

Doesn’t she look great? In her own words:

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Nostalgic flowered jeanskirt

I’ve had this flowered black and red denim I’ve since I was 13 or 14 year old. I remember being so inspired by the “sewing machine driver’s test” we took in Home Ec class that I got my mom to buy me this at JoAnn’s Fabrics and I made a really simple tote bag out of this using her old pea-green Kenmore sewing machine. The bag fell apart soon after (let’s just say I wasn’t big on following any “rules”), but I just attached the straps back on with some safety pins and continued to use it as my school bag for the rest of the year.

I honestly had no idea this fabric even still existed, but my mom found it lurking somewhere in my old room at their house and brought it with her this summer. I looked through my pattern magazine archive (made so much simpler by scanning each of the index pages into an online album) and #113 from the July 2008 Burda WOF magazine jumped out as the prime contender.

There wasn’t much fabric left, but it was plenty enough to make this skirt. I’d definitely keep this one in mind if you’ve got a metre or so of heavyweight fabric you want to make use of!

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Sew your own designer jeans!

Step One: Find yourself a pattern with tons of interesting details. In my case, I’ve used pattern #7a from the December 2008 issue of KnipMode magazine.

Don’t get me wrong, I love Burda, but when’s the last time you saw one of their trouser patterns with anywhere near this much detail?? KnipMode are by far my best source for interesting trouser patterns in the last year or so!

Step Two: Find some ex-designer denim like this black stretch denim from Ditto Fabrics in Brighton (50% Cotton 45% Polyester 5% Elastane) from “one of the Italian designers”. It’s listed as black, but when it’s held up to black, it looks blue, and when held up to navy it looks black. Whatever the colour, it’s seriously the nicest stretch denim I’ve ever come across, and it’s really similar to the weave you find in RTW jeans.

Step Three: Sew!

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Prada meets Patrones

Ahhh I finally get my designer fix! Patrones may have stopped attributing designer names to their patterns, but it hasn’t stopped me from adding my own glamour to the mix… This short sleeved top with an interesting gathered and buttoned triangular collar is no1 from the latest issue of Patrones magazine, #285:

So where does the Prada come in? Well, the fabric is a gorgeous ex-Prada olive wool interlock from Ditto Fabrics in Brighton. I’ve only ever sewn wool jersey once before, and after the struggle I had to keep that from rolling onto itself in both directions, plus having to use double layers to keep it from being see-though, I wasn’t overly keen to sew with it again.

But oh my god, the difference between these two fabrics is like night and day! This wool interlock is just beautiful – it washed up a dream, behaves beautifully in the overlocker and sewing machine, presses and molds the way you want it to, and is just SO soft you’d never guess it was wool at all. Honestly, this stuff is just amazing to touch.

If you remember, I had some difficulty visualising how the pattern pieces fit together in this top, partially down to my not speaking Spanish, but also due to the 2D nature of the technical drawings and the one limited magazine photo. So I made a paper model to help figure out that the collar actually is detached from the neckline in front (the neckline being bound by a bias strip) and the sleeves have pleats on the upper arm where they meet the sleeve band. If you’re interested in the construction of this pattern, I recommend you open the earlier post in another tab now to refer back to while you look at the perty photos!

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Silk tartan overblouse

Sorry for the delays in posting these photos, but I really wanted to do some proper photoshoots, and last week I had 8 hospital appointments in 5 days, and it gets dark by 4pm now in London so it makes matters even more difficult!

But if you’ll recall, my neighbour Helen gifted me a bunch of fabric from her fashion school days earlier this year. You’ve already seen her wool tweed turned into a skirt, but now’s the chance for the silk to shine! I had a browse through my vast pattern magazine archive and discovered that overblouse 114 from the Nov 08 BWOF (on the right in the first photo below) was the perfect design as it actually called for the exact type fabric I had, and it didn’t have any fiddly button openings that would make a clean finish difficult here, either.

This silk is a semi-sheer crepe chiffon, with a wonderful tartan printed onto it. This was printed onto the fabric after it was made, as opposed to most tartans which are made with the pattern woven into it with different coloured thread. The extra cool thing here is that the tartan is actually printed on the bias, which gives so much more interest to a fairly plain top, without adding any visual width that a wide horizontal stripe might give to the wearer.

In Progress

Tricky pattern? Build a paper model first!

After a weekend of tracing patterns and sewing kids clothes (some you’ll see later, but others are Christmas gifts not to be ruined), I finally got a chance this evening to cut out the fabric for the wool jersey top from the latest Patrones, #285, that I wrote about last week:

I came across some gorgeous ex-Prada wool jersey at Ditto Fabrics (you’ll remember them from earlier in the summer when I visited their Brighton shop) and knew I was destined to pair fabric and pattern together! (NB: if you’re planning on making this top with this fabric, buy 2m instead of the 1.5m called for in Patrones as it’s ever-so-slightly narrower than Patrones’s and I had a real tricky time fitting everything into 1.5m!) I also bought some dark turquoise ex-Burberry coating, some I-can’t-believe-it’s-not-silk ex-Prada polyester jersey with trompe l’oiel sequin print, Paul Smith grey marl jersey with stars, and some black stretch denim (all pictured at the bottom of my fabric stash gallery if you fancy a perv!). Honestly, I’m beginning to think the owner Gill is a bit like the UK version of Gorgeous Fabrics, she has such an eye for quality ex-designer stuff!

The funny this about this pattern is that on first glance, it looks like a really easy garment – just a basic blouse with dolman sleeves and some horizontal seaming in the front and back, topped off with a triangular collar with a bit of gathering detail and a covered button. Or so it’d seem. Look a bit closer at the pattern pieces and start chucking bits of the instructions through Google Translate, and it all starts to become a bit more interesting…