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I guarantee you won't buy too much

I have a surefire way to guarantee you won’t overbuy at your favourite fabric store – run home from there.

Yesterday I took the day off work because we had some important but tedious appointments in the afternoon, but I wanted to squeeze in a quick trip to Goldhawk Road to buy the silk for Pip’s christmas pyjamas, and since I run Monday, Wednesday and Friday mornings, I needed to work that in somehow, too. So I was whining to Pip about how I couldn’t fit it all in because it was also a low tide day (long story), and she just said “Well, why don’t you just run to the store?”.

The Patrones haute hoodie

Finally – the sun was shining, the coats came off and the Pimm’s very nearly came out! This weekend was strangely summer in October here in London, and we finally got plenty of sunshine to showcase my green Patrones sweatshirt. As you recall, my impatience kept me from finishing this sooner, but the Halhuber jacket from Patrones 272 finally came to be:

AllisonC made a beautiful traditional interpretation of this jacket if you’re interested to see it more in keeping with the original design. I opted to go a different route entirely (as you can see!) though I made surprisingly few alterations to the pattern. I lengthened the sleeve cuffs by a few inches as the sleeves came up pretty short, and I cut these and the waist band in ribbing on the fold to nicely finish the edges. And apart from adding the hood and pockets, that’s pretty much it!

It’s funny how fabric choices can make two creations with similar “bones” look so different!

The Sweatshirt of Impatience

You’ve heard of the Bluebird of Happiness, right? Well, this is my Sweatshirt of Impatience. It’s not the sweatshirt’s fault that I got a bit over-eager and impatient to finish it and wear it out, and everything can be fixed, but seriously, this would’ve been properly finished sooner if I hadn’t been so impatient.

I’ll save the construction details and pattern changes for the full, finished roundup, but let’s take a little time now to go through the lessons I’ve learned here.

Couture sweatshirt update

Despite having an incredibly busy week with something on every night, I’ve still managed to make some good progress on my “couture sweatshirt” interpretation of the Patrones Halhuber jacket…

I’ve really only got to do the hood, which involves interfacing and attaching the eyelets for the drawstring, making the drawstring, sewing the hood edge with a twin needle, and attaching it. All that sounds like way more work than it actually is, and will probably only take an hour or so. And then I’ve just got to attach the zipper to the centre front panels…

But then I decided that I really like front pockets on sweatshirts (and I’ve always got tools, keys, my mobile, and/or tissues in them!), so I’ve drawn up some suitably angular ones to add on.

Race tops and new patterns

It is an enigma that, while the overwhelming majority of 10k race participants are slim and svelte, race shirts given away to participants are always enormous!

I had two race shirts made out of the nice wicking polyester that were way too big to wear (hanging down to my mid-thigh! And I’m not exactly Tinkerbelle…) but too nice to let rot in my wardrobe, so I cut them up!

I used the same KnipMode pattern as before, but got lazy and just serged all the edges with my white woolly nylon thread and didn’t bother with the elastic. The armpits were a tad too high before, so I lowered those, but otherwise just approached this as a no-nonsense reconstruction to get some wear out of garments I previously wouldn’t touch.

Satin cowl blouse

You’ve seen it in the tweed and satin three piece suit, now it’s time to reveal the blouse on its own!

Marfy 1210 is the first Marfy pattern I’ve ever sewn, and if you’re not familiar with them, Marfy patterns come with no instructions, no technical drawing, no layout diagrams, nothing. You don’t even get any other sizes – just the one you’ve ordered, in pre-cut tissue, just like vintage patterns.

So the above is all I had to go on, plus a few cryptic phrases rubber stamped onto the tissue itself (if you thought “Burda-isms” were bad, hoo boy, you should see Marfy!). Still, I knew I was up for a challenge, and to be honest, the construction wasn’t any more different than dealing with KnipMode or Patrones when I can’t understand the instructions.

There are a lot of things I like about this blouse, but there are also a fair amount of things I’d change if I made it again.

Tweed capelet

Almost a year ago I saw and instantly fell in love with this Trina Turk capelet:

Around the same time, the lovely ladies at Go Patterns sent me their new capelet pattern, #2002 after I was so impressed with their little black dress pattern. Really, how nice of them!

Looking at the two together, I instantly saw the possibilities, but didn’t quite get around to finding the right fabric or the time last winter, but this year it all came together to form this sweet little capelet…

Patrones 272 – the Fall fashion holy grail

The new September Patrones that’s on sale now is quite possibly the best they’ve ever created. Almost everything in it is wearable, and made with normal fabrics you can actually buy without having a couturier’s budget and contacts – entire sections full of classic winter coats, tons of CUTE capes and cropped jackets, and a plethora of wool trousers. One whole feature is JUST high waisted skirts and trousers, and another is entirely vintage dresses! Even the maternity section is styled in such a way that every piece can be worn by the breeding and non-breeding alike (showing two photos of every piece).

I’m actually feeling overstimulated and giddy just flipping through it.
#264 used to be my favourite issue, but this one has totally trumped it.


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