(Potpourri in its 2nd definition, that is.)
I’ve been rather busy, though I’ve got nothing to show for it here! I finished the two changing mats I was commissioned for new mums, I finished one present (but I’m still working on the second!), and I bought the October issue of KnipMode magazine (which comes with an additional supplementary magazine like February’s did. Or was that March?) as well as my first Marfy pattern – 1210, a lovely blouse.
Due to popular demand, the latest addition to my FW/07 Collection is the Go Patterns little black dress, 4001. This dress is not one to be taken lightly, as you’ll remember from my fitting session – it’s much more of an exercise in couture techniques than a quick dress you can whip up in an evening. At several points I got a bit frustrated with my glacial progress and the amount of hand sewing, but the end result is just… breathtaking.
To continue on with my domination of the world’s media, my interview with the Financial Times Germany appeared last weekend! This time I even got a funky illustration of me cutting into an IKEA shower curtain to go with my feature! Click below for the front page of the Weekend section, or for just my article (which appeared on page two).
I finished the muslin for the Go Patterns Little Black Dress last night. It was rather fetching in its recycled-Hendrik-duvet-cover material, orange basted seams, sharpied notches, unfinished hems and zipperless back!
At the end of last winter, my beloved handbag was looking decrepit and sad, and I forced myself to throw it away (but not before taking a memorial photo). The exterior was brown suedette, with the last remnants of James’s dogs playing poker fabric as the lining.
I used that bag to its death, but I knew that come colder weather, I’d set out again to make my 5th (I think?) Hotpatterns Nairobi bag. This pattern was given away as a free pdf when they first launched the site, but as far as I know, it’s not available anywhere any more.
The first ever Fehr Trade catwalk show on Sunday was a massive success! The four designs I showed went down really well with the crowd and with the backstage ladies alike (who couldn’t keep their hands off that gorgeous silk!). I’m so pleased with how everything went, from the models to the music, to the organisation (by La Geneve North and Fat Talent), and most of all, by those of you who took time out of your Sunday to come down!
Unfortunately, my photos from the catwalk itself didn’t turn out too great, owing from my camera’s autofocus delay “feature”, but luckily the backstage shots did. You’ll just have to imagine these ladies strutting to the dulcet bleeps of The Blow‘s “Pile Of Gold”…
As part of my FW/07 Collection, I decided to embrace the menswear trend and create a pinstripe suit, borrowing from classic tailoring, but updating it all with feminine elements.
I’ve been working away on my FW/07 Collection in every spare moment, but for the last week, my spare moments have been drastically reduced by boat duties. So rather than the glamorous woman you’ve come to know from this site, for the last week I’ve been looking more like this:
Following on from the jedi jacket, I thought I’d stick with Simplicity 3631 a little while longer and make a blouse using the bodice from the dress and the poofy, cuffed sleeves from the long jacket. On closer inspection, however, I realised that the jacket and coat both have raglan sleeves, which wouldn’t work to just attach to the bodice (which needs a cap sleeve). So rather than go through some extensive redrafting session, I just used a cap sleeve pattern piece from elsewhere, widened the hem, and created my own cuff to button closed at the wrist.
As part of my fabric buying spree in the States, I bought some gorgeous emerald green silk charmeuse from fabric.com, with plans to make HotPatterns’ Deco Vibe So Pretty dress. As my FW/07 collection is keeping me rather busy, I hadn’t given myself a timeline to make this dress, even though I’ve got all the materials to hand.
But last night James and I finally went to see Atonement at the cinema, and I couldn’t help but notice that the beautiful 1930s evening gown worn by Keira Knightley’s character in the film is very similar to to the dress I’d already planned!
