My friend Pip asked me if I would copy one of her favourite handbags as her Christmas present.
Only in black leather.
And with a big buckle that was actually a snap.
My friend Pip asked me if I would copy one of her favourite handbags as her Christmas present.
Only in black leather.
And with a big buckle that was actually a snap.
My boyfriend’s sister is expecting her second child in February, and I just happened to draw her name in the family’s Christmas exchange, so I thought it was fitting to make up another baby changing mat for her new arrival. This time I used a pale green hand towel and some red fabric with baby Japanese animals on it, which is very cute indeed! I used a few scraps from that fabric to make six lavender satchets to go with the mat (I figure I’m giving her the gift of sleep if she wraps up a few of these in the baby’s bedding!).
My father is the perfect man to play Santa. He’s got the big, white beard, a well-cultivated beer belly (he’s a Yuengling man, if you’re buying!), and a jolly Germanic red nose. He looks so much like Santa, in fact, that my friends in high school would call him that even in the heat of summer.
So it was a crime against Christmas that he didn’t actually own a Santa costume, especially since my brother’s kids are now at the perfect age for a “visit from Santa”. So I took it upon myself to correct this, and armed with Mccalls 8992, some red velour from the Utrecht fabric market (which may look familiar to you!), and some white fun fur, I made him a costume fit for a Santa professional.
What better way to celebrate the start of the Christmas party season than with a luxe new top that shimmers in the lights? I made Burda 8132c for the pre-launch of BurdaStyle.com, a new community-based sewing site that’s launching in December 2006. I’ve written up a TON of tips and tricks for the site, so I’ll amend this article with a link to those once it goes live.
While in Holland last weekend, I managed a very quick run through Utrecht’s amazing fabric market (every Saturday on Breedstraat, with 100+ stalls of every fabric imaginable) and got a bunch of red velour for another (secret!) project. I finished the other project and used to offcuts to make this very warm and snuggly top, just in time for winter.
I downloaded this jacket pattern by designer Yohji Yamamoto a few years ago, but I never really got any further than that until I discovered a late-open Kinkos in central London that could large-format print the free pdf for me (because, frankly, I have better things to do with my time than print and tape together 54 sheets of A4 paper!). With the pattern in hand, it was only a matter of days before this jacket was keeping me warm.
This jacket is such an interesting design – it only has two pattern pieces, and can be worn two different ways. I’m actually not sure which way I prefer it, so I’ll let you all decide (leave a comment telling me which view you prefer!).
Why is it that we have to stop playing dress-up once we reach a certain age? Sometimes it’s good to have a special dress that makes you feel like the prettiest girl in the room, the one all eyes are on — like a princess, really.
I’ve been doing so many long and involved projects for other people recently, that I’ve realised that I haven’t done anything for myself in a while. My sewing schedule is pretty much booked solid through to Christmas now, so I wouldn’t be able to make anything for me until at least January! So this Sunday, when I finished my housemate’s Gez’s party dress early (more on this later this week, I promise!), and got to a good stopping spot on my boyfriend’s pirate jacket, I suddenly found myself with a free evening. Starting at 5pm with an unopened pattern, I had the following shirt finished by 9pm (in amongst making dinner, too!).
I took a little sideline from my current two big projects (a massive velvet pirate coat for James and a lemon yellow tulle dress for a friend’s 30th birthday) to sew up some new arrivals for a friend’s, err, new arrival.
On Sunday I dragged my boyfriend out of the house at a very early hour in order to get to Anita’s Vintage Fashion Fair before all the good stuff was gone. There were loads of vintage dresses ranging in price from £10-60, mountains of antique jewellery that refused to fit on my very unladylike fingers, and likewise, a beautiful bunch of classic hats that were far too small for my head.
But I’m not one to be disappointed easily, and I was thrilled to see so much vintage haberdashery on show, and at very good prices. I picked up a gorgeous Art Deco style (“style”, because I have no idea when it was actually made) belt buckle for £2, a card of five very mod-looking buttons for £3, and from the only stall selling any dress patterns, a late 50s Butterick dress pattern, 9734, for £4.