I’m rather proud of my recycling skills on the grey halter top I made this afternoon – the grey jersey fabric came from a pair of oversized lounge trousers I picked up at a Naked Ladies Party (it’s not what it sounds like – it’s a party to get rid of all your old clothes and pick up new ones off other ladies!), the pattern was a gift from benevolent craftster RiAnge who was cleaning out her pattern stash, and the fantastic plastic skull charms were a gift from my friend Caramel who picked them up at a craft sale in NYC last time she was over. So in total, I spent absolutely nothing and I’ve got this fab top to wear for the rest of the summer!
Pink rocker skulls
Jeepers creepers!
I’ve finally finished the 1930s Day Dress and debuted it at The Big Chill music festival last weekend. My boyfriend is rather fond of crisp linen suits and his beloved authentic Panama hat, so I thought we’d strike the perfect couple pose strolling around the Malvern Hills…
There's no Depression here…
I’m terribly excited to finally have begun work on Folkwear’s 1930s Day Dress! I bought the pattern and both the vintage-print crepe de chine and the contrasting teal crepe de chine (which you may recognise from the kimono top a few months ago, but I set myself a goal that I wouldn’t make the dress until my measurements matched that of my dressmaker’s dummy, unpadded (yes, I realise it’s adjustable, but bear with me here). I’m happy to say that I’ve lost the 4 inchess off my waist that held the biggest discrepancy between myself and Susan (said dummy), and I’m headlong into a new project, thankfully with enough summer left for a vain hope to still wear it before the first frost!
Not your average von Trapp dress
As you may have already read, I started work on a sheath dress made from a 1960s dress pattern. I am happy to report that the dress is now finished, though the end result bears little resemblance to the pattern sketch. Mostly because the pattern sketch does not show a sack of potatoes. Once again I fell into the trap of being entranced by the lovely, stylish drawings on the fronts of vintage patterns, choosing to ignore the little voice in my head that knows you can only trust a photograph on these kinds of things.
I normally hate IKEA, but…
…it was just before closing time and there was some cute fabric I wanted to grab (and the boy wanted some pear cider from the Swedish shop) so I allowed myself to be dragged into the 9th circle of hell, just this once. Across the warehouse-wasteland expanse of the store, a bold red print called out to me. But on further inspection, the print belonged to just some pillowcases. How disappointing!
Or, what if I could somehow turn those pillowcases into something wonderful? It took an evening, but out of two pillowcases and a bit of bias binding, this skirt emerged (and because the pillowcases each had a zipper, I’ve got an extra now!):
60s sheath dress
Last night I started work on this lovely square-neck 60s sheath dress pattern that my mother bought for me at a flea market somewhere in deepest, darkest Pennsylvania:
The pirate jacket
My boyfriend and I are currently saving up for the mortgage deposit to buy a boat (a huge barge, not a tiny narrow canal boat) to live on starting this winter. We don’t want your average housewarmi- sorry, boatwarming party, so we’ve already decided it’s going to be a full pirate fancy dress theme. And if you’re throwing a fancy dress party, you’ve got to be the best dressed ones there!
For him, I bought Simplicity 4923 and have very slowly started to make the jacket portion out of a gorgeously thick, black silk velvet I scored at Walthamstow Market for £3/mt (by rights, it should’ve been at least £20/mt). He picked out some very nice hemispherical antique brass buttons from MacCulloch & Wallis plus some dark gold braid for the accents.
Summery vintage kimono top
I made this with a vintage-style crepe-de-chine dragonfly print from efabrics.co.uk (99p a meter! and it was coincidentally made in Japan), and a matching jade green crepe-de-chine from the same place that wasn’t on sale, so it was £2 a meter. I was really breaking the bank on this project…
Green & orange oriental wrap dress
I saw this dress while looking through TopShop’s website recently:
I love it, but a) the bastards don’t make it in my size (what the hell, every other dress but not this one?? argh.), and b) I could make that!
Marc Jacobs-esque, black ruffled New Year's top
I had a bunch of black satin left over from my black vintage evening gown so I thought I’d spice it up a bit by adding some fancy satin accents to it. I think the end result has something of a 70s tuxedo feel to it.