Search Results for: burda magazine october 2014

Happy 2015! (My year in review)

As I do every year, I like to spend the first of a new year to take the opportunity to look back on what I’ve sewn in the previous year. So without further ado, here’s a visual reminder of 2014!


Click the image to see it better, or right-click here to see it in a new tab to get a better look!

Tip: If you’d like to skim back through the posts for the above projects, you can click Gallery in the upper left menu, which will only show you finished projects, without all the magazine reviews and in-progress reports getting in the way!

The Year in Stats

In terms of pattern companies used this year, I made:

  • 29 FehrTrade patterns (no surprise, really!),

  • 7 Burda magazine (aka Burda Style),

  • 5 Self-drafted (including traced from RTW),

  • 4 KwikSew (well, the same one pattern four times!),

  • 3 Manequim magazine,

  • 3 Cake Patterns,

  • 2 Style Arc,

  • 2 Vogue,

  • 2 Orange Lingerie,

  • and 1 each from Simplicity, McCalls, ThriftyStitcher, Christine Jonson, Seamster, Named, Sinbad & Sailor, Drape Drape, House of Pinhiero, and Jalie.

By my count, I made: 31 tops, 19 trousers (including leggings & shorts),
5 dresses, 4 pieces of lingerie (bras, panties, slips, etc), 3 skirts, 3 jackets/coats/cardigans, and 4 bags. James also did well this year, being made a winter coat, 2 shirts, 2 cycling tops, and a dop-kit bag.

And I realise I’ve been sewing a lot of running gear but the total number even surprised me – 34 of the above were for running (though not all for me)!

The above may sound like a lot of sewing, but even this is only a fraction of what I’ve actually sewn – I couldn’t really include all the garments sewn for the Great British Sewing Bee, for example, or those made for custom clients (of which there’s been a LOT!), or for the book I’ve been working on, either. In all honesty, I think you could probably double the amount shown above and it’d be closer to the total output!

A Week in a Day

I’ve been a bad blogger this week. I’ve been doing lots (as you’ll soon see), but working every weekend for the past three, plus the weeks in between, and some out-of-town trips have all really sapped my enthusiasm to write! So I’m taking the lazy option out and catching you all up with a little roundup – a week’s worth of posts in a day…

Like the Wind workshop

Cult running magazine Like the Wind approached me a few months ago to ask if I’d like to run a “sew your own leggings workshop” at the week-long popup they were throwing together at the end of October. I’d known one half of the husband-and-wife team that run the magazine, but I’d never met Julie before this. Once I found out that she not only owns her own overlocker, but bought it when she sewed her own wedding dress with it(!), I knew we’d get along just fine.

We had five runners who’d only done a small amount of sewing before, but had never touched an overlocker before, and certainly not a coverstitch either! They each picked their own fabric from FunkFabrics’ range, and walked home in some very stylish leggings at the end of the afternoon!

Georgina picked a “Gotham” print, so of course she just had to pose with the Batman art in the gallery!

And here’s the finished set! I saw quite a few little “omg I’m so happy in my leggings” dances at the end, which really reminds me why I love teaching so much. Lucy posted a great writeup of the street art tour and my class, too.

There may be another Like the Wind workshop in the new year if we can work out the logistics, but there will definitely be more up at the Thriftystitcher studio in January and February, to be announced very soon! The classes are very similar, so if you’re a runner you can come learn at Thriftystitcher, or non-runners vice-versa at Like the Wind.

But I was so jealous of all their finished leggings that I treated myself to some Funkifabrics lycra this week (it was difficult, but I settled on this geometric aqua number in the end, because it reminded me of a Lamb album cover!).

Random sweatshirt sewing

When I was pulling out supplies to bring along to the workshop, I came across pieces for this sweatshirt that I’d cut out in February when I was trying to deplete random bits of leftover sweatshirting that was taking up too much room in my little sewing cave. The lavender “sacrificial sweatshirt” came out of that same cull, but for some reason I never quite got around to sewing this blue one together at the time.

Digital-print Cowl neck top

Every now and then, I feel like I really crack a garment – I end up with something that truly blends the most perfect fabric with the perfect pattern. I wasn’t entirely sure until I wore it for a day, but this top really nailed it! It feels 100% designer, special, and yet me at the same time.

The cowl-neck tee pattern is from the October 2014 issue of Burda magazine or available to buy individually as a pdf, and it came in three versions – a plain top (which is the one I made) – a tee sliced into various colourblocks, or a plain dress.

But this garment is really all about the fabric, and the pattern itself plays a supporting role. In fact, most of the time, care, and attention to the entire process was in placing the pattern pieces! Look what I had to start with:

I bought this digital print lycra from Ditto Fabrics when I was down in Brighton this summer (an Italian designer offcut that I snagged for £15!). Originally I thought I’d have the main body in the trompe l’oiel knitted houndstooth as that was what drew me to the fabric, but the houndstooth portion wasn’t quite long enough for the front and back, so I placed those over the “lace” portions and cut the sleeves from the houndstooth instead.


Worn with my Colette Beignet skirt I made back in 2010 that’s sadly, a bit too big for me now (it’s really relying on cinching that belt!

I used a size 40 for the first time here, which is my “new” Burda size since I’ve lost a few cm through training, and the fit is just as I’d like it, really. I loooooove the slim fit sleeves in particular on this pattern. They’re extra long here, too – it’s noted in the instructions are that the sleeves are 10cm longer than normal. I wasn’t sure if I’d keep them extra long or not, but as I was laying out the sleeves, I saw that the piece overlapped into the lace print area nicely, creating a sort of cuff-effect at the sleeve that I really liked the look of: