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Surf to Summit Top – Four Winter Running versions

Phew! It’s been one heck of a few weeks! I’ve shown you all of the many different versions of the Surf to Summit Top pattern that I’ve made not only for myself, but also my athlete-models. So far you’ve seen versions for snowboarding and cycling, and surfing, but today’s versions are all for winter running.

One of the great things about this design are all the opportunities for colourblocking, and I wanted to play around on this version so you can really see the seamlines – plus I added an extra seam of my own on the shoulders! On the Front and Back, I used some forest green UA Cold Gear fabric (now long gone) from my stash. On the Side panels, I used some reflective fabric from The Rain Shed. A note about this fabric, though – I really like it, but it is not lycra as stated in the description – it’s much, much closer to the sort of textured fabric you find in technical race tees (like DriFit). For the sleeves I used some leopard-print lycra from UK Fabrics, but I didn’t have quite enough leftover from my leggings to fit the entire sleeve in, so I introduced a curved seamline and used some reflective fabric at the shoulder instead.

But let me introduce my athlete-model, Daniel. I’ve probably run more training miles with Daniel than anyone else on earth and he’s a great friend of mine, in additional to being a truly inspiring runner. Dan only started running a few years ago, and has truly embraced endurance running, going from running his ever first race (a 10k) to running his first 100km ultra this year, with a bunch of marathons thrown in for good measure. He’s even run the grueling Mont Blanc Marathon, and regularly passes runners half his age on Tuesday nights.

I made this men’s version of the Surf to Summit Top at the very end of the testing process, so it’s identical to the version you buy, and I especially like how this fits Dan in the waist and hips – this is exactly how I intended the men’s version to fit. It’s slim-fitting without being loose, but isn’t skin-tight, either. If you prefer your tops to fit differently, I’ve included instructions on how to alter the pattern to get the fit you want, as I discovered in testing that men are really polarised on how they like their exercise tops!

Book Review: Two Pattern Grading books

I’ve got not one, but two books to talk about today, both on the subject of pattern grading, which, to be honest, has hardly any books published on the topic and seems to be a bit of an industry secret or something.

If you’re not familiar with what pattern grading is – it’s the process of taking one pattern and adding or subtracting amounts at various points to make it another size, or multiple sizes. This isn’t just a simple equation of “well, size Y is twice as big as size Q” because humans’ shapes don’t grow at the same rate (ie: the difference between a size 0 and a size 18’s shoulders aren’t likely to be as great as the difference in hip sizes). In general, the measurements around the body change much more than the vertical measurements, so you need to follow some rules to know how far to move different points and in which directions.

Now, there’s an old-fashioned way of doing this with paper patters, scissors, tape, a special “grade ruler”, and several hours of your time, and this was covered pretty extensively in the September 2014 Threads Magazine (#174). In my personal opinion, this is fine if you only want to change one pattern to one other size, for instance if you have a vintage pattern but want it in your own size. Doing more than one size this way is a great way to end up throwing everything into the bin after several hours of swearing.

In my opinion, the far less stressful way to do pattern grading is digitally. You select a point, tell your software (like Adobe Illustrator) to move it xx cm vertically and yy cm horizontally, and you do that to all the points around the pattern. No taping, no cutting, and no weird ruler. Plus it’s way more accurate. So with this in mind, my reviews of both books are skewed heavily towards how they deal with digital drafting.

Let’s look at “Grading Workbook” by Connie Crawford first. It’s been out as a print book for a while, but I bought an early edition of the pdf ebook last year, which has been extensively cleaned up and digitised. I checked about a month ago, and there haven’t been any revisions so the copy I’m reviewing here is indeed current.

The book is targeted at someone who has some knowledge of pattern drafting, but is a beginner at pattern grading – most home sewists would be able to follow along with the introductory chapters which explain the methods and theory, and how to select different grades.

For each of the grade tables (ie: bodice, skirt, sleeve, stretch, child, etc), there are a few pages which show which point is being selected and which direction to move it, shown in a series of diagrams, like these two:

Where to buy exercise fabric – a global list

One of my most frequently asked questions is definitely “where can I buy fabric for yoga/running/exercise/etc?”, so I thought it’s high time I make an attempt at something like a global list.

In general, though, the word you should be searching for is “Supplex”. This is a brand name, though, like Lycra (whose generic term is “spandex”), but the generic alternative is something like “wicking spandex”, and generally isn’t used as often as “Supplex” in fabric stores, I’ve found.

If you can buy supplex at a decent price, buy it. It’s soft, has great recovery, wicks away moisture while you’re sweating, and stands up to washing without a ton of pilling. It can be hard to find though, and sometimes only comes in a limited amount of colours, but I wouldn’t hesitate to run a marathon in supplex – it’s great stuff.

If you’re running shorter distances, or in cooler weather, you can get away with exercising in any number of lycra/spandex jerseys, though. These won’t wick sweat away, but they come in a gazillion colours and prints, plus have a multitude of foil and sequin effects, and can be way cheaper, too. Ditto goes for swimsuit fabrics – you can certainly use them for shorter exercise sessions even though they’re not wicking. Personally, I wouldn’t mind running a half marathon on a cool day in lycra leggings, but your mileage may vary (pun intended!).

Too cold for photos – just sewing instead!

As I write this, London is in the midst of the second snowfall of the year (if you count Monday’s over-hyped yet under-delivered snow, that is) and I’m bundled up in a full-body thin layer of silk (long johns), plus my wool foldover trousers, my bamboo turtleneck, two pairs of socks, and my Russian greatcoat for my 35min walk into work today. It’s nothing on the Pennsylvania winters I grew up with, but at least I feel prepared!*

The good news is that, while it’s freezing outside, my sewing cave is one of the warmest spots on the boat, so I’ve been busy!

Papercut Peter & the Wolf Trousers

The new trouser pattern from Papercut Patterns was burning a hole in my To Sew list, so I just had to try them out! I finished these before last weekend, but Saturday I was covered in mud (another cross country race) and Sunday it was freezing and I didn’t fancy a photshoot.

I did an awesome job lining up the seams on the side invisible side zipper, if I do say so myself!

I really like that they have you topstitch all the mid-leg vertical seams as well as all the yoke seams – that topstitching really makes the seaming stand out nicely. It also meant I actually finished a huge 1000m spool of black Gutermann thread! I thought those things were infinite!

I’ve not yet worn these to work (the tulip hems mean my long johns are visible in front, the horror!) but I can tell already they’ve got a nice fit throughout – I especially like the trouser hems and the hip yokes, though they do mean the pockets are placed further down the leg than I’m used to…

I’ll try to get some photos this weekend, even though the details will be lost in the dark brown stretch twill (hey, it was in the stash alright!?) I’d bought in Paris last Spring. I didn’t have any particular attachment to it and it was a stretch woven as per the pattern requirements, so I made these as a trial version (or wearable muslin if you prefer). I might fancy making these again in some stretch wool suiting in my stash from last winter…

Another Chic Sweatshirt

When my parents were visiting in October, my mom looked through all my recent makes and decided she’d like a chic sweatshirt for her belated Christmas gift, and she picked out a lovely lavender sweatshirting for it while she was here. Remember how lovely she looks in lavender? I think it was a great choice. For my gift, she re-taught herself to crochet and made me a wonderful hat in mustard wool I picked out. Hooray for our little skills exchange!

Vintage wiggle dress – pattern notes

My latest project is this vintage sheath dress from the November Burda magazine (which you can purchase as a pdf here if you missed the magazine)!

It’s a reprint of an original pattern Burda printed in 1956, and one of my favourite running features that Burda magazine have been doing this year. Since the company’s had a very long history, it makes sense that they should look into their archives, dust off a few gems, grade up the sizing to their usual modern range, and translate the instructions!

Contrary to popular belief, this particular one is not a maternity dress, despite the fact that the model clearly looks like she’s “showing”. I can assure you that I do not look pregnant in it one bit, so let’s move on with the catty remarks…

In any case, I finished this one on Sunday night, but considering that it gets dark at 4pm here now, I won’t be able to do a photoshoot until this weekend, meaning you won’t see it on me until next week. By which time I’ll have probably forgotten all the construction details, boo!

So by way of a reminder, I thought I’d type up my thoughts now, then you’ll see the finished design next week. So the “Tell”, then the “Show”!

1. The bodice has seven monster, curved darts, all of which needed to be accurately marked onto the fabric. If you have carbon paper, I suggest you make good use of it, but for me, I remove the inside of the darts with scissors, then thread trace each dart with silk basting thread so I can see it on both sides. Then repeat for the other bodice piece. This took a few evenings, but it was important to get them right, as it’s the focus of the entire dress!

The Fuchsia party dress

Ooh I am so excited to show off this dress to you, and even moreso because it has a great origin story!

Did you know there’s a new sewing, knitting, and jewellry-making social network in town – Kollabora? It’s from some of the people behind the original BurdaStyle.com and I helped beta-test their new site a few months ago.

As a big Thank You for sending in tons of detailed bug reports (a nice side-effect of my day job, which involves a lot of online testing, is that I can write a mean Steps to Replication!), they offered to send me any fabric and pattern combo from their shop! They stock loads of great independent patterns like Colette, Wiksten, and Sewaholic, but I thought I should pick something I wouldn’t normally buy myself. So keeping that in mind, I chose this very! bright! fuchsia stretch cotton sateen from Mood + matching thread + Simplicity 1873 (one of the Cynthia Rowley designer patterns).

I made View C – the low neckline & short hem option, but without the button tabs at the waist. I ended up making size 14 instead of my usual Big Four size 16 because 14 was the biggest size in the envelope I was sent, but it turned out just perfect in the end – nicely snug at the waist, but not overly tight. With a skirt this full and pleated, I really think it needs a nipped-in waist, and that’s another reason I didn’t want to add any bulk in the form of the button tabs there, either.

Elena Couture – 01-2011

This magazine (and its aliases) is by no means new to me, but this is the first time I’ve actually bought it so I thought some of you might enjoy a glimpse inside. Elena Couture is published three times a year – this is the first of the three 2011 issues, rather than being a January edition as you might expect from the numbering!

This magazines goes under a few different names, which you can see printed on the pattern sheets since they all use the same ones.

  • Sabrina Woman (German)
  • Fashion Trends (Dutch)
  • Elena Couture (French)
  • Modellina (Italian)
  • Tendencias de Moda (Spanish)

I’m not sure why they chose different titles for different territories, as it seems Burda have the better idea in keeping the magazine title the same no matter what the language. That way, readers get a more coherent feel for the brand, and it certainly makes reviews, eBay searches, and subscriptions easier! As it is, Americans can subscribe to the Italian version through GLP for $30, just fyi.

This batwing knit top is pretty basic, but I like the cool hem-band gathers on this skirt. Just different enough to intrigue me…

Making Trousers

Continuing on with some of my new books, James knew exactly how much I loved David Page Coffin’s “Shirtmaking” book that I used when sewing his yellow linen dress shirt so when I asked for this followup book on sewing trousers, he jumped at the chance to buy it for my birthday. I think he might be eyeing up some custom trousers of his own, but no matter what the motivation, I’m glad he did!

One thing that surprised me, however, is that there’s no DVD in the UK edition of this book like there is in the US edition, but then again, our version is cheaper, and I can’t really see myself watching many sewing videos anyway (I have zero patience whatsoever for YouTube. Zero.). But I am kinda annoyed that there are some pdf patterns included that us UK readers miss out on!

David Page Coffin has a Trouser Making blog to accompany/promote the book but the patterns aren’t included there, either. But a lot of good discussion is there, and you can get a good feel for whether the book is right for you from reading it.

In a nutshell, this is a book for anyone who has their perfect basic trouser pattern but wants to make a bunch of variations from it so no one can tell you’re wearing the same trousers every day!

The nude sheath dress

I like to keep up with fashion, but I definitely pick my trends to follow, leaving the totally unsuitable ones to the wayside (anything involving shorts or capris, I’m looking at you!). But the catwalk looks for SS/10 are just so full of lovely pale nude colours that I just couldn’t resist. I mean, Celine are the source of it all (say UK Vogue, anyway), but you know a trend is here to stay when the high street gets involved, with even Zara hyping up nudes and neutrals for spring!

And need I remind you that neutrals were big at the Oscars, too!

So when I saw some nude, pale pink poly/viscose stretch suiting in one of Totally Fabrics‘ fantastic sales, I knew it was time for climb aboard the hype train and ride this one all the way through to warm weather. I ultimately decided on the Divine Details sheath dress (Vogue 8576) for its great neckline and pleasing geometric seamlines.

I did make up a muslin for this dress but the fit was pretty much perfect straight off the pattern paper so I jumped in and ended up with my very own catwalk look!

Silver tweed jacket

It’s time now to turn our attention to the upper half of this silver tweed Planned Partnership, the little boxy cropped jacket (#18) from Patrones 272:

You saw the jacket as part of a classy suit, but how does it work with jeans?, I hear you ask.

As it turns out, even better!

I actually prefer this jacket hanging open instead of buttoned up (which is why I left off the button loop at the very top of the collar stand and the small button hidden under the collar that the pattern suggested).