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Patrones magazine 354

My inlaws were visiting Spain last month, and I’ve got them so well trained that I don’t even need to ask anymore – they just keep an eye out for Patrones magazine and buy it for me if they see it! They weren’t even phased by the redesigned logo on this one (that’s literally the only change I can see, so that’s kinda odd), and I’m so pleased they grabbed it, because it’s this year’s Coats Special!

If I’m being honest, this Coats Special didn’t grab me quite as much as last year’s, but I did find a lot of interesting details in coats that didn’t otherwise excite me, like the coat from the magazine cover which has an interesting tie/slide closure.

I’m not sure how many parts of Spain warrant a full length, long coat like this, but I know many places in Northern Europe where a coat like this would make wearing dresses bearable in winter!

Out of the way, fur gilet! You’re covering up all the interesting seam lines in the shirt!

My favourite for this entire issue is definitely this asymmetric draped shirt (though the tech drawing is wrong at shoulders when you compare it to the pattern pieces). The hip pleating would require some really precise pattern marking, but I think this would be just stunning in a silk satin for a different Christmas party look…

Burda magazine November 2015

I’m slowly working through my pile of magazines (another four more to go!) but I wanted to share my picks from the latest Burda magazine before it becomes outdated and off the newsstands. But the short version is that this is another pretty good issue, and a fantastic one if you’re in the Plus size range!

I really liked the choice of orange and camel in this feature, but for me the standout is this pullover, made in felted wool, which also has the colour illustrated instructions this month. It’s paired with an interesting skirt which was colourblocked in another example, really showing off the V panel. On the right we’ve got a cape, which is really similar to Seamwork’s Camden cape in the current November 2015 issue (except the length, obviously).

I’m not quite sure how I feel about the top on the left with its unsusual, gathered collar area, but the trousers look just a bit too 1970s to me. It’s easily overlooked, but the cardigan on the right has a really interesting construction that isn’t apparent from just the front tech drawing or the photos. Check out those pattern pieces!

A Day of the Dead refashioned tee

I know I’m technically a day late for Dia de Los Muertos, but if Mexico City can hold their official celebrations today, then so can I!

This project actually started life in a market in Brittany two years ago, where I bought a pair of sugar skull print leggings off a market stall for a grand total €3. But they were “one size fits all” and “made in China”, which means that really, “one size fits most Chinese people”, so the fabric stretched over my thighs making the print pale and unattractive. I still liked the print, though, and the jersey itself was soft and surprisingly nice for the price, but I didn’t wear them much.

So when I came across these leggings when I was switching over to my winter wardrobe last weekend, I pulled them aside and thought they’d be a great candidate for refashioning, especially since we’d planned to attend the British Museum’s “Days of the Dead” festivities. So I cut them apart along the inseam and unpicked the coverstitching, and I was left with a sizeable amount of fabric:

I took my basic tee sloper and my long sleeve fit perfectly into the leggings piece with only a few inches spare at the bottom (added to my scraps pile). Then I sifted through my jersey stash, and after a brief, ill-chosen combination of burgundy, mustard, and black (way too “German flag”, and thrown in the bin!!), realised I had enough of some royal blue ponte to make the body and neckband.


Photos taken before work on a very foggy morning with my phone camera…

Patrones magazine 342

While we were in Argentina in August, I kept my eyes peeled for Patrones issues whenever we passed a newsagent. It didn’t take long before I found this one on a newstand in Mar del Plata (and 343, which I already own), likely from last winter but who cares? Patrones do the best coat patterns, and this is a Coats Special!! I’ve made so many of theirs in in the past, most notably my winter coat (still my main winter coat several years later!), the silver tweed jacket I throw on in summers, and my duffle coat, which I wore until it was literally in tatters. I’ve got some wool coating burning a hole in my stash right now, so it’s likely I’ll look to Patrones for this coat, too.

I was mostly drawn to the top, but the Armani blazer is also worth a note for its razor-sharp lapels! On first glance, the top has a shape very similar to a lot of other patterns (like that Lekala top I made a few years back) but a closer look reveals it’s actually got two layers – a satin layer underneath and a gauze layer on top.

This menswear-inspired sheath dress would be a great alternative to the clichéd skirt suit for business meetings! Apart from the curved waist seaming, I love the waist-lapel – it feels more like a blazer than a peplum (which we’re all so over by now, right?). This also reminded me of Charity Shop Chic’s recent spectacular Dior-inspired refashion, too.

Ok, now on to the coats feature, and, ignoring the bubblegum pink colour, I just love this dolman sleeved cocoon coat! It fastens with a hidden zipper placket and only uses 2m of wool, which is conveniently the exact amount of my navy wool coating… This is now top of my list to muslin!

Look magazine – August 2015

I briefly mentioned the Argentinian pattern magazine, Look, when I told you all about buying magazines in Argentina last month, but it’s time to take a deeper look into what’s inside!

I totally love sewing pattern magazines – you get so many fashion-forward styles for such a low price, and it’s fun to see what fashions are like in different parts of the world. So far I’ve bought pattern magazines from Germany (Burda!), The Netherlands (KnipMode and My Image), Belgium (La Maison Victor), France (Fait Main), Spain (Patrones), Italy (La Mia Boutique), Brazil (Manequim, Moda Moldes, and Molde & Cia), and now Argentina, how exciting! It doesn’t matter if I can’t speak the language the magazine is written in – as long as I can translate enough to pick the right size and fabric, and identify the pattern pieces, I can sew together most garments without instructions (though usually you can just look at another similar pattern’s English instructions and follow along with those instead). The Google Translate app can translate most text on-the-fly if you point your phone’s camera at the magazine text, too, which saves you from having to type in all the text yourself.

But back to Look! This was the current issue when we were in Argentina in August, along with a “mother and baby” issue from the previous month which I didn’t bother to buy (having several kids pattern magazines already and nieces and nephews into adult sizes now). This particular issue just captured my heart, as it features a huge amount of SS15 runway designs! Remember back in the 1990s and early 2000s when Burda used to do International Collections magazines knocking off all the runway looks? Well that’s precisely what this issue of Look is all about!

I’d say a good half of the patterns in this issue are straight off the runways. Look is a bit different from the other pattern magazines in that the instructions are in a separate booklet from the glossy magazine and the pattern sheets. This means you kinda have to have both open at the same time to see tech drawings next to the runway photo, but is a bit easier than flipping back and forth in the same magazine. If you buy Look on a newsstand, make sure you get all three pieces! Even though the instructions are in their own booklet, these are the briefest I have ever seen in any pattern magazine, so clearly they’re not intended for beginners…

Another observation – like Manequim magazine, most of the Look patterns are only offered in one or two sizes, and the sizes are tiny!! Like, Japanese tiny. Which is strange because even in Buenos Aires the people on the streets seemed to be fairly normal European-sized… Seriously, I’m a size 48 in this magazine, which means I could only fit into one or two of the patterns in this entire issue. (By comparison, I’m a 42 in Burda, La Mia Boutique, La Maison Victor, and KnipMode, and 44 in Patrones and Manequim). Usually with Manequim, most patterns I like are either in my size or a size up or down, which makes it easy to just fudge into fitting, but grading up a bunch of sizes is just too tedious to me.

A Slate blue Drapey Dress for Keeps

I have sewn so many Drapey Dresses that I could pretty much make them with my eyes closed. I made the first prototype version for the Great British Sewing Bee: Fashion in Fabric book last summer, and I even got to cheekily wear it out for a weekend before returning it for pattern development purposes. Then I sewed something like 6 more over the next year, including both the blue and stripey versions seen in the book, and the lovely pink one CL wore to promote the book during her February “Bee Mine” challenge.

But I still didn’t have one in my wardrobe to call my own! It’s definitely saying something about the greatness of this pattern and design that I still even wanted one – I mean, I’m usually sick of a pattern after making it 2 or 3 times!

Having seen this dress in all colours and prints imaginable, it made it all the harder to pin myself down to this “duck egg blue” ponte from Truro Fabrics. Theirs isn’t the cheapest ponte out there, but it’s really nice quality and doesn’t tend to bobble as quickly as others I’ve bought elsewhere. I made this Burda vintage wiggle dress using a Truro ponte three years ago and the dress still looks great, despite constant winter wear.

La Maison Victor magazine – Sept/Oct 2015

I’ve got a big stack of magazines from Argentina to scan and show you, but I wanted to get this one up first while it’s still current in case any one wants to order it for themselves (yeah, it’s quite good!). If you recall from last year when I bought my first issue, La Maison Victor is a Belgian sewing and knitting pattern magazine that publishes bi-monthly (up from quarterly!) in French, Dutch and German and features fully illustrated instructions for each step, too.

I was really impressed with my first issue so I was keen to try and buy another while we were in France for a wedding a few weeks ago – I was pleased to see that it was fairly easy to find. If you’ve got friends or relatives travelling back to the UK through Eurotunnel (where you drive onto the train which takes you under the English Channel), the WH Smith at the Eurotunel Calais Terminal has stocked it every time I’ve looked, and so is a good bet for directing others to buy for you.

La Maison Victor offer patterns for children as well as adults, and they seem to have a good balance of patterns for both boys and girls. Here we see a boys cardigan with buttons and a nice shawl collar, made from sweatshirting instead of the usual sweater knit. This issue also includes a button-down long sleeved shirt for boys as well as a girl’s sweatshirt that could easily work for either gender.

How much do I freaking love this Top “Dusty” with its asymmetric shoulder pleating! This design is SO me that I’ve already traced and cut out fabric for it… but because I don’t fancy the sleeveless bit or the facings, I’ve just traced out the Front and frankenpatterned my basic teeshirt block to it so I can give it long sleeves and a neckband. Also because someone on instagram made it and said the neckline and armholes are really low, and by making it match my teeshirt block, I’m avoiding any potentials there while still keeping the shoulder pleating.

The dresses for this issue are fairly boring, if you ask me, but then again, I’m bored by 90% of the dress patterns I see available anyway, so maybe I’m not the best judge of what women actually want to sew… Classic, or boring? It’s a fine line I suppose.

Simple Sew banded bamboo tee

Thank you all so much for your words of encouragement on my last post. I am pleased to report that I feel significantly better than last weekend already, just by eliminating some foods, which definitely points to it being a nutritional issue than anything more serious, thankfully. I’m already very much looking forward to adding foods back in one by one in a few weeks to see which is the culprit, though! Because of everything in September, I didn’t have time or energy to document or post about the few things I made which aren’t top secret, like this quick knit top!

I actually made this the day we landed back from Argentina. I worked out a few years ago that if I get even a few hours sleep on an overnight flight and then force myself to stay awake through the day I arrive, I’m recovered from jet lag the following day. So once the laundry was on and my suitcase was unpacked, I wanted something easy to sew that would keep me awake, and this little pattern was staring me in the face.

This Simple Sew pattern came free with the September issue of Love Sewing magazine that I’d bought before we went away, and it seemed a perfect mix of easy enough to sew on jetlag, and not requiring me to buy anything. Simple Sew patterns seem to only exist as magazine covermount patterns as far as I can tell, and I don’t see this #015 Jersey Top listed on their site, either. If you want to buy it for yourself, I’m not really sure what to suggest!

I shopped my stash since this only required a meter of fabric, and I came up with this bamboo jersey from Jersey Fashion that was leftover from my Kimono Sweat View B sample – I wanted to be able to give my athlete model Lorna a choice of colour and she chose red, so the teal was left for me. It’s super soft and drapey and really lovely to wear, so just about perfect for this top. For something different, I chose some contrast orange ribbing for the neck and sleeve bands, but since this was offcuts from a ridiculously long vest (tank) top I’d been given at a running event, I didn’t have enough for the hem band so I just turned and coverstitched that instead.


Worn with my birthday jeans from earlier this year

Even in my jet-lagged haze, I could see that the sleeve drafting was wack on this – the hem comes to a point at the seam! Seriously, did no one sanity check this pattern before releasing it? Even if you weren’t trying to attach a hem band (and were just folding under and twin needle stitching), this would be a massive problem.

An epic and nonstop September Roundup

Posting was a bit light around here in September, but not intentionally so. Coming back from Argentina immediately into building work (which pretty much occupied every morning, most Fridays, and some evenings too) and being away every single weekend in September just left me flattened. A month on and I’m still exhausted, and frankly, trying to figure out if I’m ill, or if it’s diet-related, or just a really slow recovery from international competition.

So I must apologise to all the people out there who are waiting on emails from me – when I’m too tired to sit up, I don’t tend to open my laptop to write out proper replies, let along blog posts (this one has taken me about 4-5 sessions spread out over a week to write). But I did manage to get all the Sewing Indie Month posts together that I needed to, and I wanted to gather them together along with a bunch of other bits and pieces you may have missed if you’re not following me on Twitter or Instagram.

Imagine Gnats Wrap-style Bess top Tutorial

One of the few finished garments I managed to make in September was a fancy, wrap-style hack of the Imagine Gnats Bess top, which I wrote a full tutorial for, too.

I loved the shoulder detailing on the original pattern, but I thought the shoulder seaming looked reminiscent of kimonos, so I changed the front pattern piece to be a wrap-style instead.

But the fabrics in my stash that went together best ended up being a brocade skirt that my friend Pip gifted me after she lost weight, and a poly satin that (I think?) a neighbour gifted to me years ago, so this ended up being a refashion project, too!

Anyway, you can read more about it over at Imagine Gnats, and last week I also wrote an Activewear patterns roundup for Rachael, too. Definitely take a look at her shop while you’re over there – she’s a keen cyclist and has just taken delivery of a bunch of wicking lycra in some lovely colours (she’s US-based)!

Also for Sewing Indie Month, Maison Fleur interviewed me and asked a lot of interesting questions I’d not thought about before, which was nice! I may have also hinted about a few big things happening in January, which will also coincidentally start my 10th year of FehrTrade.com!

Seamwork Radio

It’s no secret that I’m a big fan of Seamwork magazine, having subscribed from the very first issue, made quite a few of their patterns, and written a bunch of articles for them, so I was literally dancing at my desk when the first episode of Seamwork Radio was released last week!

Interview with Kelli from True Bias

I first heard about True Bias patterns when Kelli released her first pattern last year – the Hudson Pant were an indie sewing phenomenon, and it seemed I was about the only woman who hasn’t sewn a pair yet (and believe me, they’re still on my To Sew List for someday!). I’ve had the privilege of talking to Kelli to find out more about her sewing, aesthetics, and what’s up next, so read on to find out more about the lady behind the label… – melissa


Kelli in her Hudson Pant pattern

You kept a sewing blog for quite a few years before starting True Bias – what was the impetus for starting a pattern company?

Yes, I started my blog about 3 1/2 years ago. When I started it, I always knew that it would somehow turn into a business for me, I just wasn’t sure in what way. I was new to motherhood, having an identity crisis, and needed something to work towards. I was passionate about sewing and the community, so it made sense to focus my efforts there. I entertained the idea of a fabric store for awhile but it didn’t stick. I knew of a few independant pattern companies at the time and loved what they were doing. I had taken a couple of patternmaking and draping classes in college, but I knew that I didn’t have the skills yet to start a company. It wasn’t until after moving to NYC and starting classes at FIT that my confidence and abilities grew. My first pattern, the Hudson pant, was a huge leap of faith for me. And it was super slow at the beginning and scary. I wasn’t sure that this was all going to work, but it did and I am so glad.

What’s the single biggest lesson you learned so far?

Don’t worry about what other people are doing, just be true to yourself. This is SO hard though. The indie pattern market has become very saturated and we are all influenced by the same trends to one extent or another. This means there is going to be some overlap. There have been multiple times when I have seen a sneak peek on instagram of another designer’s pattern and I have had a total freakout because it looks similar to something I have been working on for months. It’s scary because you don’t want it to appear that you are copying, but in the end you have to be true to yourself and your own ideas. Like I said, it’s really hard though.