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A Tour de France inspired box bag

Today is James’s birthday!!

I recently noticed his dop kit (toiletries bag) was getting a bit ratty, and I thought it might be nice to make him a replacement, and I stored the idea away in the back of my brain for a while. Then I saw that Spoonflower were having a BOGOF sale on all fat quarters, so I jumped at the chance to buy him some nicely coordinated Tour de France fabrics, since he loves Le Tour!

Since you could mix and match the base fabrics, I bought one fat quarter of “Vive Le Tour de France!” printed onto recycled eco-canvas for the exterior, and a fat quarter of “Les Montagnes” on quilting cotton for the lining. The colours are nice and manly, the prints coordinate perfectly, and it was a pairing I really hoped he’d like.

I then went in search of a good, free boxbag tutorial that wouldn’t use more than a fat quarter, was lined, and looked good, and I settled on my friend Stacy Sews’ free box bag tutorial, which also comes as a pdf if you’d rather view it on your tablet as you work (like me!)

In Progress

Designer colourblocking inspiration

My next pattern is off with the pattern testers right now and I’m frantically sewing up final samples for photoshoots, filling in missing illustrations, and responding to comments as they come in, but I’ve managed to occupy my brain with the thought of things I might sew for fun next!

I did indeed wear my traced-from-RTW mustard yellow sheath dress to Number 10 Downing Street last week, and even managed to get some photos with the famous door(!) afterwards, but you’ll have to wait for those until the proper photoshoot is done showing the rest of the dress details in some decent lighting.

But I can say already that I love the dress! It needs some slight tweaking to the shoulder area, but apart from that, my tracing was spot-on, and I’m so chuffed it turned out so well without a muslin.

The crazy seaming really started getting my brain thinking about all the ways it could be colourblocked, though, and I looked up and suddenly found inspiration from a magazine photo I’d cut out years ago and had hanging on my sewing cave wall!

So I rummaged through my ponte scraps and realised that I had the most perfect shade of teal viscose ponte leftover from a client commission, and together with the leftover mustard scraps (and some newly-bought white ponte), I could make my very own Chalayan-inspired sheath dress!

I whipped up a tech drawing in Illustrator so I could play with the different colourblocking combinations, and I’m not sure which I should go for.

I’ve only got 1.2m of the teal and even less of the mustard, but I could buy whatever white I need to make up the rest. I think I have enough to make any of these combos, but I will of course double-check with my pieces before I order the white.

I also finally sewed up a muslin of this short coat from the Sept 2010 Burda (also known as one of my favourite issues Of. All. Time.):

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Triathlon Leggings and Three Molehills

I’ve been a fan of FunkiFabrics for a long time (ie: before it was cool!), having made a sports bra, shorts, and leggings from their digital print lycra back in 2013. I’ve been meaning to get some more to use for myself, but it always felt like I was buying it on request for clients and students and never for me!

But recently I decided enough was enough ad I splurged on some luuuuuuuuuscious Funki Fabrics lycra in the “triathlon” print (bought with my own money). This fabric could not be more me – geometric print with turquoise and purples?! (It also comes in a red/orange/pink colourway).

I teamed it up with the basic, one-piece Kwik Sew leggings pattern that I’d recently altered in strange places to suit my runner’s legs, so I knew that the pattern would work well on the run and not bother me by shifting around! I’d made these with an eye to wear at the Three Molehills race, but the old adage “Nothing new on race day” lives deep within my psyche, so I took them out for a test run through Hampstead Heath (and the infamous Swains Lane) the weekend before:

It was only a short loop round the Heath, but long enough for me to tell they were going to be great (and that the mud washed out of them just fine on a cold sports wash!).

When I got home and put a sweatshirt on to warm up, I realised how well the print teamed with royal blue as well as purple! It’s a definite bonus for me when I can pair leggings with a number of tops in my running wardrobe…

So when the morning of the Three Molehills race arrived, I wasn’t even all that concerned that the forecast was for heavy downpours the entire day – at least I had fun leggings to wear round the super hilly, 16 mile course mudbath!


Photo credit: SussexSportPhotography.com

Inspiration, Magazine

Burda magazine December 2014

It’s the last issue of the year, boo hoo! Oftentimes Burda have some easier projects (including menswear) you can make for gifts in their December issues, but this one’s just for ladies and girls. I initially wasn’t that impressed with this collection, but the more I looked through it, the more I found myself drawn to a few…

I’ve often admired the sequin tops other sewists have made, but I’ve never quite gone as far as to buy some sequin fabric for myself. This boxy jacket might change that, however!

This dress is the Tall offering this month, and even though the shorter, peplum top versions works fairly well, I pulled this out because the simple act of adding a straight skirt onto the curved seam means the model looks absolutely pregnant. Not really a look anyone wants, and it seems like a good idea drafting-wise. But in practice? No!

I’m really not a fan of the dress (square neckline, yes, but the puffy sleeves and awkward pleat at empire waist? Urgh.), but I love the little girl’s coat! Like the trench cape a few issues ago, I’d totally make this if it were in adult sizes!

This little boxy jacket for girls feels like the sister to the ladies’ sequin jacket above. They’re both for special fabrics and have a similar fit and seam lines, without feeling too “mini me”.

I utterly love the asymmetric collar on this coat, plus the off-centre closure, and (though it’s hard to tell in the garment photos) the hidden pleating just above the pockets would really give this some wonderful shaping. They’ve gone one step further and appliqued fancy lace over a portion of the wool coating, which I just love. Two thumbs up for this one, Burda!

In Progress

In progress bits

Contrary to the amount of time I’ve been spending behind a computer recently, I actually have been finding some time here and there to sew, too. It’s just, well, most of it is for my next pattern, which is going well, but is still at least three weeks off going live (sorry!). It turns out that, even though I can reuse some parts of the pattern between the men’s and women’s versions, there still an awful lot of extra work involved in creating two versions!

You might reasonably expect that I’d have to make twice as many samples, but there’s other added time involved with “invisible tasks” like walking seam lines and measuring finished garments, for instance. While both are made considerably easier done digitally, and even moreso if you’ve organised yourself a nice little Excel spreadsheet to do the heavy calculating and imperial converting, there’s still an awful lot of measuring to be done. But it gives me a little thrill when I can see my finished garment measurements vs body measurements equating to ease, down to 1/100ths of a mm!


This is just a small portion of my spreadsheet – the other bits gave too much away!

If you want to be the first to hear details of my new pattern, then now is an excellent time to sign up for my FehrTrade patterns mailing list, which which you’ll find at the bottom of my Shop front page. If you ticked “Yes” to marketing emails when grabbing my free Running Armband Pocket pattern, then you’re already on it. And I absolutely promise you that the email volume will be really low volume and only important stuff, like sneak previews and special voucher codes.

So on top of getting my next pattern ready to send to my two teams of pattern testers, organising athlete-models, and sewing up more samples, I’ve been spending my office hours working on an upcoming sewing book (not mine!) for a publisher, too. So it’s good practice in double-checking instructions and illustrations, but it is rather brain-taxing to be doing all day!

I’ve managed to squeeze in a few “Fun Sewing” projects, though, including a pair of leggings made from some luuuuuuuuuscious Funki Fabrics lycra (bought with my own money).

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Cheetah print running leggings

My Fun Sewing Weekend was going so well after I made my galaxy sweatshirt and black travel skirt that I decided to tweak the fit on my Kwik Sew one-piece leggings pattern and test it out on some unsuspecting cheetah-print nylon lycra from UK Fabrics (well, they call it leopard, but I say cheetah!).

I’d made this pattern a few times for myself and many times in classes, but I noticed when I made my crazy cat lady leggings recently that the fit was a bit too loose in places. I totally blame this on my training firming me up further, since the leggings were loose around the hips, upper thighs, and ankles. And perfectly fine at my runner’s calves and quads!

So I shaved off a good centimeter from the front & back crotch curves (meaning 4cm overall), another 1.5cm wedge from the inner thigh on both sides, and then a hefty 3cm wedge from both sides at the ankles. I have tiny, bird-like ankles, and the standard ankle width was just flapping in the breeze… So now my pattern is something like Size Small/XS in the waist and hips & upper thigh, Medium in the lower thigh/knee/calf, and XSish in the ankles. Hooray for custom fit!

These literally took me 20 minutes to cut out and sew together, and I wore them out on my Sunday run around Greenwich Park and back home along the river. These felt so much better for the little fitting tweaks – the cat leggings start to fall down after a few kilometers and pool around my quads (a sure sign they’re too loose above that point), but these stayed in place for the whole 20km run!

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A black travel skirt

I’ve noticed a hole in my wardrobe recently – I really don’t have any plain black skirts that fit me anymore. I found myself wearing my blue travel skirt I sewed up before we went to Mexico last summer an awful lot, and I seemed to get compliments every time I wore it, too.

So when I saw Tia Knight’s very reasonably priced scuba range, I picked up 3m of black to use for both the contrast on my galaxy print sweatshirt, and to make another travel skirt like my blue one.


Not the most flattering tech drawing! It’s more A-line than this in real life…

Like the first blue version, this is the skirt pattern from Christine Jonson’s Travel Trio Three pattern, which surely must be one of my best-value wardrobe patterns ever, as I’ve made the top 3-4 times now, and now the skirt twice, too. Like before, the skirt is shortened by 12cm at the “lengthen or shorten here” lines, which creates a really flattering hem length for my figure.


Seen here with the gathered turtleneck view from the same pattern, which I made back in 2011!

I really love how flattering and comfortable this skirt is – it’s made from a knit with an elastic waistband, but it doesn’t look sloppy at all. It’s also got two really deep front pockets built in to the seaming, and I’ve got no worries that my phone will fall out when I’m jumping around the moorings.

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A galaxy print statement sweatshirt

As I mentioned last week, this past weekend was the first one in about a month where I wasn’t working, and I totally planned to fill it with as much Fun Sewing as possible!

First up was a “statement sweatshirt” using some luscious galaxy print ponte leftover from my birthday dress. I love that dress, but I loved the fabric so much that I wanted to be able to wear it with jeans and in casual settings where that va-va-voom sheath dress couldn’t really go.

I don’t usually sew from Big Four patterns as they’re so freaking expensive here, but in order to get the cheapest price on the Kwik Sew leggings pattern for my Like the Wind workshop, I had to become a Sew Today member, which came with my choice of two free patterns. After a bit of a think, I selected McCalls 6992 and McCalls 7026, which I actually frankpatterned together here!


Seen here paired with my Donna Karan denim-look leggings

It’s usually my experience that Big Four patterns have way too much ease, and this was no different. My measurements put me squarely as a Size 16, but after a peek at the finished garment measurements printed on the pattern, I saw that a 14 would be plenty big enough, and that’s what I cut. Really, a 16 would’ve just drowned me.

I decided to use some black scuba from Tia Knight for the contrast raglan sleeves and neck band, and I bought enough to make a skirt from the same yardage, which you’ll see later this week!


I somehow managed to not get any back view photos – sorry about that! The back looks pretty identical to the front, however!

In Progress

A Week in a Day

I’ve been a bad blogger this week. I’ve been doing lots (as you’ll soon see), but working every weekend for the past three, plus the weeks in between, and some out-of-town trips have all really sapped my enthusiasm to write! So I’m taking the lazy option out and catching you all up with a little roundup – a week’s worth of posts in a day…

Like the Wind workshop

Cult running magazine Like the Wind approached me a few months ago to ask if I’d like to run a “sew your own leggings workshop” at the week-long popup they were throwing together at the end of October. I’d known one half of the husband-and-wife team that run the magazine, but I’d never met Julie before this. Once I found out that she not only owns her own overlocker, but bought it when she sewed her own wedding dress with it(!), I knew we’d get along just fine.

We had five runners who’d only done a small amount of sewing before, but had never touched an overlocker before, and certainly not a coverstitch either! They each picked their own fabric from FunkFabrics’ range, and walked home in some very stylish leggings at the end of the afternoon!

Georgina picked a “Gotham” print, so of course she just had to pose with the Batman art in the gallery!

And here’s the finished set! I saw quite a few little “omg I’m so happy in my leggings” dances at the end, which really reminds me why I love teaching so much. Lucy posted a great writeup of the street art tour and my class, too.

There may be another Like the Wind workshop in the new year if we can work out the logistics, but there will definitely be more up at the Thriftystitcher studio in January and February, to be announced very soon! The classes are very similar, so if you’re a runner you can come learn at Thriftystitcher, or non-runners vice-versa at Like the Wind.

But I was so jealous of all their finished leggings that I treated myself to some Funkifabrics lycra this week (it was difficult, but I settled on this geometric aqua number in the end, because it reminded me of a Lamb album cover!).

Random sweatshirt sewing

When I was pulling out supplies to bring along to the workshop, I came across pieces for this sweatshirt that I’d cut out in February when I was trying to deplete random bits of leftover sweatshirting that was taking up too much room in my little sewing cave. The lavender “sacrificial sweatshirt” came out of that same cull, but for some reason I never quite got around to sewing this blue one together at the time.

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Digital-print Cowl neck top

Every now and then, I feel like I really crack a garment – I end up with something that truly blends the most perfect fabric with the perfect pattern. I wasn’t entirely sure until I wore it for a day, but this top really nailed it! It feels 100% designer, special, and yet me at the same time.

The cowl-neck tee pattern is from the October 2014 issue of Burda magazine or available to buy individually as a pdf, and it came in three versions – a plain top (which is the one I made) – a tee sliced into various colourblocks, or a plain dress.

But this garment is really all about the fabric, and the pattern itself plays a supporting role. In fact, most of the time, care, and attention to the entire process was in placing the pattern pieces! Look what I had to start with:

I bought this digital print lycra from Ditto Fabrics when I was down in Brighton this summer (an Italian designer offcut that I snagged for £15!). Originally I thought I’d have the main body in the trompe l’oiel knitted houndstooth as that was what drew me to the fabric, but the houndstooth portion wasn’t quite long enough for the front and back, so I placed those over the “lace” portions and cut the sleeves from the houndstooth instead.


Worn with my Colette Beignet skirt I made back in 2010 that’s sadly, a bit too big for me now (it’s really relying on cinching that belt!

I used a size 40 for the first time here, which is my “new” Burda size since I’ve lost a few cm through training, and the fit is just as I’d like it, really. I loooooove the slim fit sleeves in particular on this pattern. They’re extra long here, too – it’s noted in the instructions are that the sleeves are 10cm longer than normal. I wasn’t sure if I’d keep them extra long or not, but as I was laying out the sleeves, I saw that the piece overlapped into the lace print area nicely, creating a sort of cuff-effect at the sleeve that I really liked the look of: