Why pdf patterns?

There’s been some discussion around the internet lately about pdf patterns and their ability to stand the test of time, and it’s one that I’ve felt very strongly about. I’ve worked in technology for over 12 years, and have created and run my own websites for 20 years now (seriously!). I’ve seen the world move from owning cds and taking photos to be developed, to ripping cds into mp3s and printing our own digital photos, right through to streaming music subscriptions and purely-digital photos in the cloud. The idea that digital patterns might somehow die out seems absurd when you think of it in this context.

Think of photos – which is more accessible when you want to look at them, the photos in your album on the shelf at home, or the ones backed up in your cloud account you can view from anywhere, share, and search by date and keyword? Frankly, I’m terrified that my 10 year old collection of Burda magazine patterns might be ruined in a fire or flood, because they’d be gone forever. But my digital patterns are backed up in several places, ready for me to re-print at any time.

But all this is from a user perspective. As a business owner, why would I not want to offer my patterns in every format possible? Why only pdf patterns?

In short, time and money. It’s grossly inefficient (not to mention extremely eco-unfriendly) for me to print a pattern and ship it halfway around the globe to customers when printing places exist closer to you. Adding on the cost to print the patterns, to package them, and then my time in posting them, I’d quickly end up with a price point that not very many people would be willing to spend.

Burda Easy magazine Fall/Winter 2014

While we were off holidaying through Bohemia, I didn’t really get a chance to do much fabric or haberdashery shopping. There are tons of fabric shops all over Budapest, but we were definitely more concerned with the street food and thermal baths while we were there. In Vienna I really meant to stop in at Komolka and Stoff und Faden (thanks, Shannon!), but we were short on time and all I could manage was a peek through the windows of the latter while they were having a class at night. I didn’t see anything sewing-related in Prague, but I spotted a few fabric shops in Berlin along the marathon route (sadly, not really the time to be stopping to shop!), so my lone sewing souvenir this time around was a copy of the latest Burda Easy magazine, which I was happy to pick up!

If you’re not familiar with Burda Easy, it’s published twice a year in several languages (German, French, English, Italian, and Russian, I believe?), and has fully illustrated instructions. Sometimes the designs are simpler, but in this issue they’re happily on the more advanced/interesting side and not too difference from what’s in the monthly magazine. The patterns come on tissue and are printed in such a way that they don’t overlap each other so you could cut the out rather than trace if you’re that way inclined. They don’t contain seam allowances, which is the norm everywhere except the US.

The last time I bought an issue was two years ago when we were in France but I think I prefer the designs in this one even to that. Burda Easy really only provide four base patterns, then spin a huge amount of variations off of those, so you can get a pretty wide variety of looks (also helpful if you need to do things like an FBA, you only need to do them once!).

First up – I’ve cooled off the peplum look rather a lot by now, but I really like the paneled pencil skirt (either with the asymmetric godet or not).

I thought this foldover clutch with the bow detail was really cute – it’s explained in a series of colour photos on the facing page, and it’s only rectangles so doesn’t require any tracing, either.

Here’s another variation on the seamed pencil skirt, but this time it’s shorter and with more godets inserted to give it more of a skater skirt shape. I also like the look of the colourblocked tee, but not being a sweetheart neckline kind of woman, I’d personally smooth out the point so it’s just a curve over the bust.

Manequim magazine August 2014

You may be thinking “August? What about July’s issue?” and to this I say Wow, you’re way more observant than I am, because I only noticed that July never arrived until I went to scan this issue in. Sad face.

But not for long, because this issue is all about party dresses, because it’s their 55th anniversary issue! Judging by the number of articles talking about the history of Manequim magazine and photos of old issues, I thought for sure we’d get some great vintage reprints, a’la Burda magazine, but alas, no – not a single vintage pattern here.

First up is a sweatshirt pattern, offered in a wide range of sizes, that is a pretty standard design except for the inclusion of two zippers at the hem. They don’t appear to have pockets behind them, but are instead just purely decorative.

I didn’t really like any of the styles in the cover star’s feature, but the “designer style” this month is Tom Ford, and this faux-wrap dress looks to be a classic design (and not just because it reminds me of that New Look pattern everyone was sewing in 2006!).

Manequim magazine April 2014

I hadn’t realised that this issue arrived so late until May came nearly a week after it, but it means I’ve got two issues to show you in rapid succession. It’s always about this time of year that Manequim do their famous “Oscar dress special”, too, and squeeeeeee! this is it!

See? Brazilians do wear sweaters in winter! pfff. But seriously, despite it’s cropped proportions, it’s got some nice colourblocking, and the skirt lines are great, too.

Bomber jackets are huge this year, but I do believe this is the first sequined one I’ve seen – and here I thought I’d seen every variation possible in my pattern magazines so far! The skirt is also interesting, though I don’t think I’d be confident enough to put all my trust into a zipper like that…

Normally I’d be awfully excited to have a bodysuit pattern in my size, but frankly, it’s nowhere near as exciting as Closet Case Files’ Nettie pattern, which is already in my sewing queue. The trousers look like good basics, though, and they’re offered in a few sizes, too.

I must’ve flipped past this at least three times before I noticed that this boring shirt has actually got an asymmetric twist – the collar is rotated and the opening shifted off-centre. So what was boring is now highly interesting!

MyImage and B*inspired SS14 magazines AND Giveaway!

It’s been a while, but I’ve got the newest Spring/Summer issues of the Dutch-produced, quadrilingual pattern magazine MyImage to share with you, plus a peek into the second edition of their new children’s pattern magazine, B*inspired, too.

MyImage magazine

I absolutely love the jersey cowl dress on the right! It’s made up in three different prints in the magazine but it just looks so easy to wear for summer – that skirt wrap is an extra layer over a full skirt so there’s no chance of wind-related mishaps, either. On the left, there’s a casual woven shell with deep pleats at the neckline that would be very figure-forgiving, and it’s paired with a basic jeans pattern. I’ve been meaning to sew a pair of MyImage jeans for years now so I really must get on with it…

There are three Plus patterns in this issue – nice basics in the form of a loose, sleeveless shell with hi-lo hem, classic jeans, and this jersey surplice dress. Like the cowl dress above, the front skirt panel overlaps a full layer underneath so there’s no flashing worries, and the shoulder pleats look like they’d provide some nice shaping for larger cup-sizes, too.

Burda magazine February 2014

I don’t know what happened this month, but I appear to be the last person on earth to receive their February issue! Some people were already posting reviews of their sewn garments a full week before mine arrived in the postbox, not fair! But better late than never, here are my picks…

First up – this dress isn’t particularly earth-shattering, but it’s a nice classic shape, with short- or long-sleeve options, and a clever little central hidden kangaroo pocket in the skirt, too. I’m definitely eyeing this one up as a possible birthday dress for March, especially since I’ve got all that luscious silk twill that Dilly gifted me when she came to visit!

I know there are a lot of sewing ladies online that go ker-ay-zee for anything with buttons in the back but… I seriously don’t get it! So, you have to have someone help you get dressed whenever you want to take it on and off? How is that a good thing?! I’m not convinced by the central pleating on this dress, either, which might end up looking less than flattering…

I’m not entirely sure what it is about this wide, cropped blouse, but I absolutely love it! Maybe it’s the cocoon-shaped sleeves, or the back yoke, or the nice V neck, but I really could see myself wearing this a lot with leggings. I don’t think it’s quite as successful with the full skirt Burda’s paired it with, however.

Happy 2014! (My Sewing Year in review)

As I do every year, I like to spend the first of a new year to take the opportunity to look back on what I’ve sewn in the previous year. So without further ado, here’s a visual reminder of 2013!


Click the image to see it better, or right-click here to see it in a new tab to get a better look!

Tip: If you’d like to skim back through the posts for the above projects, you can click Gallery in the upper left menu, which will only show you finished projects, without all the magazine reviews and in-progress reports getting in the way!

The Year in Stats

In terms of pattern companies used this year, I made: 15 Self-drafted (including Pattern Magic), 11 Burda Magazine (aka Burda Style), 8 FehrTrade, 4 Style Arc, 4 Cake Patterns, 3 Christine Jonson, 3 MyImage, 2 Pattern-Scissors-Cloth, 2 Jalie, and 1 each from Elan, KnipMode, Papercut Patterns, Drape Drape, Lolita Patterns, Kwik Sew and Simplicity.

So that’s precisely one garment made from any of the Big Four, but a whopping 23 items I either drafted myself or drafted and then released as a pattern! It’s no surprise Burda is otherwise up in the 2nd place position, and I’m pleased to see Style Arc and Cake ranking highly this year, since I discovered both companies this year. It is a bit disappointing that I failed to make a single Manequim pattern this year, despite reviewing my monthly copies! I must try harder next year to justify the subscription cost.

By my count, I made: 22 tops, 13 trousers (including leggings), 9 dresses, 9 pieces of lingerie (bras, panties, slips, etc), 3 skirts, 3 jackets or cardigans, and 3 bags.

Burda magazine September 2013

After August’s total stinker of an issue, I was really hoping that September would be a great one to pull me into Fall sewing and inspire me, but this one is just as bad! Seriously, I kept pulling this one out every few days thinking “it can’t be that bad – there must be something worth making in it…”

Well, after struggling to find the good in it, I’ve found some acceptable details that might be worth repurposing, but IMHO this is a new low. Sigh.

We wait ages for Burda to produce some decent lingerie patterns, and then they go and disguise this slip as a neo-grunge dress! I’m not entirely convinced by the front pleating, and since they’ve obscured it in every photo (here in a very busy print), I’ll have to wait for those keen Russians to sew up a few before I make my verdict…

The cropped, Peter Pan-collar jacket – ugh. The bad dress hangover from last month’s disgusting neo Victorians feature – double ugh. But the jersey split skirt – yeah, I’m alright with that. This is probably my favourite of this issue, and it’s quite telling that I’m even just lukewarm on it.

The winged sleeves are a really interesting detail here, and it’s a bonus that this has the illustrated instructions for this issue, but why did they have to put them on such a shapeless sack of a dress??

Burda magazine August 2013

I’m not going to lie to you – there’s a whole lot of ugly again in this issue! After last month’s disappointing collection, I was very hopeful that the first of the Fall fashions would herald a return to some great Burda patterns, but alas!

I’ve tried to shield your poor eyes from the worst abuses and find some nuggets in the poo, but I just couldn’t help it. Happily, though, if you’re Plus-sized, you get the best patterns of the whole issue!

The entire Downton Abbey-inspired feature was just fugly so I’m going to pretend that just doesn’t exist. Moving swiftly on…

When the photos for this issue were first previewed, I would’ve never guessed that the tech drawing would look like this! This seems like it could either be a fantastic take on a basic long sleeved tee, or a really annoying noose that gets in your way and drags in your tea…

What an awful 1980s double sweatshirt abomination, paired with an even uglier leather skirt just to make the sweatshirt look not quite so bad in juxtaposition. Even the model looks sad that she was forced to wear this.

The 1970s Marianne Faithfull feature wasn’t much better (because there’s nothing I hate more than hippie style, or the 1970s!), but it did contain these slim leather trousers. I’m not as keen on the long-line blazer, which, for Tall women, is just going to further elongate them, right?

This red suit is absolutely the best of the regular-sized patterns in this issue! I’m not even usually a fan of blazers but the cut is really great here – classic yet interesting, and it comes paired with a really well-proportioned pair of trousers, too. Even better that for some reason Burda chose to have the coloured illustrated instructions for the blazer, even though they’re usually reserved for the most remedial patterns in the issue (you can see Burda forgot to remove “Easy Sewing” from the top there, which clashes with “Advanced” and “Masterpiece” just beneath it!)