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Sewing Indie Month: An interview with Hannah from Sinbad & Sailor

As part of the wonderful Sewing Indie Month celebrations, each of us are collaborating and getting to know each other throughout the month of May. In the planning stages, I’d asked to partner with Sinbad & Sailor for a whole bunch of reasons – I’d been following her on Twitter for ages, I love the timelessness of her designs, and she also lives in London, yet somehow we’ve never managed to meet up!

Of course our first thought was to meet up in a pub somewhere and do the interview in person, but then we realised it’d probably be a lot more coherent if I interviewed her over email and celebrated with a drink later instead! So go grab a drink of your choice and come get to know Hannah!

1. How did you come up with the name Sinbad and Sailor? Do I sense a maritime connection at all?
No maritime connection in the S&S story it’s all land-based I’m afraid… When I was starting out it took me a long time to find the perfect name as I wanted something which reflected East London, where I’m based, living just one road away from where my Granddad grew up and also sewing (of course!). One friend suggested I look at Cockney Rhyming Slang (which is a fairly modern slang where phrases are derived from taking an expression which rhymes with a word and then using that expression instead of the word – ie. apples and pears = stairs) and see if anything had the right ring to it. I discovered that ‘Sinbad and sailor’ is cockney rhyming slang for tailor and I knew straight away that was perfect.

2. What gave you the push to start your own pattern company? Did you train in fashion, or did you segue from another career?
I have been sewing since school and studied fine art sculpture at UAL after which I went back to sewing in earnest. I’m a recipe following kinda gal and was always using patterns but found that the offerings felt very dated, hardly reflecting any current trends or styles which combined with their confusing instructions format created a frustrating sewing experience. Walking to work one day it struck me that if I was getting frustrated by the current shortfalls in sewing patterns perhaps other people were too. Rather than waiting and hoping that someone else would create these patterns I decided to be proactive and start making them myself.

3. In your mind, who is the quintessential S&S customer? What is her style?
The quintessential S&S customer is a woman who values her independence and likes to express herself through the way she dresses. Her style would be her interpretation of current trends and she’d be bold in her use of colour and prints when sewing (after all how are you going to rake in compliments with a plain back top?!)

My light-up, twinkling running jacket – the sewing bit!

You heard all about the electronic components earlier this week, but the sewing of the jacket itself was in no straightforward, either! If you missed the video of the LEDs in action, have another look:

You might think, that, as a pattern designer for exercise wear, I might view other exercise patterns as competition. On the contrary – when I first saw the StyleArc Steffi jacket, my first thought was “Brilliant! Now I don’t have to draft it myself!”. I’ve got enough ideas in my head for patterns already, so I’d rather refer folks to other good patterns if I can rather than constantly reinvent the wheel.

This pattern was a birthday gift from my inlaws, and I was initially concerned because they’d bought me a size 10 instead of the 12 I’d asked for, but as it turned out this fits me really well anyway. It’s a smidge too tight in the chest for me to run in (my trainer has me focus on pulling my shoulder blades back to open up my chest for better breathing), but is utterly perfect as a warm-up, cool-down jacket, so hurrah for happy accidents!

I chose to do my colourblocking like it’s shown in the technical drawing – I used a grey/black sportshell as the main body, then I used the black reverse of this black/grey “budget” sportshell as the contrast panels. The main sportshell is really nice – a soft, technical jersey with a thin layer of fleece bonded to the inside – it feels really RTW and high quality. The budget one, well, lived up to its name. The grey side looks a bit naff, there’s no fleece, and the black side is just smooth like the other fabric’s grey exterior. So it was fine for my purposes here, but I wouldn’t recommend skimping if you want a similar jacket – go for the more expensive option and you won’t regret it.

Sewing Indie Month: An XYT maxi dress tutorial from Closet Case Files

As part of the wonderful Sewing Indie Month celebrations, each of us are collaborating and sharing tutorials throughout the month of May. During the planning phase of the month, I requested to partner with Heather from Closet Case Files as she’s also a fellow stretch fabrics fanatic plus I loved her Bombshell Swimsuit pattern (if only English summers ever got warm enough to swim, eh?).

Well, she’s since gone and released Nettie, a fantastic bodysuit and bodycon dress pattern, and it’s already on my To-Sew list for later this summer. I can never wear RTW ones as my torso is too long, so I’m excited to finally wear some! (That, and her dress looks SO much like Wolford’s £300+ dresses!)

As we were discussing which tutorials to do, Heather was really up for hacking my XYT Workout Top pattern and making it not only something suitable for casualwear, but also a dress! She’s gone and done it, so if you’d like to make your own, read on…

The tutorial

Hello everyone! Heather here from Closet Case Files. I’m on Fehr Trade today to share a tutorial for Sewing Indie Month.

One of the things I love most about the independent pattern community is the way that the unique taste and point of view of each designer shines through in their work. I was really excited to be paired with Melissa for Sewing Indie Month; I have tremendous respect for her skills and knowledge, and love her cool and modern take on active wear. It was a good pairing, since we both love designing for stretch fabrics. For my Fehr Trade tutorial, I thought it would be fun to put a Closet Case spin on the XYT Workout Top.

Since I’m not the jogging type of girl (more of a leisurely bike riding lass), I thought it would be fun to take the great design lines of the XYT and make a summer maxi dress. I loved the racerback option, and thought it could look sexy and sporty in a mix of lycra and powermesh.

XYT Workout top by Closet Case Files-12

My light-up, twinkling running jacket – the electronics!

This is an epic jacket, and something I’ve been wanting to do for, ooh, 6-7 years at least. You see, I really liked the idea of wearable electronics, and clothes that do something and interact with their environment, so I started buying LilyPad components many years ago with the hopes of making something.

Then I realised that I know nothing about circuits and electronics, and it all seemed really confusing every time I tried to sit down and learn about it. Finally, I decided that I’d bring my suitcase of tricks (no really, I have a little yellow plastic “suitcase” with all my beginning circuitry stuff in it!) along to France on holiday and I’d sit down and teach myself how to do it then. And I actually did!

LilyPad is the sewable line of Arduino products, made especially for folks like us. They’re easy to attach onto clothes, and (apart from the batteries) are machine washable, too. For this jacket I used a LilyPad battery pack (I started with the Coin Cell one but it wasn’t quite enough power), a Lily Twinkle controller, a bunch of LEDs, and a spool of conductive thread.

I used a mix of the regular LilyPad LEDs and the Micro LEDs because that’s what I had – the micro green ones were much brighter than the bigger purple ones, but you can really only get about four loops of thread around each terminal of the micro ones, so if you need to connect it to more than two lines, go for a bigger one. The Twinkle controller is really just a tiny board with four connection spots for LEDs and makes them fade in and out randomly (though you can connect more than one LED to each spot & they’ll twinkle in unison). I wanted to make things easy for myself this time around so I left out any input sensors, though I do have an accelerometer in my stash…

I’d thought to bring along this “Fashioning Technology” book and between that and this Lilypad Twinkle tutorial, I pretty much taught myself how to make a simple circuit to do what I wanted. When I go to do my next project, I’ll need to read a few different chapters and watch some more tutorials, I’m sure!

Angel's Duathlon Capris

You’ve already seen my first athlete-model, Claudia, rocking the Booty Short length, plus a ton of different versions from around the sew-o-sphere, but I wanted to show you a pair of my Duathlon Shorts pattern I made in the Capri length for my friend, hero, and inspiration, Angel Dee!

Angel’s not only a super fit runner (she just ran London marathon, too!), but she’s also finishing her personal trainer certification after years of dreaming and working office jobs. Sometimes it’s all too easy to assume that super-fit people have always been that way (I know I’m guilty of that, too), or just “have great genes” or something, but Angel works hard – not only is she a mum to a teenage boy(!), but she’s overcome her fair share of serious health problems, too, which makes her enviable abs even more laudable! (Seriously, check out the #AbsLikeAngel hashtag on Twitter!)

Grey Donna Karan leggings (Vogue 1378)

I don’t sew many “Big Four” patterns these days, but when I do, they’re invariably Vogues, and even then, they tend to be the designer patterns. The Big Four are really bad value in the UK, for starters, but then I also hate fighting with massive sheets of tissue paper, playing the “how much ease?” roulette, and dealing with outdated construction techniques. Give me a magazine maze to trace or pdf to tape together any day!

But I do love great and interesting seamlines, so when the Donna Karan coordinates pattern, Vogue 1378 was announced, I immediately wanted to make those leggings (the wrap top? Meh. I’ve seen a thousand like it).

Since there was a sale on Vogue patterns a few weeks before I was due to visit my parents last November, Stacy very kindly bought it for me at sale price (even without shipping, it was like a third of what I’d pay here) and it was waiting for me when I arrived! Thanks Stacy!

But for all the aforementioned reasons, I never quite got around to making it until now – the thought of unfolding all that tissue to trace the tons of pieces just made me choose other patterns instead. But eventually I realised that I really needed some basic, all-around trousers, so out they came! By my measurements, I should be a size 16, but I opted to throw all caution to the wind and make a size 14 instead, as I wanted them to be close fitting, like leggings. Having gone down a size, I now think the ease is just right – not stretched tight, but not baggy either.


(Photos shot whilst holidaying in the medieval Breton town of Dinan, in France! Paired with my Manequim birthday silk blouse)

Sewing Indie Month

I’m back now from a ridiculously gluttonous week in Brittany, and having devoured every spec of seafood and salted caramel in the land, I’ve returned right into the throws of Sewing Indie Month!

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Mari (of Disparate Disciples, now Seamster Patterns) approached me months ago asking if I’d like to join in, and now it’s finally here! What’s here, you may ask? Well, it’s a month-long celebration and collaboration between myself and 20 other indie pattern designers, with interviews, tutorials, sewalongs, and a mahoosive bucket of prizes to be won (in all, over $1,000 worth!).

There’s something new going up on one of the participating designer sites every single day in May – mine aren’t scheduled until the end of the month, but you can see a calendar listing everything that’s going up (be sure to click “Read More” on each date to see everything!). There’s already 6 days full of free tutorials and interviews to pour through over your lunch hour today…

For me the best part is being able to collaborate with other designers whose work I really admire, but whom I haven’t really had a chance to talk much with. I love being part of a community of creative women who are all passionate about what we do, and see others in our field as friends and comrades instead of competitors! In the spirit of collaboration, this month would be nothing if it wasn’t for each of us doing our own little part – I mean, I’m only involved directly in four posts, but together we’ve crammed May full of great stuff!

Pimp my Duathlon Shorts

For my first set of patterns, I was designer, pattern drafter, digitiser, and model, but for my latest Duathlon Shorts pattern, I wanted to bring in a few athlete friends to help model the different versions. You’ve already seen her legs modelling the “Booty Shorts” version on the pattern envelope, but my friend, training partner and sometimes-coach Claudia really helped me in the early testing stages to get the pattern suitable for cyclists.

She’s modelling the second version I made for her here, in size XXS using the “Booty Short” length. Even though these are short, you still get the integrated pockets on both sides and a nice place to use up contrast fabric. She specifically asked for dark fabric for the main shorts, as you can apparently get unattractive crotch sweat patches while cycling, even in wicking fabrics, and they’re apparently less noticeable in dark colours! Dark colours or bold patterns also help to disguise the topstitching used to attach the crotch padding as well…

Burda magazine May 2014

I don’t know why, but this issue was really late to arrive this month, only turning up on Friday, after (I swear) everyone else on earth already received theirs, and some had even started making things from it! I love my subscription, and it’s usually timely, but it makes me cranky when it’s a really good issue I’m waiting on!

I’m not sure why so many of the garments in the first feature were made with waffle piqué (maybe the Big Waffle Piqué Cartel got to Burda?), but I rather liked the design of this sweetheart-necked dress. I thought at first there might be kangaroo pockets in the skirt, but no – the model is just holding her hands at the pleats for the fun of it…

This banded dress is just ok IMHO – it reminds me too much of the overdone “Duro dress” of a few years ago, but I more wanted to point out the blatant advertorial for Frizz-ease in the corner. Look, I don’t mind if Burda start introducing ads into the magazine (frankly, I find it really weird that it doesn’t contain any), but make them ads. Don’t try to shoe-horn ads into your crappy, poorly-written copy and expect readers to be stupid enough to lap it up. Give Frizz-ease a full page ad and don’t insult your readers’ intelligence.

The maxi dress on the right isn’t really my thing, but I really like the paneled seams of the mini dress on the left. The dress has a few variations shown in this issue, including an above-the-knee length, and both strapless and spaghetti strap versions, but I liked this cap sleeve treatment best.