Blog

Burda magazine May 2014

I don’t know why, but this issue was really late to arrive this month, only turning up on Friday, after (I swear) everyone else on earth already received theirs, and some had even started making things from it! I love my subscription, and it’s usually timely, but it makes me cranky when it’s a really good issue I’m waiting on!

I’m not sure why so many of the garments in the first feature were made with waffle piqué (maybe the Big Waffle Piqué Cartel got to Burda?), but I rather liked the design of this sweetheart-necked dress. I thought at first there might be kangaroo pockets in the skirt, but no – the model is just holding her hands at the pleats for the fun of it…

This banded dress is just ok IMHO – it reminds me too much of the overdone “Duro dress” of a few years ago, but I more wanted to point out the blatant advertorial for Frizz-ease in the corner. Look, I don’t mind if Burda start introducing ads into the magazine (frankly, I find it really weird that it doesn’t contain any), but make them ads. Don’t try to shoe-horn ads into your crappy, poorly-written copy and expect readers to be stupid enough to lap it up. Give Frizz-ease a full page ad and don’t insult your readers’ intelligence.

The maxi dress on the right isn’t really my thing, but I really like the paneled seams of the mini dress on the left. The dress has a few variations shown in this issue, including an above-the-knee length, and both strapless and spaghetti strap versions, but I liked this cap sleeve treatment best.

My day on set

I wrote this post back in October, but couldn’t talk about it until now!

I got a call on my mobile and in less than two hours I found myself on the set for The Great British Sewing Bee, rifling through the on-screen sewing supplies and marveling at the endless array of haberdashery available to the contestants! The next day I was whisked off for an emergency manicure, and before I knew it, I was demonstrating sewing techniques in front of two cameras under the bright lights on set!

Now, before you jump to any conclusions, no, I was not a contestant! (I did apply again this year, but my Mexican holiday fell right over their filming dates). I stepped in at short notice to help the production team with some extra “how-to” videos they film for BBC Learning, to teach people how to sew projects that relate to the challenges made in the show. Kinda like saying “You know that cool thing that you just saw a contestant make? Well, look how simple it is to make something similar!”

For this, they needed someone who could sew (obviously!), write sewing instructions which could then be translated into cues for the cameramen, editors, and voice over artists, and also perform well in front of the cameras. And those three things are pretty much what I excel at and enjoy doing, so it was a massively enjoyable day for me!

Manequim magazine March 2014

I’m often inspired by styles in Manequim magazine, even if I don’t actually sew that many, and I particularly love the Fall and Spring issues which tend to overlap a bit more with the seasons we have in the UK. Brazil is entering Fall now but the same styles are super wearable for English Spring, too.

The celebrity style section (which is usually occupied by Brazilian soap stars I’ve never heard of) is this month all featuring stylish women in their 50s, 60s, and 70s. I really like the flowy faux-wrap dress Meryl Streep is wearing on the left, and it just happens to be in my size, too.

The Plus patterns this month are all blouses, and I think the pale yellow one is a particularly interesting design since it uses a twist in an outer layer, almost creating a twinset effect with the inner layer.

The designer style section is based on Alberta Ferretti’s designs, and these slim trousers and silk blouse are both provided in several sizes and would both make really great wardrobe basics. They also look especially good for testing out the fit if you’re new to Manequim, too.

Dozens of Duathlons!

I’m not entirely sure where the time went since my birthday and the release of my latest Duathlon shorts pattern (oh yeah, I ran that marathon thing…), but the internet has simply exploded with amazing finished versions of the Duathlon Shorts and capris in only a few short weeks.

If you’re looking for inspiration to sew up your own activewear or join in the Spring Race Challenge (open through 4th July weekend now!), then settle on in…

Kathy’s capris

Kathy’s one of my pattern testers so she had a bit of a head start on the rest of you, but she liked the pattern so much she went on to make two versions of the capris, both with really nice contrasting fabric choices:

Kathy also shows how to alter the pattern to increase the back crotch length, which can be really useful if you’re a visual learner like me! One thing to note though is that Kathy’s showing the test version of the pattern – in the final version the little bump is smoothed out and I’ve added 2cm to the upper back to account for the seated posture of cyclists. Otherwise the fit should be exactly the same as my PB Jam Leggings, so if you made fit alterations to those, you can confidently do the same to these!

Kathy also turned a mistake into a great design feature – if you flip the upper side panel to the inside, you can have a pocket that opens against your body for extra security! She has one opening out for easy access, and one opening in for stuff like keys and ID.

Katherine’s bikers & gathered-side swimmers

Katherine’s another one of my pattern testers, so her first biker shorts pair are pretty much straight off the pattern to test for me (though I really like having the top side panel be the only contrast!), but then for her second pair, she’s gone and done one of the most exciting adaptations ever!!

She’s taken the booty short length, but shortened the side panel and gathered the front and back to match – making the panel stand out just by the texture change! She’s also completely lined these and made them in chlorine-resistant lycra so she can swim in them. Omg, do I now have to change the name to Triathlon Shorts??

Sandra’s sunny capris

I love that by total coincidence, Sandra has made the inverse of Katherine’s colourblocking on her capris! You can really see how the whole look changes when you change the colours of the three main sections.

Sandra makes some great points about the pocket in her post, too – when I was designing these I tried to adopt a “cycle first” mentality, and the pocket illustrates this perfectly. Instead of placing the pocket anywhere along the side seam, I sat down, saw where the crease of my leg was, and made sure the pocket didn’t cover this area – if it had, the contents would dig into your legs every time you pedaled! So it may feel a little low if you’re not cycling, but it’ll make sense when you sit down.

Post Marathon Thank You

Thank you all so, so much for your well wishes, support, and donations for Sunday’s London Marathon!

If you’re interested in my full race report, please head over to my RiverRunner site, but the short version is that it was super tough in the hot sun, but I managed to finish in 3:30:37, which is a new PB for me, an automatic Good For Age place in next year’s race, and a Boston Qualifier as well!

My rainbow Duathlon Shorts were the perfect choice, too – super comfortable with no tugging or chafing whatsoever, and the pockets were big enough for me to cram in four gels and a pack of Shot Bloks and not have them bouncing around everywhere.

Tomorrow

Tomorrow I run the London Marathon.

(Actually, I’m way more excited than that sounds. Add in a “Weeeeeeeeeeee!!!!!”)

I will be running in my newest Duathlon shorts, so I’ll be sure to share some photos of myself in them for the Spring Race Challenge! Remember that if you’re entering the prize draw, you need to link to your photo in the comments of that post – I’ve seen some great photos already but they need to be added there so I don’t lose any.

If you’d like to track me during the race tomorrow (it starts at 10am BST), I’ve detailed three different ways you can do so over on my Riverrunner site. I’ll especially need comments after 2.5 hours in, so that’s about 12:30ish local time (or 7:30 EDT).

The Bunka-esque asymmetric Burda top

This might be the quickest turnaround for a pattern I’ve made in ages, but last weekend I put together the weird, conceptual “tube” tee from the April 2014 Burda magazine (I’m so current!!) and some splatter-print viscose lycra jersey I bought at Hancocks when I was visiting my folks in Virginia in November. Or it’s up on the US Burdastyle already should you wish to buy the pdf.

The pattern itself is rather avant-garde – it’s really just one big rectangle! On the right-hand side (as worn) there’s a side seam and a pretty normal, set-in sleeve. But on the left it’s just a fold instead of a side seam and a horizontal slit is cut in, where a sleeve with the sleeve cap chopped off (no, really!) is set into that. The neckline is just the top of the rectangle and is only an inch or two narrower than the hem!

I wasn’t so sure that the weird left sleeve would actually be comfortable, but it really is! I don’t even notice it when I’m wearing it, and it doesn’t really look strange when worn, either.

The body feels super voluminous and quite long to me – I’m tempted to narrow it and the cowl neck as well. I made a Burda size 40 which should be true to my new measurements, but everything is super wide – I’d definitely consider going down a size in the rectangle, but keeping the sleeves at your true size.

The Sherlock coat

Sewing a coat is always a big accomplishment, but this coat in particular has been a long time in the making. I first told James I’d finally make him a coat like Benedict Cumberbatch wears in BBC’s “Sherlock” for his birthday back in early December. I drafted up a pattern using the details provided in this livejournal post, then made a muslin for him later that month. With only a few tweaks needed for fit and style (I made the lapels too big, for starters!), I then moved on to purchasing the wool coating, cotton flannel underlining, and black acetate lining.

But this is also where the first delay came in, as he wanted a black wool coating with faint blue and brown checks from Crescent Trading, who turned out to be closed over the full Christmas period, when I was hoping to get a lot of the work done. All of the above are detailed more
in this “progress report” post from January.

I then had more hurdles involving the hem bubbling (which meant I had to baste it in place, flip it back wrong-side out, handstitch, re-press, etc), waiting for some woman on Etsy to make more replica buttons (which we finally gave up on and just made our own with gold enamel paint), and getting the right upholstery thread to do all the buttonholes.

But it’s finished, it looks fantastic on James, and the proportions are really flattering on him, too! So the lengthy making process shall soon fade away in the light of the finished coat. He definitely prefers it open (as dos Sherlock himself), but it can be buttoned up in the coldest of days, too:

It’s a very warm coat, having underlined the body and sleeves in flannel, a trick I picked up in previous coats to stop the wind.

I can’t take the credit for these, as James was having fun with photoshoot ideas!

Duathlon Shorts tip – short on fabric?

The Upper Side piece of my Duathlon Shorts pattern is pretty long – 64cm (25in) long for size XL, to be exact. If you’re using scraps as accents on the sides, you may find a great piece of fabric that’s too short for the piece.

Here’s a tip – because of the way the piece folds to create the pocket, if you position a joining seam anywhere between the top “Top of Pocket” lines, the seam will be hidden inside the pocket construction!

(Just don’t forget to add on seam allowances when you join – or join your fabric first and then cut out the pattern piece!)

Digitally printed fabric comparison

I recently placed a small order at Spoonflower for the first time in three years since they now do “performance knit” as a base fabric option! I mostly wanted to see how it compares against other wicking lycras and also FunkiFabrics’ digitally printed (non-wicking) lycra, as it could potentially be a great source of wild running prints for me.

I had stopped ordering from Spoonflower because their international shipping was taking an excessively long amount of time (over a month!!) and getting lost fairly frequently. I also stopped because, at the time, the only knit fabric they had was the organic cotton interlock, which both faded in the first wash and had zero recovery, and was pretty much useless for my purposes. But in the past three years, they’ve added a bunch more knits to their range and sorted out their international shipping, so I tentatively made a small order to try them out again.

I ended up getting three samples and a fat quarter, all of the performance knit (plus a swatch book), and I’m really impressed. Spoonflower’s performance knit is a smooth lycra base with about 40% widthwise stretch and no lengthwise stretch. They print onto white base lycra, and although the weight is thinner than FunkiFabrics’ base lycra (which has four-way stretch), I’d still feel fine using it for actvewear, though you’d want a busy print to distract from any lumps and bumps.

I’m also relieved to report that they’ve sorted out their international shipping – I ordered on 13 March, they shipped it on 17 March, and it arrived on 31 March. Much improved!

Now, the price. I always expect that I’m going to get shafted on shipping fabric from the States (and I’m usually right!), but the shipping on my above order was only $7, which I found wholly reasonable. In fact, I started getting curious so I actually worked out a price comparison for having digitally printed lycra shipped to me in the UK: