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Inspiration

Pattern Magic Stretch Fabrics course at Morley College

Some of you may remember that last year I took a course at Morley College on Pattern Magic 2 (my first actual sewing class, believe it or not!) and it was so interesting, useful, and inspiring that I just had to take the course on the third book, Pattern Magic Stretch Fabrics. I booked this something like 9 months in advance, I was that excited to take it!

The first two books are based on woven slopers, but since this third one is all for knits, I used my own knit sloper instead of the book’s – I’m rather proud of this bit of forward-thinking! I also got to show off my pattern drafting gadgets plus it was great to see so many familiar faces and meet new ones, too (hi Clover & Ingrid!!). For the second class though, Claire had taken the initiative to digitally grade up the book’s blocks to larger, more standard Western sizes! She says she’s going to share these on her site very soon, so keep an eye over there if you want a short-cut to a bigger knit block.

Over the course of two consecutive Saturdays, we drafted three designs from the book (chosen by our amazing tutor, Moni), and a fourth of our choice, plus a bit of time at the end to sew up a sample so we got to see the range in real life.

Here you can see me & Claire from the first Saturday! (I’m totally brown-nosing by wearing a design from the second Pattern Magic book!)

The first design we all drafted was “Crescent Moon“, essentially a giant donut that you wear. It’s so avant-garde that it doesn’t even use a knit sloper, just circles!

This did look a bit better once we got out a smaller, female mannequin, but it’s still not something I’m finding particularly wearable.

The second design we all drafted was “Sharp & Snappy“, which I dubbed “the stegosaurus”. The gist here is that you shift the side seams forward and add triangular points in the seam line.

Inspiration

Pattern drafting gadgets (plus discount code!)

I had the final instalment of my Pattern Magic course at Morley College over the weekend (more on that later this week!), and since the majority of the class is in pattern drafting, it became apparent to me that I’ve got three pattern drafting gadgets in my arsenal that aren’t widely known, but that I consider to be essential!

On the left is the Seam Allowance Guide, little magnets which snap onto the side of your scissors to help you cut an even distance away from your line. I usually use this when cutting my fabric when using patterns that don’t have seam allowances at all, my on my course it was very helpful when cutting out the final pattern when I didn’t want to draw the seam allowances in. I got mine for review a while back but you can buy yours here.

On the bottom – I don’t know the technical name for this, but I call it my “pizza wheel measurer”. It’s a little wheel marked in centimetres which allows you to measure curves really easily. I use it most often when matching up seam lengths between sleeve caps and armscyes, but there are a number of occasions in the Pattern Magic books where you need to ensure two curved seam lines are the same length.Claire posted instructions on how to buy these from Japan a while back.

On the right – The newest member of my pattern drafting team is the SA Curve ruler – a narrow ruler with one straight edge and one curved edge. It comes in two widths – 5/8” (1.5cm) or 3/8” (1cm) and the idea is that you place the ruler along your seam line and then just trace the other side of it, et voilà! Your seam allowance is added on.

Inspiration, Magazine

Burda magazine July 2013

The summer issues are never Burda’s forté but wow this issue is particularly bad! For me, the only reason to not throw this in the bin full stop is the lingerie section. Paunnet has already savaged the ridiculously, hideously ugly stuff in this, so I’ve tried to keep my complaining to a minimum. It was dragging me down to complain so much, but I just couldn’t help it on a few!

Like this first one – this is quite possibly the most hideous pattern Burda has ever published! I couldn’t believe the editor actually chose this one to restyle later in the magazine, proving once and for all that you “can’t polish a turd”!

“These trousers conceal LEGS”. Ummm, and?!? (I personally think the top and trousers aren’t too great with less-than-ideal proportions, especially for Tall women, but this bit of copy just made me crazy!) Did their usual barely-speak-English translators go away on holiday already or something? (Also: “batik” is not the same as “tie dye”!! arggh)

The vintage pattern this month is a woven tee and shorts from the 1960s. Both look really modern and wearable, though making the top in “rafia” sounds like it’d be really uncomfortable! I’ll take mine in silk, thanks very much.

Inspiration, Magazine

Manequim June 2013

As I mentioned last week, I had a great week for post while I was ill, including the latest Manequim magazine! Since Brazil is in the southern hemisphere, we get some wintery clothes, though there are still a fair amount of sleeveless options that would work for British summers, too!

oh. my. god. Plus sized lingerie!!! And they’re fantastic, wearable, and sexy designs, too – a bodysuit, bra, and panties in size 50 (B110cm W94 H116, just fyi). I’m terribly jealous that these aren’t in my size!

In the soap star style section, we’ve got this long sleeved sheath dress with interesting bodice panels that really looks like something I’d wear in the winter!

The designer pattern section this month is Jil Sander, whom I totally love! We get patterns for slim trousers (in multiple sizes!), the red batwing jersey top, and the blue dress with double-layer draped bodice. On top of the great designs, I actually really love the styling here, too – solids in vibrant colours, minimalist aesthetic, and letting the clean lines speak.

Inspiration

Postbags of Fun

I’ve been ill the past few days with some crappy bug that’s going around, and it appears that the postman has either a) been following me on Twitter and reading all my “bluergh I feel awful” tweets, or b) canoed alongside the boat and has been peeping in our windows watching me. I know I’d definitely prefer a).

But in any case, he definitely knew I needed cheering up, because look what arrived within the span of two days!

That’s right, the June Manequim magazine, the July Burda, and a bunch of StyleArc patterns I ordered a few weeks ago (they’re getting SO much faster at turning these around!!)

You’ll see my reviews of Manequim (awesome!) and Burda (pants!) next week, but the new additions to my growing Style Arc hoard are:

  • Audrey jacket, which just looks perfect for Fall to me

  • Pamela dress, which would be really great for taking on our big Mexico trip later this year

  • Emma dress, which is just way Too Me to pass up!

  • and the Freebie for June, Dee Knit Top, which is really cleverly, yet simply drafted

Gallery

Striped Cabarita collared tee

As soon as I saw Cabarita, I knew I had to sew it. It’s got some really unique features I’d not seen in other knit tops – the vintage-inspired collar is the most obvious one, but the back V-neck and choice of short or long dolman sleeves really do make this a cut above the average teeshirt pattern.

Cabarita is the first of the “RiFFs” range from Cake Patterns and is available either printed or as a pdf from Etsy (I opted for pdf!) (Though note that if you ordered the printed version, you need to download the back neck binding piece here as it was accidentally omitted!)

Cake Patterns usually have lengthy and descriptive, very beginner-friendly instructions, but Steph started a side-range of “RiFF” patterns that have the same level of professional drafting, but with brief, text-only instructions and no layout diagrams, intended for more advanced sewists who just want the pattern (hello, that sounds like me!). Crucially, though, they still feature the (now signature) “draw your own side seams” method. When I compared my drawn pattern pieces to my knit sloper, they were scarily close (from the bust down), so this method really does work!

Now, a bit of a confession: I wasn’t entirely sold on the the collar at first. I thought maybe it might look a bit too costume vintagey, and might get in the way or flop around a bit. But I’m glad I included it as I really like it now, and it really does add to this pattern, which might be a bit too plan in front otherwise.

When I sew this top again, though, I’ll a) use lightweight knit interfacing on the collar so it stays in place a bit better (rather than the edges folding over, like you can see below right) and b) attach it so that the seam is on the right side and therefore hidden under the collar as it hangs, negating the need for any understitching on a narrow serged seam allowance.

This fabric is a lovely and soft viscose jersey in brown and turquoise from Minerva (and also comes in brown/pink and brown/orange colourways). Minerva don’t do half metres so I took the plunge and only ordered 1m, and I’m happy to report that I could easily fit the shorter-sleeved version into it.

Gallery

Bridge the Gap refashioned race tee

Following on from yesterday’s Boston Street Running refashioned top, I thought I’d show you the other refashioned race tee I made from my starting pile, the “BTG” one in the centre:

This one has a whole lot of meaning for me – the urban running crew I’m part of, Run dem Crew, has a bunch of sister crews all over the world with a similar ethos, so when we go to races in other countries, the host crew lays on parties, sightseeing, and pre-race hospitality. When crews get together like this, it’s called “Bridge the Gap”, and the Copenhagen crew even designed special shirts to commemorate the Copenhagen marathon weekend.

But I was a bit late to the Expo, and they ran out of Medium shirts, so I asked to be given the largest size they had, which was XXL! (Why they thought they needed to print any that big for marathon runners is another question entirely!). So this one was ripe for refashioning, and I had a lot of fabric to work with, which was great.


When I Bridge the Gap, I really bridge the gap!

The original shirt had the blue NBRO man on the front, with BTG and the date underneath, and the back had “The Peloton of Awesome” and all the participating crew logos across the shoulders. There were also mesh panels running down the sides, which I used in the Boston Street top instead. Unlike that top, however, here it was absolutely essential that I preserved the original designs.

Gallery

Refashioned Boston Street running top

One practical aspect of being a sewing runner (or a running sewist) is that I can take all those oversized race tee shirts that seem to accumulate and refashion the nice technical fabric into something more suitable. Oftentimes I just trim down the front and back based on my knit sloper (like I did with my Paris race tee), but this time around I thought I’d change things up and use a Burda pattern instead of my usual sloper, since one presented itself nicely in the form of the “scuba set” in the June 2013 Burda magazine (or you can purchase as a pdf here).

I started by pulling out a pile of race tees I wasn’t 100% happy with (though in reality I only did two of these four)…

This particular shirt was always destined to be refashioned – I visited tons of running shops when I was in Baltimore in April, but my favourite was a small, very friendly shop run by a very enthusiastic runner, Boston Street Running (Baltimorians, it’s down by the big Safeway in Canton). I ended up chatting to him for ages about nutrition, races, running fashion, and he despaired that he only had one of their shirts left, and it was XXL with a printing mistake, as he really wanted to give me one!

I assured him I’d refashion it down, and send him photos of me wearing it in front of Tower Bridge…

One thing I really like about this pattern is that there are no side seams – it uses side panels instead!

Gallery

Orange and Pink tie-back teeshirt

I’ve got so many finished garments to show you this week, and I thought I’d start with one that I actually made back in February (while I was in a drug-addled shingles haze of pain). This top was a gift for my niece, from the Young Image SS2013 magazine.

I loved it as soon as I got this issue, and I went and traced and sewed it right away! The front has got a subtly curved yoke seam, but the back is where all the action is – a double layer with a tied yoke! It’s kinda hard to tell in the magazine photos though, because they don’t show the back at all, even though it’s the standout feature of this pattern!

I made size 164 and lengthened it as everyone says she’s so tall and thin, but those were the only changes. The only thing I’d change in future is to remove a ton of ease from the sleeve cap – there’s way too much in there, arrgh! Jersey tops really don’t need any ease at all, let alone several inches!

So even though I made this back in February, I had to hold onto it until I visited her in Baltimore in April. The shirt was a big hit, but I didn’t want to impose a photoshoot on the kids there and then, so my dad took these back in Virginia, and they only just came through a week or two ago. Thanks Dad!

Inspiration, Magazine

Manequim May 2013

Leading on from the amazing April issue, you’d be forgiven for expecting May’s to be a bit sub-par. But oh no no! Manequim have produced another really good issue with at least one “absolutely WILL make” for me, and if you’re Plus-sized, just drop everything and go buy this issue on eBay now.

The first pattern that stood out to me is this amazing Plus-sized biker jacket with gathered sleeves and diagonal zipper! (Also the dress is rather nice, too)

The cover star’s pleated dress has definite potential, but I prefer this sheath dress with piped, angular seams that she wears later in the same feature, even though it’s got an extremely short hem! (which is easy enough to fix, thankfully.)

I adore this blouse!! It’s made with panels of silk chiffon and silk satin, but I personally would instead make it all from silk satin and just alternate the shiny vs matte sides to create texture instead. This means it’s both easier and cheaper to source fabric, and you don’t unintentionally reveal anything in the chiffon sections!