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Londoners – Vintage patterns for a good cause!

How often do you feel a little guilty when buying yet another pattern or more fabric? Nearly all of us have big stashes and feel a little guilty about buying more, but we’re hardly going to stop, right?? I’ve just been alerted by Tracy (whom I met on the Morley College Pattern Magic course, remember?) that there’s an ageing sewist who desperately needs help, which you can provide by simply buying more patterns!

Sounds win-win, right? I’ll let Tracy explain:

My friend’s aunt had to go into residential care last year as she has dementia. She was a dressmaker all her life and my friend has inherited her fantastic collection of sewing patterns (about 200), along with some fabrics and her handmade dresses. The patterns are mostly from the 1950s and 1960s and include Vogue Couture, Vogue Paris, “ordinary” Vogue, Simplicity, Style, Maudella – mostly unused. It’s mostly women’s but also some children’s and a few men’s patterns. I did post on my blog about them a while back with some photos – which show the quality of the stuff she had.

Every penny, after we pay for the stall, will go towards her residential care – so if anyone fancies some guilt-free adding to their pattern and fabric stash we’d appreciate it. I’d also like to think she would be happy knowing that her collection would go on to be used by a new generation of sewers.

The stall will be at the Vintage Fashion Fair, at Cecil Sharp House, NW1 on the 14 April from 11-5. Afterwards Tracy will post any unsold patterns onto Etsy or eBay so I’ll try and mention the link to that once it’s up.

Manequim magazine March 2013

Greetings readers! I’m still away on holiday, meeting cool people, (hopefully) photoshooting my new Easter makes, and eating my bodyweight in crab cakes, but here’s something to tide you over til I’m back… the latest issue of the Brazilian pattern magazine Manequim!

I think this sleeveless blouse with neck tie looks like a really classy blouse for the office, and it’d be great paired with a skirt and nice jacket, though it’d be a shame to hide that back yoke. I only wish this one was in my size!

Here’s another look at that lace dress from the cover – it’s almost a skater style with that short, full skirt, and a nice surprise V neck in the back.

oh my god, you guys – this cropped trench coat is so me! And it’s in my size!

Burda magazine April 2013

Well, it was bound to happen… We’ve had quite a few great Burda issues in a row, but to my eyes, this one’s a stinker. I mean, there are a few patterns that are okay, but an awful lot of ugly that I couldn’t bring myself to even scan. I’ve sifted out what I could from this issue though, so here are my picks…

I’ve never been a big fan of maxidresses, but this one looks nice, if a bit “only to be worn on holiday”-y. There exist maybe two days in the year you could actually wear something like this in London and not look unspeakably sad. Which is why I don’t sew many summer clothes…

Here are two versions of the same simple, boxy top with pleats around the neck (not that you’d know it from the pose on the left!). I like this top (and to a lesser extent, the belt-required dress version), but I swear I’ve seen this design over and over again before. I do kinda like the idea of having an all-lace back, but I’d do it in a teeshirt pattern or something.

Book Review: Patternmaking for Underwear Design, by Kristina Shin PhD

You’ve heard me mention this book a few times as I’ve been experimenting with various drafts, but I felt it deserved a full review because, frankly, I’m a little obsessed with it right now. My mom surprised me with this when I was ill with shingles and the subsequent nerve damage pain, and it gave me something to focus on right as I was in the midst of my last bout of lingerie sewing.

It’s “Patternmaking for Underwear Design”, by Kristina Shin, PhD, and here’s a (pretty bad) shot I took of it’s cover:

It’s primarily a book for drafting your own bras and lingerie (but much more, too), and the biggest difference I’ve seen here in that these bra drafts all start with the underwire shape, and build from there. Every other bra draft I’ve seen starts with a bodice sloper, which is then adapted into a bra shape. The approach taken here makes a lot more sense to me for getting an accurate fit, since there’s so much variation in breast shape and distribution for women who even wear the same size bodice. As anyone knows who’s ever sewn a bra, finding the right size underwire is absolutely key, so it really seems right here to use that as a starting point. And it helps that most women can make a small incision in a well-fitting bra and just trace off one they know fits them!

There’s not really any construction or sewing instructions included in this book, but there are a few pages at the beginning with stuff like tips on cutting lace…

…and the wide variety of bra backs you can use once you’ve got your basic draft sorted out…

…plus several pages of various tables of measurements for different sizes, and exactly what to measure, both for the breasts and the rest of the body.

Here’s an example page from the leggings draft so you can see the style of instructions and diagrams. I personally found these easier to follow than Metric Pattern Cutting and WAY easier than any of the Pattern Magic books!

My Matthew Williamson birthday dress

Thank you all so much for your patience! I finished sewing this dress in time for my 34th birthday on Monday (and I proved it by showing you dressform photos and talking in depth about the construction process!) but such a rich, dark colour really requires daylight to shoot properly, and today was the first opportunity we’ve had.

Another reason I wanted some great photos of this is because it’s an incredible pattern with some seriously striking design lines and beautiful details, and frankly, it deserves to be seen properly! In fact, it’s a true designer pattern, and from Matthew Williamson, no less! It was printed in the September 2012 issue of Burda magazine, but you can still purchase it as a pdf download if you missed it and want to make your own!

I made mine in some lusciously soft and supple “Ravissant Duchess Satin Plum” that’s been in my stash for three years just waiting for the perfect use, and paired it with a floral lining fabric gifted to me from Veronica when I was in Paris last Spring. Personally, I think these two make the most perfect pairing, even if it’s only me who sees the inside!

As I said on Monday, this pattern is a step up from the usual Burda patterns – more like a Vogue Designer pattern in all its wonderful details, but with the usual precise Burda drafting. I really wanted to do this dress justice, so I did quite a few things the long way, like the fell-stitched sleeves, walking vent, and all the matching seam intersections!

Easter Weekend sewing and beyond!

Thanks very much for all your birthday wishes! I had a brilliant day, and the dress fared very well indeed at my mystery dinner – the waitress complimented it the second I sat down!

With the dark colour of the dress, I really need daylight for a photoshoot, though, so the first opportunity is tomorrow (Friday). I’ll try to get the post up later that day as I know you’re all waiting patiently to see it on me!

My thoughts are definitely drifting towards the upcoming long Easter Weekend, and what I’d like to sew during it. As usual, I’ve got mental plans for way more than I can possibly get completed in four days, but here’s what I’m hoping to make…

Leggings

I need to draft up leggings for two friends from my running crew, and sew samples/muslins for each from some cheap lycra I’ve got on hand for the purpose. One of them is popping over late in the weekend so I’ve really got to get hers ready by then!

I’d also really like to sew up two pairs for me based on my own draft, one in black supplex (with the aim of using that fishnet trim on them afterwards), and one in the tribal print from Funki Fabrics.

Once a pattern is set and ready, I can churn out a pair of leggings in a few minutes, though, so I’m not too concerned about fitting these in, it’s the drafting that will take the time (and desk space!).

Style Arc’s Marie Jacket

My main task for the weekend, though, is to make Stye Arc’s new Marie jacket, especially since I’ve gathered all the necessary supplies over the past week or so – some fabulous black and silver heavy jersey from Minerva and a big separating zipper from Our Patterned Hand

Birthday dress – just a peek!

Happy birthday to me! I’m 34 today, and to celebrate, I’ve been making myself a special sheath dress designed by none other than Matthew Williamson from the September 2012 issue of Burda magazine!

If you’ve been following along, then you know I’ve been super busy for the past few weeks and it was a bit touch & go whether I’d finish this dress in time to wear to my special Mystery Birthday Dinner tonight. I’m proud to say that I did finish it in time, thanks in no small part to the snow cancelling our Saturday afternoon plans and giving me time to huddle down and sew! (It did not cancel my run though – we still ran 19 miles in the snow & fierce winds)!

Unfortunately I didn’t finish in enough time to take daylight photos last night (plus it was snowing sideways & not exactly ideal photoshoot weather!), so I can only offer you some dressform photos right now, but hopefully we’ll be able to get a few shots of me dressed up before dinner tonight.

But — while everything’s fresh in my mind, I thought I’d tell you about the construction of the dress, and how I handled some of the trickier aspects of it.

I decided I didn’t want to fiddle about with a muslin for this dress, so I did the next best thing and sewed up the lining first, just to double check that my sole alteration of raising the waist 1”/2cm was right, and everything was okay.

After that I cut out the shell and facings from the purple duchesse satin, and the next hurdle was to attach the curved facings to the curved neckline and sleeves of the lining. The neckline wasn’t too bad, but the sleeves were a total bear! For this reason (and a bit that became apparant later, too), I’d recommend sewing the side seams dead last, after the lining and shell are joined at the neckline and sleeve edges, and then sewing the side seams. This means you can attach the facings flat, for starters…

Gathering supplies

It feels like I only just spoke about shopping but here I am, back with more lovely things to share! In my mind, it’s important that I have an intended use/project for 95% of the things I buy, and that I actually do end up using it, or (in the worst case) giving it away.

So with that in mind, I tried to make purchases of things I’m likely to use fairly soon, and I’m definitely all set for the long Easter weekend now!

Minerva Crafts

I was approached by the lovely Vicki at Minerva Crafts asking if I’d like to try some of their products. I’m approached fairly often by retailers about this sort of thing and I usually decline unless it’s a) most definitely sewing related (and not just another clothing store wanting to pimp me out for some % off code!) and b) I genuinely think I’d like the product and feel good about recommending them.

Not only are Minerva most definitely sewing-related (and owned by fellow sewists!!) but omg do they stock a gargantuan amount of sewing supplies! Ladies, it took me four days to trawl through the site and actually decide what I wanted. Four days. Not just fabric, but a ton of haberdashery (including supplies I’ve never seen anywhere else, like the stretch/lycra bindings), high end sewing tools and gadgets, patterns, the works. I didn’t even look in the Knitting, Quilting, or Needlework sections!

They’ve also got free shipping on all orders over £20, which is pretty awesome, too, as I’ve seen a lot of places with a much higher barrier than that…

But I won’t leave you in suspense any longer, here’s what I selected!

First up – 2.5m Black and silver heavyweight jersey to make the StyleArc Marie jacket, which coincidentally arrived from Australia the same day (4 working days after the shipping email! Noice!). This feels perfect for the jacket, too – hefty but drapey at the same time, with a nice bit of glam from the silver lurex threads.

Check out your Lacey Thongs!

Wow, the response to my free Lacey Thong pattern I released last month has been immense! Since the beginning of February, it’s been downloaded a staggering 1400 times! That’s a LOT of potential underwear, my friends!

You all have been sewing like gangbusters, too, so I thought it was time to share all the gorgeous versions you all have made – it’s only fair since I showed you mine!

So in no particular order, let’s have a fumble through your underwear drawers…

Kathhhhhy’s liked the pattern so much she finished off her first pair with a pretty bow in the back, and then went and made a second pair to match her lacey bra!

Lauriana’s pale green/blue pair kickstarted a month-long lingerie sewing binge, with more panties, and bras galore!

Frances Hall sent me photos of her gorgeous red & white pair:

My Satin & Lycra Weekend

My weekend mostly went like this…

Saturday

On Saturday morning I got up for a 2hr 45min (16+ mile) run in the rain with my two good friends, Chris and Juell. We got soaked, ran along Regents Canal to Camden and then through the heart of the city and back through Shoreditch to home. We were soaked to the bone, but had a great time and I furthered my knowledge of myself, my glycogen storage capacity, and my stomach’s ability to digest medjool dates as a gel alternative. That, and I feel a bit more confident now that I’ll be able to finish Copenhagen marathon now, having dialled back my expectations after being ill for so long.

Then Saturday afternoon I set out to do some more work on what will be this year’s Birthday dress (it’s next week, aaah!), the Burda Matthew Williamson sheath dress from the September 2012 issue:

The above uses the official photo from when I bought the “Ravissant Duchess Satin Plum” from Fabric.com three years ago, but below you can see the actual colour and exactly how much gorgeous lustre it gives off in the light. On the inside, I’m using a lovely floral lining fabric gifted to me from Veronica when I was in Paris last Spring.