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Gold Medal Running Leggings

I’ve had the idea of these “Gold Medal Leggings” in my head for months now.

I’d originally envisioned myself swooping through the Paris half wearing them, making Chanel-ed sunglasses tilt down as I sped past in a blur! “Oh my! Who eez zat magnificent femme with ze gold leggings??”

Or something like that. But then I got ridiculously sick with the shingles in January and still couldn’t run it come March, so these got their debut in the East London half on Sunday instead. Not quite as glamorous, but they did cause quite a stir.

I used my leggings draft from the Kristina Shin book again, teamed with Suzie Spandex “Spirographix” lycra in yellow. This makes these sister leggings to my Liberace pair (which were in the comparatively sedate “charcoal” colourway!), which I wear ALL the time. I had Arielle buy this fabric, plus some Suziplex for me when she was in Montreal and they were hand-carried in a series of suitcases across multiple borders, so I’m very glad to make good use of it!

It also appeared that Suzie Spandex cut a very generous length because it was more like 1.4m than the 1m I ordered, woop (so there’s plenty left for accents on Jalie running skirts or tops). Believe it or not, I sewed these up on my jet lag day after our red-eye flight back from the States when I was trying to stay awake until local bedtime!

The leggings certainly got the reception I was after – I’m not exaggerating when I say that my leggings got more cheers on the route than I did, I swear!

Inspiration

My evening in a 19th century Parisian Salon

Last week I had the extreme pleasure of attending The Salon Project at the Barbican, an event we booked tickets for months in advance and one I’d been so excited for that I was jumping up and down all day in anticipation!

Why, you ask? Because it was essentially playing dressup in amazing costumes and attending a modern equivalent of the salons that the Enlightenment made famous.

Or in in the official blurb, it’s explained as:

The Salon Project Revisited recreates the exclusive meetings at the heart of what was French society’s golden age – an era of change, excess and inquiry. Your evening begins with a transformation into full period costume by a coterie of dressers and make-up artists, before you emerge into a mirrored impression of a 19th-century Parisian salon. As you mingle with guests, pioneers in their fields will provoke discussion, speaking on subjects at the vanguard of 21st-century thought on science, politics, technology and the arts. Revel in the Salon’s splendour, contrast it with the present and imagine what the future will hold in this beautifully crafted night of fashion and conversation.

You can also view a a great, short video of the performance experience here to get a better idea of how it happened.

To start with, each of us sent our measurements to the team about a month ago – and it was rather more than just Bust, Waist, and Hips! But it was all worthwhile, because when we arrived, a costume selected just for us was waiting on a hanger with our name on it, along with shoes, gloves, jewellery, hairpiece – the works!

We each had our our dresser to help us get the dresses on, as many of them involved corsets which tied or hooked at the back, and elaborate draped pieces. I squealed with delight to see a sleeveless, corseted, dark grey velvet, floor length gown had been chosen for me! How did they know!? My dresser also found me better fitting shoes when my first pair were too small, and I tried on no less than four pairs of gloves before they found ones they deemed acceptable! The dressing team really did have an amazing array to choose from (way more than what was needed each night) so they really hunted to find the best pieces for each person. Then it was time for hair and makeup – the hair lady curled my entire head with tongs before pinning it back and affixing the jewelled feather piece. We ladies got a few minutes to marvel at each other before the gong sounded and we joined the men in the specially-built salon room!

The men were mostly in 3-piece tuxedos, which was more than James wore for our wedding! Doesn’t he look dashing?? He brought his own pocket watch, which was the envy of the other gents!

Inspiration

Baltimore & DC

Last week we flew over to the States for a week – not in Pennsylvania where I grew up (no offence, but I’m kinda sick of visiting there!), but to Baltimore, with a day in DC at the end. We got a lot of strange looks from British friends when we said where we were going – “Baltimore? Really? Why??”, and we’ve been mounting our own Baltimore Tourism crusade since we got back, because it was fantastic!

The reason we were over was because James was speaking at a prestigious tech conference, but I took the opportunity to meet up with loads of friends and family, including the chance to finally meet some fellow sewing bloggers!

I’ve been speaking to Cidell & Trena for at least five years now I reckon, and even weirder is that I already knew their voices from their earlier sewing podcasts (please bring them back!), and there was zero awkwardness when we met up for dinner! It really was like we’d known each other for years, which I suppose we have!


(Note: Jack’s Bistro did not pay us for their product placement!)

Cidell puts me to shame – she posted about our meeting like the same day!! I was also very excited to get more of the Under Armour Cold Gear fabric she’d previously sent, because during the last few months I’d been doing laundry twice a week in order to wear my Cold Gear leggings on both my Tuesday night runs and my Saturday long runs because they’re seriously the warmest leggings I own. Next winter I’ll be much better prepared now!

But they weren’t the only sewists I met – I’d also planned a run with Kathy in Patterson Park near my cousin’s house in Baltimore, which she’s already posted about here!

We both wore running gear we made ourselves – she’s wearing McCalls 6435 adapted for running as her top and the Jalie sports skirt lengthened into leggings, and I’m wearing my disco top and my new self-drafted leggings with that fishnet insertion from Tissu in the front thighs and back calves, which you can see a bit better here:

Gallery

My sparkly StyleArc Marie jacket

Right – where were we? I mean, I know I’ve been away so my brain is fuzzy and perhaps a little jet-lagged… Right! Easter weekend sewing! I had a four day weekend and most of it was spent in my sewing cave, so I’ve got an awful lot to show you, starting with my Stye Arc Marie jacket, which I made in that gorgeous black and silver heavy jersey from Minerva. It’s hard to tell from the description, but this is a little heavier than a ponte, with good stretch and recovery, and a slight rib to it. The exterior have little silver lurex threads running through it, and the reverse is a simple grey and black stripe (and, as you recall, Minerva kindly sent this to me as a gift).

I was really surprised with the shape of the pattern pieces when I opened it up – it’s not obvious from the tech drawings but this has a shawl collar and the centre fronts also double as the facing pieces, meaning you get a lovely turn on that cowl neckline, too, but the shoulder is kept nice and fitted. Genius drafting from Style Arc again!

I took the opportunity to use some different locations for photoshoots while we were away, so these were taken at my cousin’s house in Baltimore. Down there, it’s really popular to build a deck over the roof of your house, but it does mean you get the wind as well as the views!

I wasn’t really in a wind tunnel, but it certainly felt like it that evening!

I really like that this is a perfect spring-weight, unlined knit jacket which can be worn open or closed. With this fabric, I wore it over jeans during the day, and then again over dresses at night, too. The only downside to this pattern is that there are no pockets (nor really anywhere to add your own), which I really kinda need in a jacket.

Inspiration

Londoners – Vintage patterns for a good cause!

How often do you feel a little guilty when buying yet another pattern or more fabric? Nearly all of us have big stashes and feel a little guilty about buying more, but we’re hardly going to stop, right?? I’ve just been alerted by Tracy (whom I met on the Morley College Pattern Magic course, remember?) that there’s an ageing sewist who desperately needs help, which you can provide by simply buying more patterns!

Sounds win-win, right? I’ll let Tracy explain:

My friend’s aunt had to go into residential care last year as she has dementia. She was a dressmaker all her life and my friend has inherited her fantastic collection of sewing patterns (about 200), along with some fabrics and her handmade dresses. The patterns are mostly from the 1950s and 1960s and include Vogue Couture, Vogue Paris, “ordinary” Vogue, Simplicity, Style, Maudella – mostly unused. It’s mostly women’s but also some children’s and a few men’s patterns. I did post on my blog about them a while back with some photos – which show the quality of the stuff she had.

Every penny, after we pay for the stall, will go towards her residential care – so if anyone fancies some guilt-free adding to their pattern and fabric stash we’d appreciate it. I’d also like to think she would be happy knowing that her collection would go on to be used by a new generation of sewers.

The stall will be at the Vintage Fashion Fair, at Cecil Sharp House, NW1 on the 14 April from 11-5. Afterwards Tracy will post any unsold patterns onto Etsy or eBay so I’ll try and mention the link to that once it’s up.

Inspiration, Magazine

Manequim magazine March 2013

Greetings readers! I’m still away on holiday, meeting cool people, (hopefully) photoshooting my new Easter makes, and eating my bodyweight in crab cakes, but here’s something to tide you over til I’m back… the latest issue of the Brazilian pattern magazine Manequim!

I think this sleeveless blouse with neck tie looks like a really classy blouse for the office, and it’d be great paired with a skirt and nice jacket, though it’d be a shame to hide that back yoke. I only wish this one was in my size!

Here’s another look at that lace dress from the cover – it’s almost a skater style with that short, full skirt, and a nice surprise V neck in the back.

oh my god, you guys – this cropped trench coat is so me! And it’s in my size!

Inspiration, Magazine

Burda magazine April 2013

Well, it was bound to happen… We’ve had quite a few great Burda issues in a row, but to my eyes, this one’s a stinker. I mean, there are a few patterns that are okay, but an awful lot of ugly that I couldn’t bring myself to even scan. I’ve sifted out what I could from this issue though, so here are my picks…

I’ve never been a big fan of maxidresses, but this one looks nice, if a bit “only to be worn on holiday”-y. There exist maybe two days in the year you could actually wear something like this in London and not look unspeakably sad. Which is why I don’t sew many summer clothes…

Here are two versions of the same simple, boxy top with pleats around the neck (not that you’d know it from the pose on the left!). I like this top (and to a lesser extent, the belt-required dress version), but I swear I’ve seen this design over and over again before. I do kinda like the idea of having an all-lace back, but I’d do it in a teeshirt pattern or something.

Inspiration

Book Review: Patternmaking for Underwear Design, by Kristina Shin PhD

You’ve heard me mention this book a few times as I’ve been experimenting with various drafts, but I felt it deserved a full review because, frankly, I’m a little obsessed with it right now. My mom surprised me with this when I was ill with shingles and the subsequent nerve damage pain, and it gave me something to focus on right as I was in the midst of my last bout of lingerie sewing.

It’s “Patternmaking for Underwear Design”, by Kristina Shin, PhD, and here’s a (pretty bad) shot I took of it’s cover:

It’s primarily a book for drafting your own bras and lingerie (but much more, too), and the biggest difference I’ve seen here in that these bra drafts all start with the underwire shape, and build from there. Every other bra draft I’ve seen starts with a bodice sloper, which is then adapted into a bra shape. The approach taken here makes a lot more sense to me for getting an accurate fit, since there’s so much variation in breast shape and distribution for women who even wear the same size bodice. As anyone knows who’s ever sewn a bra, finding the right size underwire is absolutely key, so it really seems right here to use that as a starting point. And it helps that most women can make a small incision in a well-fitting bra and just trace off one they know fits them!

There’s not really any construction or sewing instructions included in this book, but there are a few pages at the beginning with stuff like tips on cutting lace…

…and the wide variety of bra backs you can use once you’ve got your basic draft sorted out…

…plus several pages of various tables of measurements for different sizes, and exactly what to measure, both for the breasts and the rest of the body.

Here’s an example page from the leggings draft so you can see the style of instructions and diagrams. I personally found these easier to follow than Metric Pattern Cutting and WAY easier than any of the Pattern Magic books!

Gallery

My Matthew Williamson birthday dress

Thank you all so much for your patience! I finished sewing this dress in time for my 34th birthday on Monday (and I proved it by showing you dressform photos and talking in depth about the construction process!) but such a rich, dark colour really requires daylight to shoot properly, and today was the first opportunity we’ve had.

Another reason I wanted some great photos of this is because it’s an incredible pattern with some seriously striking design lines and beautiful details, and frankly, it deserves to be seen properly! In fact, it’s a true designer pattern, and from Matthew Williamson, no less! It was printed in the September 2012 issue of Burda magazine, but you can still purchase it as a pdf download if you missed it and want to make your own!

I made mine in some lusciously soft and supple “Ravissant Duchess Satin Plum” that’s been in my stash for three years just waiting for the perfect use, and paired it with a floral lining fabric gifted to me from Veronica when I was in Paris last Spring. Personally, I think these two make the most perfect pairing, even if it’s only me who sees the inside!

As I said on Monday, this pattern is a step up from the usual Burda patterns – more like a Vogue Designer pattern in all its wonderful details, but with the usual precise Burda drafting. I really wanted to do this dress justice, so I did quite a few things the long way, like the fell-stitched sleeves, walking vent, and all the matching seam intersections!

In Progress

Easter Weekend sewing and beyond!

Thanks very much for all your birthday wishes! I had a brilliant day, and the dress fared very well indeed at my mystery dinner – the waitress complimented it the second I sat down!

With the dark colour of the dress, I really need daylight for a photoshoot, though, so the first opportunity is tomorrow (Friday). I’ll try to get the post up later that day as I know you’re all waiting patiently to see it on me!

My thoughts are definitely drifting towards the upcoming long Easter Weekend, and what I’d like to sew during it. As usual, I’ve got mental plans for way more than I can possibly get completed in four days, but here’s what I’m hoping to make…

Leggings

I need to draft up leggings for two friends from my running crew, and sew samples/muslins for each from some cheap lycra I’ve got on hand for the purpose. One of them is popping over late in the weekend so I’ve really got to get hers ready by then!

I’d also really like to sew up two pairs for me based on my own draft, one in black supplex (with the aim of using that fishnet trim on them afterwards), and one in the tribal print from Funki Fabrics.

Once a pattern is set and ready, I can churn out a pair of leggings in a few minutes, though, so I’m not too concerned about fitting these in, it’s the drafting that will take the time (and desk space!).

Style Arc’s Marie Jacket

My main task for the weekend, though, is to make Stye Arc’s new Marie jacket, especially since I’ve gathered all the necessary supplies over the past week or so – some fabulous black and silver heavy jersey from Minerva and a big separating zipper from Our Patterned Hand