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Inspiration, Magazine

Manequim June 2012

I’ve had this issue for a while now, I’m not entirely certain why I’ve been dragging my feet to review it. I mean, I should be all over this – they’re are some great designs, and our “wettest, coldest summer in 16654687423 years” means I can wear Brazilian winter fashions right now anyway, but I think maybe I’m just in pattern overload shellshock or something. It’s a genuine malady, I’m sure of it.

I think this convertible coat is a great idea – you can remove the bottom of it to change it between a short winter coat or a longer one. It’s the kind of catwalk fashion that can really translate into people’s reduced income and wardrobe space and be really wearable at the same time…

The soap opera cover star is showing a side gather dress with a leather tab here – the dress itself is nothing special, but I really like the leather accent idea!

The designer this month is Ferragamo, and I really like this dress with a peephole neckline, especially since I’ve not seen any similar patterns around (yet?).

In Progress

Swirled lines sheath dress – 2nd muslin

Thanks very much for all your feedback on my post regarding the design lines for my upcoming sheath dress – I decided to go with the top design, and save the bottom one for some later colour blocking (maybe in ponte jersey?).

Once that was decided, I sewed up that basic Burda sheath dress (which fit me very well, as expected), then while it was on my dressform I drew rough design lines on to match. After the rough lines were on, I cleaned these up with French curves while the dress was lying flat (these photoshopped ones are just free-handed on top since my black lines on navy blue fabric were hard to see in the photo!)

I then cut apart the Burda muslin along my new lines, and cut into the curves a few times to release any bumps. I then transferred these altered pieces onto a second muslin to test that all my new curves matched up well:

Gallery

Running arm band pocket (with tutorial!)

A few weeks ago, I was asked if I wouldn’t mind making two prizes for the RDC Mission Impossible event this Saturday, and I knew it’d be the perfect opportunity to try my hand at drafting some arm pouches while helping out my crew at the same time.

Essentially, I reverse-engineered a Y-Fumble I own to figure out how they constructed it (no Y-Fumbles were harmed – I just thought about it hard and made a prototype first!). The only problem is that they’re available in limited colours and the lycra feels quite flimsy to me, so if I can make my own I have a lot more freedom in the fabrics used.

It’s an arm band that has a pocket on one side, with a simple fold-over flap for keeping things like phones, keys, travelcard, etc nicely inside and tight against your arm while your run. There are no closures – the band just slips over your wrist and up your arm and the stretchiness of the fabric holds it in place. I wear mine on my forearm to hold gels for long runs, but you can also put them on your upper arm, too, if you’d rather. Even though the back doesn’t contain a pocket, it’s still double-sided so all the raw edges are nicely contained inside.

For these prize versions, I used leftover red bamboo jersey from my Donna Karan dress so they’re nice and soft, and should resist bad smells, too.

For those of you who are interested in my thought process, here’s the sketch I used when working out what pieces I’d need, and then how I’d construct it all together:

In Progress

Design lines and ideas

I know it’s a cliché to say so, but I’ve been very busy lately! So busy that there was no sewing activity whatsoever last weekend (though I did cut and fit an awful lot of insulation for the new boat bedroom, attended two out-of-town barbecues, and raced a new 10km PB in the weekend available to me!). In two weekends’ time I’ve got a friend’s wedding and ever since we were invited, I knew I wanted to apply a Pattern Magic technique onto a sheath dress for this occasion.

Overall, I was disappointed by the June Burda magazine, but I saw dress #129 and knew it’d be a great starting point since I know Burda’s dresses fit me very reliably (and I’ve already raised the waist by 1 inch to make it perfect).

The technique I’m looking to apply here is one I learned on my Pattern Magic 2 course at Morley College, though it’s well documented in the second book, too. Essentially, you make a muslin of a basic block (in my case, I’m using this Burda pattern), draw design lines wherever you like, cut along those lines, and then release any lumps into the curved edges of the new pieces.

So thus far I’ve copied the tech drawing off Burda’s site, raised the neckline a bit, and removed all the darts in Photoshop (since mine will be incorporated into my new design lines anyway), then printed off a bunch of these empty tech drawings onto a sheet of paper.

Gallery

The Donna Karan red vixen dress (Vogue 1280)

I don’t often sew Vogue patterns, but I am a massive fan of the Donna Karan patterns’ design and execution, so it’s no surprise that I added Vogue 1280 to my Wish List the second it was announced recently!

Happily, my mom saw there was a pattern sale where she lives in the USA and offered to buy a few patterns for me at US sale prices – she paid less than half the price for the pattern + shipping to the UK than I’m charged just in postage to the UK for the same pattern! I wasn’t planning on sewing a dress right now, but I got so excited when I saw Vogue’s numbered pattern marks for the first time (possibly in response to my complaints regarding Vogue 1259’s instructions), that this dress moved quickly up my Must Sew list.

Like all DKNY & Donna Karan Vogue patterns, this one’s a great mind puzzle to put together! It also has the joy and wonder of looking like a total mess until the very end, when it all comes together into a dress shape. I found it to be true to size, so go with your measurements, not some vague idea that all Big Four patterns have tons of ease. Most of the pieces are cut on the bias (not that it means much in a jersey!), and it hugs the body very closely. If you’ve got any lumps and bumps, though, this is not the pattern to hide them, and so you’ll probably be wearing Spanx underneath in addition to the strapless bra the bodice requires (Full disclosure: I’m not wearing Spanx in these photos!).

Inspiration, Magazine

Burda and KnipMode July 2012

I’m never usually a big fan of summer issues or summer clothing, so I’ve again decided to share my picks from the Burda and KnipMode July issues together. I’ve already decided to not renew my KnipMode subscription, after the new editor turned it from the best pattern magazine out there (in 2010, and IMHO) to the worst one out there in little less than a year. It’s also the most expensive, which makes the decision a bit easier! So I think this is probably the last of my subscription to arrive, and as I’m pleasantly surprised by this month’s Burda, I’ll start with it….

Burda Style (formerly “World of Fashion”) July 2012

Most of the flapper-style dresses were misguided, ugly, and unflattering, but I think is bias-cut, cowl neck number could actually the the opposite of all those things if made in a flowing, lightweight fabric.

I can’t even remember the last time I sewed (or wore!) a button-down shirt, but something about this pattern really grabs me. It could be that waist-seam, which mimics a peplum without being too trendy, or maybe it’s just that I’m happy to see long sleeves in a July issue (hello English summer!).

There’s another variation of this gathered, raglan shell in the magazine which adds short sleeves and is worn with the slit in front instead of the back, but for some reason, in their lightweight cotton, all I could see was “hospital gown”. But here, in a soft, solid silk, I can suddenly see a lot of layering possibilities – both for multiple layers of silk (how about a blue charmeuse with a purple voile or chiffon on top??), and for wearing under jackets or cardigans for officewear.

Gallery

Pattern Magic – Apple Peel leggings

I gave you a sneak peek of these yesterday, but I doubt any of you were looking at the leggings!! You’re forgiven, though!

This design is from the third Pattern Magic book, and was super easy for me because I didn’t have to draft anything! I already had a great legging pattern to start with, from an old KnipMode magazine I’ve made a few times before. Note that you need a legging pattern with a separate front and back pieces, so the two recent Burda magazine leggings (in the June and January 2012 issues if I remember correctly) won’t work as a starting point. Or you can just draft one from scratch as the book suggests.

All the work here is in the measuring, slicing, and spreading of the pattern pieces – I very cleverly wrote the size of the spread between each of the pieces, so when it came time to do the other pattern piece, I could easily make it the same amount so everything matched up.

I’m leaning, like the book’s pose!

In Progress

Apple peel leggings – sneak peek

As promised, I sewed up the “Apple peel” leggings from the new Pattern Magic Stretch Fabrics book last Thursday night, but before I could get a proper photoshoot, we took a few impromptu photos of them after I wore them to work on Friday.

I thought you all might like a sneak peek of my leggings, sewn up in cherry red jersey:

Oh? What’s that you say? You want a better look at the unbelievably cute, tiny kitty that fell asleep on my lap?!? Ok then…

Inspiration

Morley College sewing courses in London 2012-2013

Earlier this week there was an announcement that has quickly become more exciting for me than even the new pattern announcements – Morley College finally released their course details for the 2012-2013 school year!

If you want to cut straight to the good stuff, you can see all the fashion courses here and the textiles, craft, knitting, and quilting courses are here.

They do the usual basic courses on using a sewing machine, drafting basic blocks, basic draping on the stand, etc, that loads of colleges offer, but they also offer some really interesting niche classes that don’t seem to be offered anywhere else.

Looking at the full lists above, there’s everything from historical wear to hats to shoes to lingerie to dancewear! For beginners as well as truly advanced level courses, too. Most courses only cost around £50, too, which is really reasonably priced, especially when you consider that most of the fashion courses in London start at £300! The facilities at Morley are great, too, with big tables, plenty of light, and ample Bernina machines and dummies, and there’s some seriously good pubs for lunch nearby…

You can read my review of the Pattern Magic 2 course here or read Tracy’s review of the Pattern Magic 1 course here.

My picks from the new course list:

Gallery

High-waisted jersey pencil skirt

This skirt was featured in the May 2012 edition of BurdaStyle magazine, but it’s one of the few that’s also available for purchase as a downloadable pdf if you missed this issue (a really great one, IMHO!).

This is quite an interesting pattern because of its simplicity – it’s only one pattern piece (the same for the front and the back), with a bunch of radiating pleats on one hip, and just two side seams to sew. There are three hem lengths suggested on the pattern, and I went with the shortest, Hem length A, which ends up right at my knees.

And that’s it – no zippers, no elastic, no nothing. So it’s a really quick and easy skirt to sew up in one evening!