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A chic little… sweatshirt?

It’s not the first time I’ve done the “upmarket sweatshirt” thing before – some of you may remember my Haute Hoodie back in 2008, but I think this new take has got even less in common with the usual sweatshirt idea than my earlier one!

The pattern here is Burda September 2012 #106 but it’s also available as purchased download pattern, too. I’m really liking that the English BurdaStyle.com site is finally getting the magazine patterns up more quickly these days, sometimes even before my print edition arrives!

I bought this turquoise sweatshirting back in 2010 from Fabric.com and had my parents bring it in their suitcases when they came for the wedding – it’s so difficult to find sweatshirting in non-traditional colours here in the UK! I’m not quite sure why it took me so long to sew this, as I love the colour and the sweatshirting is really nice quality, too.

Happily, I finished sewing this just before we left for our week’s holiday in the Loire Valley, so you get to see this top in a French pastoral setting rather than the usual London maritime one!

Inspiration, Magazine

Burda Classics magazine FW 2012 (& MyImage sale!)

We’ve been away in France last week and I’ve picked up a few souvenirs, including a stonking awful cold, which is unfortunately delaying my resumption of normal life and blog activity. So just rest assured there will be much to talk about as soon as my brain is functioning again. Until then, please accept my apologies for anything that doesn’t make sense here!

So, what is this “Burda Classics”, I hear you ask? Well, it’s part of a new series of Burda pattern magazines, set to run alongside the existing monthly issues. It’s available in English & French only, and produced by Burda France as a test run. Apparently there’s going to be 8 “special” issues per year, two of them Classics, two Plus, and the other four are anyone’s guess!

I bought my Classics mag last weekend at Eurotunnel Calais on our drive back – the one and only copy, bwahaha!

Two of these patterns are definitely reprints of earlier patterns (see below), but some may be new, I’m not sure. As you’ll see, there are lots of jackets, which aren’t exactly staples in my own wardrobe!. Sizes range from 32-50 but the bulk of the patterns are 34-44 or 46. The instructions and patterns sheets appear to be similar to those in the regular magazines, though as I have the French version, I can’t vouch for whether the English instructions make any more sense than the usual “Burda WTF” coming from Burda Germany’s head office!

Here’s my favourite pattern of this issue, a great little sheath dress for wovens or stable jerseys, in three hem lengths and three sleeve lengths:

A “Chanel” suit (albeit with a 2 piece sleeve). I intended to place a little rant here about how any chanel-type suit has the magical properties of making its wearer look at least twenty years older, but seeing as how this model looks to be about 60, that actually doubles my earlier estimate. Want to look old and frumpy? Wear a boxy boucle jacket and matching matronly skirt!


(Ok, this is probably a cranky side effect of my cold, as it’s not this pattern’s fault, it’s the “style” I take offense with!)

Omg, it’s the knit wrap dress I made back in 2007! This is a great pattern, appearing first in the May 2006 issue of Burda magazine, and then appearing again as envelope pattern Burda 7953.

Inspiration, Magazine

Burda magazine October 2012

The last two issues of Burda have been so spectacular that it was always going to be a hard act for poor October to follow, and it’s gotten a bit of a kicking online for so many lazy, square, and shapeless designs. Indeed, I couldn’t find anything to like in two entire features (the Pastels one and the Hippie-Outdoorsy Crappe one), but there was enough in the “New Sophistication” feature alone (photographed with the dressmakers dummies, see below) to justify this issue’s existence to me!

So let’s skip right to the afore-mentioned “New Sophistication” feature, shall we?

I’m not entirely sure why, as it’s wholly impractical, but I really like this long, wool waistcoat (which reminds me of the Sept 2010 jacket that was way too big and boxy). There’s another version in this magazine that’s longer and has integrated long, ponte knit sleeves, too. I know my arms get chilly before the rest of me, so a body warmer really isn’t very practical for me, but the addition of sleeves, well, that changes everything!

This surplice top is nice but nothing new (I’ve seen this design at least 3-4 times in Burdas over the years), and I even quite like the quirky “hip wrap”, which is somewhere between a kimono-belt and a waist pack. It’s definitely a good use for those odd-sized scraps of coatings and leather I’ve got lying around!

I like this cowl top but I hate how Burda flattens these to one side though, ugh! let the cowl free! These high-waisted, slim legged trousers would also be a great wardrobe staple.

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The reversible disco jacket

I don’t often sew for James (preferring to fill my own wardrobe instead!), but every now and then he either sees something online that he’ll take inspiration from, or have a fully formed idea in mind that he’d like me to bring into reality. So this one is another fantasy jacket, this time modeled heavily on Betabrand’s reversible smoking jacket.

When we were in Paris in March, he bought a wonderful wonderful wool/poly blend corduroy at the Tissues Dreyfuss Coupons shop for €10 total (a complete bargain!) as well as some red chinese brocade to use for the other side.

I started sewing this when we were in drydock in April/May, then I stalled at the bound buttonhole stage since my little red machine isn’t great for precision jobs (no speed control!). Then the pressure was off during summer, but the cooler weather meant I really did want to finish it for him!

Even better – James surprised me buy buying Betabrand’s “open source” disco fabric, so now the jacket changed slightly in that the reverse will be PURE DISCONIUM!

What I’ve made here is the ultimate day-to-night jacket!


(Thank you to Kerry for the photo on the right!)

I started with his last fantasy jacket as the pattern base (which, in turn, started life as Burda 10/2008 #134) since it fit him really well, then James had a bunch of style changes to make to this one:

Inspiration, Magazine

Manequim September 2012

Hot on the heels of August’s issue, it’s another Manequim magazine, this time celebrating the first of the Spring fashions down in sunny Brazil!

The model’s pose on the cover of this issue totally cracks me up. I thought it was the most corny, awful pose I’d ever seen until I saw the rest of her photoshoot inside, and I have a feeling now that she must be a real ham, and she’s doing the dorky poses to be funny, which I quite like now!

In the celebrity section there are four patterns for maternity dresses, including these two gowns. I’m not sure if they’re just regular gowns which are maternity-friendly, or whether they’ve actually drafted them to account for extra belly. The tech drawing would suggest they’re altered, but the pattern pieces in the layout don’t (the straight hems are a giveaway!).

You know me and shorts (ie: I don’t wear them, full stop), but how cute are these, with their retro hems, piped front seams, and integrated pockets?! So cute I almost overlooked the biker jacket in my size, that’s what!

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The Peplum Top

It should come as no surprise that I’ve been sewing this peplum top – after all, I shared my instructions on how to line this top already! But for those of you who are short in the memory department, this is #113 from the August 2012 Burda magazine, which is also available to purchase as a pdf download here (and you can look at the full instructions and layout diagrams on that site for free). There’s also versions with long sleeves or with a much longer peplum, extended into a dress, so there’s quite a lot of versatility here.

A lot of peplum dresses just feature a ring of excess fabric around the hips, but here, the curved waist seam plus the sloped hemline and bias-cut peplum on this particular pattern really sets it above the rest. I also like that it’s separates, so I can pair my top with a skirt, slim trousers, or leggings and get much more wear from it than just a single dress.

This is how I wore it to Karen’s V&A Ballgowns meetup, worn with my denim-look leggings I made a few months ago. I know peplums are really trendy right now, but I really like how retro 1950s this outfit looks even when made with completely modern patterns and fabrics!

In Progress

Let the disco begin!

Because I’m a good wife, I promised James I’d make his reversible smoking jacket after I’d finished my peplum top (photos coming next week, sorry – it’s been impossible to organise a photoshoot around both our social schedules!). This week has been rather busy, even by our standards, but I did get two evenings to work on it, and so far I’ve completed the entire corduroy shell (including bound buttonholes and no less than three welt pockets!) and moved on to the interior. Or, because this is a reversible jacket, I suppose it’s just “the other side”.

The other, disco side.

If you recall this is Betabrand’s disco fabric and it seriously is as bright and loud as the photos on their site suggest. I had to cut it with the black side facing out just so I wouldn’t go dizzy cutting it!

Inspiration, Magazine

Manequim August 2012

August is a funny transitional month in the fashion world – for Burda magazine, August is traditionally the first issue full of Fall fashions, but for Manequim in the Southern hemisphere, this August issue is the last of the Winter fashions!

I’ve had this issue scanned and ready to share for a while, but it was receiving the (very Spring-y) September issue in the post this week that really gave me a kick to post about August. Sorry for the delay – the magazine review posts get slotted in around my other sewing escapades, since I assume you’re all more interested in what I’m actually making!

There’s only one Plus-sized pattern in this issue (with the inspiration dress modelled by the amazing Brazilian comedienne, Fluvia Lacerda!), and it’s a lovely shirt dress with pleated details around the neckline & sleeves.

I see a lot of classic button-down shirt patterns, but this one’s got an interesting twist – diagonal pleated inserts on both sides. It’d be an easy feature to add onto an existing shirt pattern you already have, too!

From the same feature, I totally love this sheath dress with square neckline where the bust pleats extend down from the neckline. It’s a really subtle bit of shaping, but I think this would translate nicely into a top, too.

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Sew like a sailor, Run like a sailor!

I did indeed finish my peplum top in time to wear it to Karen’s V&A Ballgowns meetup on Friday, even though it meant sewing the hem over breakfast on Friday morning! You can see a sneak peek of it in the top photo on her site, though the peplum itself is hidden by my knees! Fingers crossed I can get a photoshoot done one evening this week, because my weekend was full of other activities…

As I shared with you last week, part of my preparation/reward for my marathon training was to run the Bacchus half marathon this weekend. It’s a half-trail, half-road, fancy dress (costumed) race through a vineyard in Surrey with wine tasting every 2 miles, plus a free glass of wine and hog roast at the end. See why I signed up??


Isn’t it funny that the sailor outfit is the first photoshoot in ages not to occur on a boat??

You’ve probably spotted it already, but the skirt is another Jalie running skirt – this is my third, and this is definitely my go-to for warm weather running bottoms (for cooler weather, you can’t beat the Ooh La Leggings!)

The top/vest/singlet is self drafted from my tweaked knit sloper, plus an added kerchief that I drafted from the sloper’s neckline. The kerchief is double layered, and attached to the neckline by overlocker, with the seam showing on the “right” side, which in this case is hidden under the kerchief. I tacked it down at the shoulders and that was enough to keep the seam hidden. Rather than physically tie a knot on the front ties, I instead made a loop to make it look a bit neater, and the “grabbiness” of the supplex was enough that it didn’t slip at all.

In Progress

Coming up… peplums, sweat & booze, disco and smoking!

Lots of things going on at FehrTrade Towers, so it’s time for an update roundup!

Peplum top

After my last post outlining the lining instructions, there will be no points for guessing that this is coming along shortly! I’ve just got to handstitch the hem and the bottom of the lining and it’s finished, hurrah. Perhaps if I’m speedy I can wear it to the V&A Ballgowns exhibit meetup Karen is planning?

Bacchus half marathon costume

As part of my preparation/reward for my marathon training, I signed up to run the Bacchus half marathon this weekend. Not many people are familiar with this race, but it’s been rated exceptionally highly on Runner’s World, and the clue might lie somewhere in the description: a half-trail, half-road, fancy dress (costumed) race through a vineyard in Surrey with wine tasting every 2 miles, plus a free glass of wine and hog roast at the end. See why I signed up??

I’m regularly running much further than half marathon distance in my training runs, so even though this is only my second half marathon, I’m not that concerned about the distance, so instead I concentrated on the costume, making sure it’s entirely wicking and running-friendly!

I’m sure it will surprise none of you that I’ve also made another Jalie running skirt. Or, err, to be precise, two more, since I made another black one in parallel with my Bacchus one and forgot to photograph it! And a top based on my knit sloper (which I’m still tweaking after running in my sequin top for a few months now).