Blog

Gallery

Black knit trousers & shoe print vest

Now that I’m feeling better, I can start showing you all the garments I made when I was ill (I’ve got two more after this, too). It’s convenient that these trousers and top pair together so nicely, as I can show them together in one photoshoot!

First up, let’s talk about the trousers!

These knit trousers are Burda July 2012 #130 but this is also available as a pdf from BurdaStyle.com if you missed this issue.

The main reason I made these is that they’re a pattern for knits, which you don’t see very often, and they’ve got nice slim legs and a fly front. Usually knit trousers mean elasticated waistbands a’la leggings, but I have fond memories of a few RTW pairs like this I had in high school and university that I wore positively threadbare! I hate turn ups, though, so I just cut these at the final indicated length and then just didn’t fold them up (for normal length legs rather than 7/8 length with cuffs). On the next pair I’ll slim the ankle a bit more though

I made these in a really nice quality black polyester ponte jersey from Truro Fabrics. I bought a sage green ponte at the same time for a second pair, and I’m glad to find a reliable UK source for really great ponte, as Burda often uses it in their patterns. Furthermore, these only needed 1.5m of fabric so I made these trousers for a grand total of £16.25 (the zipper set me back a whopping 50p, ha!). That’s downright Primark prices, there!

Inspiration, Magazine

Burda magazine August 2012

I’ve been buying Burda magazine (formerly “Burda World Of Fashion”, now “Burda Style”) since 2005, and I’ve seen its greatness come and go (and then come back again) in waves. It’s been getting steadily better over the course of 2012, but this August issue is the best one in a LONG time! Definitely the best this year (along with May 2012), but possibly it ranks up there with September 2010 and August 2006 even in my own personal Burda Issue Hall Of Fame!

I pretty much love everything in this feature with the white background, but let’s take these one step at a time.

First up is this blue tuxedo with slim trousers and a great jacket with interesting, non-standard lapels. How could I not love this, when I’ve already made a blue tuxedo with slim trousers and a jacket with interesting lapels back in 2008 (and also from Burda patterns)??! LOVE.

I really love the shape of this dirndl-inspired dress, with its cap sleeves and interesting bodice seams, but part of me is also concerned by the sharp seaming – they look awfully similar to the seams on a Burda slip pattern I tried that really didn’t work for me (ahem, pointy boobs) so I’d want to definitely muslin this bodice before going further.

Gallery

My Olympic leggings

On Saturday I showed you a sneak peek of my new running leggings and my thoughts on the Opening Ceremony, but here’s your chance to get a better look at them, and those Olympic rings on Tower Bridge!

I’m finally feeling a little better so we took these photos after I ran my usual 10km loop in my official Stella McCartney for Adidas replica Team GB vest (now sold out everywhere now, sorry!) and my leggings.

This is the 4th(!!) time now I’ve sewn the Papercut “Ooh La Leggings” pattern (UK stockist here), though I’ve actually got a 5th pair on the way, if you can believe it! They’re so well drafted, so stylish, and so comfortable to run in that I just can’t resist making more. That they’re also really quick to sew on my overlocker is just a bonus. Here I made them in the pale grey Suziplex fabric I bought from Suzi Spandex when I was in Montreal in March, and it’s just truly, truly wonderful stuff.

I also used my my elastic waistband tutorial technique for a nice, comfortable finish inside, which, judging by your comments, a lot of you are also using now, hooray! This waistband plus the soft and loopy reverse side of the Suziplex really does make for the most comfortable running gear ever, aeons better than anything I’ve ever bought.

In Progress

Olympic leggings – sneak peek

How amazing was the Olympic opening ceremony last night? It was all the better because no one in London was expecting it to be any good. Sure, absolutely everyone was watching it, but we all expected it to be utterly awful, and to be the topic of mass moaning for the next several years.

But WOW, even the cynicism of the British was cast aside for Danny Boyle’s spectacle, full of heart, charm, eclecticism, great music (and some terrible music, too), and all the things London and the UK are generally very proud of. (Woo NHS!!)

It also helps that I watched it from our outdoor popup cinema on the moorings, so when the fireworks went off on Tower Bridge and David Beckham’s neon speedboat holding the torch raced by, we were right there. And we saw all that 30 minutes before anyone else in the world, since there was a big delay before that part was on tv!

We’d also witnessed the helicopter flying through Tower Bridge a few weeks back – a bunch of neighbours gathered on one of the barges to cheer on the two helipcopters and make a night of it. At the time, the rumour was that it was for a Bond film, but we had no idea how close that would end up becoming!!

Happily, I also started feeling a bit better this week after I posted the last message, so thank you all very much for your thoughts and good will – you did just the trick! I went out this morning for my first run in 17 days, and did so in my official replica Team GB vest and my new grey Ooh La Leggings.

In Progress

Sewing through exhaustion

Apologies for sporadic posting, but if you’re following me on Twitter, you’ll already be aware that I’ve had an awful cold/flu for the past 15 days now. F-i-f-t-e-e-n days! It started with a sore throat, then incredibly running nose and lethargy now for the bulk of it, and it’s just not going away. I’m sleeping 12-13 hours a night and still needing naps, and the hospital say it’s definitely viral and there’s nothing to be done but wait it out. I have no idea how long it’s going to last, as I literally feel no improvement now than when I first picked this up. I’m really just giving you these details because like half of London has it right now, so I’m hoping someone will tell me how long I can expect it to hang around (and also, expect all the Olympic visitors to bring it back home, cheers!).

So in the few hours where I’ve been strong enough to sit upright and not actively be sleeping or working, I’ve finished a few bits of sewing, but I’m in no fit state to model them, so for full photoshoots you’ll need to wait a bit longer:

Gallery

Run dem Crew Refashions – Ladies first…

This is probably the longest-running project I’ve done since my epic wedding gown refashion, but I’m really proud of the results and the fact that I can finally show them off after much hinting and whispering round these parts. This would’ve never happened at all without the spark from Charlie, the founder of Run dem Crew (the Tuesday night running family that has utterly transformed my life in the past year I’ve been a member). When he found out I sewed, he raised the idea of a refashioning project, then proceeded to gather together all the pieces to make it happen.

The idea was simple – start with 19 pieces of running clothing – some used, some promotional, and some brand new with tags on (including some ££££ Gyakusou designer gear!), and refashion them.

I started this project back in April, but stalled during the 5 weeks our boat was in drydock and I was without access to my overlocker and sewing room. Happily, I got some fantastic help with ideas from fellow RDC runner Jennie, who’s worked for years as a product designer for a well-known clothing company, and came over to sift through the clothes and it really helped for me to bounce ideas off her and vice-versa.

So her reward was some enforced modelling when the project was finished! Ha!

From the initial bag of clothes, I made 8 garments – tops and bottoms for two ladies and two men. I’ve been promised some modelled shots of the men’s clothing coming up soon, but here are the two ladies’ outfits, modelled by Jennie and I….

I had the fore-thought to take images of all the Before clothing, so I was able to do a nice collage like this, showing you what the various pieces turned into:

Inspiration, Magazine

Manequim June 2012

I’ve had this issue for a while now, I’m not entirely certain why I’ve been dragging my feet to review it. I mean, I should be all over this – they’re are some great designs, and our “wettest, coldest summer in 16654687423 years” means I can wear Brazilian winter fashions right now anyway, but I think maybe I’m just in pattern overload shellshock or something. It’s a genuine malady, I’m sure of it.

I think this convertible coat is a great idea – you can remove the bottom of it to change it between a short winter coat or a longer one. It’s the kind of catwalk fashion that can really translate into people’s reduced income and wardrobe space and be really wearable at the same time…

The soap opera cover star is showing a side gather dress with a leather tab here – the dress itself is nothing special, but I really like the leather accent idea!

The designer this month is Ferragamo, and I really like this dress with a peephole neckline, especially since I’ve not seen any similar patterns around (yet?).

In Progress

Swirled lines sheath dress – 2nd muslin

Thanks very much for all your feedback on my post regarding the design lines for my upcoming sheath dress – I decided to go with the top design, and save the bottom one for some later colour blocking (maybe in ponte jersey?).

Once that was decided, I sewed up that basic Burda sheath dress (which fit me very well, as expected), then while it was on my dressform I drew rough design lines on to match. After the rough lines were on, I cleaned these up with French curves while the dress was lying flat (these photoshopped ones are just free-handed on top since my black lines on navy blue fabric were hard to see in the photo!)

I then cut apart the Burda muslin along my new lines, and cut into the curves a few times to release any bumps. I then transferred these altered pieces onto a second muslin to test that all my new curves matched up well:

Gallery

Running arm band pocket (with tutorial!)

A few weeks ago, I was asked if I wouldn’t mind making two prizes for the RDC Mission Impossible event this Saturday, and I knew it’d be the perfect opportunity to try my hand at drafting some arm pouches while helping out my crew at the same time.

Essentially, I reverse-engineered a Y-Fumble I own to figure out how they constructed it (no Y-Fumbles were harmed – I just thought about it hard and made a prototype first!). The only problem is that they’re available in limited colours and the lycra feels quite flimsy to me, so if I can make my own I have a lot more freedom in the fabrics used.

It’s an arm band that has a pocket on one side, with a simple fold-over flap for keeping things like phones, keys, travelcard, etc nicely inside and tight against your arm while your run. There are no closures – the band just slips over your wrist and up your arm and the stretchiness of the fabric holds it in place. I wear mine on my forearm to hold gels for long runs, but you can also put them on your upper arm, too, if you’d rather. Even though the back doesn’t contain a pocket, it’s still double-sided so all the raw edges are nicely contained inside.

For these prize versions, I used leftover red bamboo jersey from my Donna Karan dress so they’re nice and soft, and should resist bad smells, too.

For those of you who are interested in my thought process, here’s the sketch I used when working out what pieces I’d need, and then how I’d construct it all together:

In Progress

Design lines and ideas

I know it’s a cliché to say so, but I’ve been very busy lately! So busy that there was no sewing activity whatsoever last weekend (though I did cut and fit an awful lot of insulation for the new boat bedroom, attended two out-of-town barbecues, and raced a new 10km PB in the weekend available to me!). In two weekends’ time I’ve got a friend’s wedding and ever since we were invited, I knew I wanted to apply a Pattern Magic technique onto a sheath dress for this occasion.

Overall, I was disappointed by the June Burda magazine, but I saw dress #129 and knew it’d be a great starting point since I know Burda’s dresses fit me very reliably (and I’ve already raised the waist by 1 inch to make it perfect).

The technique I’m looking to apply here is one I learned on my Pattern Magic 2 course at Morley College, though it’s well documented in the second book, too. Essentially, you make a muslin of a basic block (in my case, I’m using this Burda pattern), draw design lines wherever you like, cut along those lines, and then release any lumps into the curved edges of the new pieces.

So thus far I’ve copied the tech drawing off Burda’s site, raised the neckline a bit, and removed all the darts in Photoshop (since mine will be incorporated into my new design lines anyway), then printed off a bunch of these empty tech drawings onto a sheet of paper.