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Bridal bodice – boning

With the seams (mostly) constructed and all the seam allowances tacked down, it was time for the boning! Bridal Couture assumes that you’ve got a fairly standard princess-seamed bodice and so advises that you sew the channels to the centre of the underlining pieces at the very beginning before attaching the underlining to the fashion fabric. But my bodice has all sorts of crazy seams and the boning crosses over a bunch of seamlines, so I had to obviously apply my channels after the main seams were stitched, as Susan Khalje advises in this Threads article.

I was originally thinking to make my own channels with silk organza, but then I saw that the Sewing Chest had pre-made and seam-free cotton channels so I bought those and ended up going with that instead to save myself some time. And as Ms Khalje talks about using them herself, I figured it’s okay!

So I started a production line – first I sewed the end of the channel closed with the sewing machine, then I carefully pinned the channel to the bodice underlining where it was needed, then cut the end just before the seamline at the bottom of the bodice. Once all the channels were in place, I then catchstitched them all to the flannel underlining, keeping the bottom free to insert the boning.

Here you can see all the channels, minus the one going on the zipper tape (to be attached after the zipper is in place):

Gold silk Eclair dress (and bonus purple bow tie!)

Sorry for the delay – I finished the Colette Patterns “Eclair” dress last week but couldn’t quite squeeze in a photoshoot until we were actually at the wedding venue on Saturday (the very nice London Canal Museum in King’s Cross. Though all the tiny canal boats made me feel like the 50 Foot Woman in comparison!).

If you recall from the previous post describing the invisible zipper details, I’m making this newly released dress pattern in gold silk crepe, with aubergine silk crepe ties and gold silk habotai lining.

I was a beta-tester for this new pattern company, so mine was only a rough photocopied draft, but it was enough for me to see that this is a definite keeper! I’m really jealous now after seeing the finished storybook packaging that I almost want to buy it again, just to have a pattern as beautiful as the dress itself!

Patrones wool trousers in progress

I’m only a hem away from finishing a pair of high waisted, wool trousers from the fabulous Patrones 272:

I’ll leave the fine details for the final photoshoot and review, but I’m just so proud of my very first welt pockets. Progress on my wool coat has been stalled for the last few months because the thought of doing the bound buttonholes has just intimidated and overwhelmed me, so I thought I’d make my first attempts at welt pockets first since they’re essentially the same thing, but on a less tiny (and fiddly) scale.

There are tons of instructions on the internet for welt pockets, but I used the supplemental instructions from the Aug 2008 BWOF since I could just have it lying open on my ironing board as I worked. The diagrams were particularly useful, and I think my first attempts turned out great!

The Porsche dress

What a difference a week makes! Spring has finally come to London, meaning I could wear my new dress outside without fear of goosebumps (the reverse – I actually got a bit sunburnt!).

If you recall from earlier, I bought a vintage Porsche cotton duvet cover and pillowcase off eBay for £8 (including shipping). It was in great condition and even had a full wraparound print which meant I had a lot more fabric to work with than I ever imagined when I clicked Bid Now…

I decided it’d work best with a suitably vintage pattern, so I decided to use Simplicity 3780, using a bit of careful pattern placement to get the most out of the different printed areas of the duvet cover (so the stripes along the bottom of the duvet became the red halter straps, for instance).

A Walking Advertisement

I was away all day Saturday hiking near Guildford with our monthly walking group, but a friend staying at ours said it snowed back in London. Ugh. It’s still too cold to wear either the silk blouse or the ikea skirt apart from their hurried photoshoots, so of course I’m sewing practical winter clothes to suit the weather…

Ha! Gotcha! No, I’m sewing a sleeveless, cotton halter-top dress, out of this vintage Porsche duvet I bought on eBay:

The Tuxedo-Inspired Suit

If you’ve been following along, you’ll remember that my grandmother visited the Pendleton woollen mill in the 1960s and bought two 2 yard remnants of 100% wool navy blue suiting fabric for $6 each (so $12 total). In August, she gave these to me, saying she’d never got around to sewing up anything with them and she thought I’d make better use of it.

I’d already finished the jacket portion of this tuxedo-inspired suit (the show piece from my F/W 07 Collection), and you can see the first photoshoot of that here.

The trousers were far more straightforward than the jacket, however, so they didn’t take nearly as much time or seam ripping to complete! I wanted to tie together the satin accents of the two pieces so I opted to add a thin stripe of navy blue satin ribbon to the outside seams of each trouser leg, which I think gives a subtle sheen as I move. The integral belt/waistband of this pattern really evokes a sort of cummerbund, too, and raises this design above just a normal trouser suit.

Party Princess

Why is it that we have to stop playing dress-up once we reach a certain age? Sometimes it’s good to have a special dress that makes you feel like the prettiest girl in the room, the one all eyes are on — like a princess, really.