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Book review: The Great British Sewing Bee: Fashion with Fabric

This is not an unbiased review – if you recall, I worked behind the scenes on the production of the third series of The Great British Sewing Bee tv show, then again on the Children in Need specials (which were actually recorded after the main series, despite airing first), and right after that was done, I started work on the book which accompanies the series, The Great British Sewing Bee: Fashion with Fabric, under the amazing, dedicated, and super talented Claire-Louise Hardie (aka “the thriftystitcher”).

But even though I spent several months as part of the sewing team who developed, adapted, sewed, illustrated, and assisted with the patterns in this book, I have zero financial stake in the sales of this book – I’ve already been paid for my work, regardless if there are zero sales or several million. So this review is unbiased in that regard anyway.

But really, I mostly want to show you all what’s in this book, because a) myself and the team worked really freaking hard to deliver a book chock full of quality patterns, and b) because it really is the perfect book that intermediate/advanced sewists have been craving for a long, long, time. Don’t get me wrong – there are some easy, beginner styles in here, too, but there are loads of projects that are more advanced and have really interesting shapes and design lines.

It should really say something that I spent months of my life sewing up these patterns (both the ones you see as samples in the book, but many, many test versions you don’t see) and I still want to make a ton more. Seriously.

But let’s start with the patterns, shall we?

It’s a great sign that the pattern sheet stack is nearly as thick as the book itself, and each sheet is labelled on the upper right corner so you can see which patterns are printed on that sheet as you flip through the stack. The patterns need to be traced (here’s how I trace a pattern, btw), but they’re colour coded and really nicely spaced out – waaaaaay easier on the eyes than Burda’s pattern sheets, for example, and the sheets themselves are printed on hefty paper, a bit like the old KwikSew patterns. And the sheets aren’t freaking enormous like Vogue’s ones that cover my entire lounge!

Here’s the size chart, which ranges from size 8 (B32.5/W25.5/H36in) to 20 (B45.5/W38.5/H49.5in). Since there are also kids and mens patterns, too, there are (obviously!) different size charts for them. But there are also a few garments in the book which you draft from your own measurements, so if you’re outside the size range you can still make a few things (like Lorna’s curtain skirt from episode three!).

There’s the obligitary section at the start of any sewing book explaining about the supplies you need, how to trace a pattern, sew hand stitches, etc. To be honest, I always just skip past these since I know what I’m doing. But there’s also a section on common fit alterations like an FBA or trouser fitting alterations, too.

But onto the patterns themselves! I haven’t highlighted every single one, but rather pulled out my favourites (or ones where I’ve sewn the sample you see in the book!). For each pattern, you also get a “hack” variation which re-uses the same basic pattern pieces but in a new way to get a totally different look. IMHO, Claire-Louise did a great job in putting new twists on these patterns and showing how you can really make them your own.

In the Cottons section, you get a pattern for capri trousers, which you may recognise from the first episode!

Book Review: Two Pattern Grading books

I’ve got not one, but two books to talk about today, both on the subject of pattern grading, which, to be honest, has hardly any books published on the topic and seems to be a bit of an industry secret or something.

If you’re not familiar with what pattern grading is – it’s the process of taking one pattern and adding or subtracting amounts at various points to make it another size, or multiple sizes. This isn’t just a simple equation of “well, size Y is twice as big as size Q” because humans’ shapes don’t grow at the same rate (ie: the difference between a size 0 and a size 18’s shoulders aren’t likely to be as great as the difference in hip sizes). In general, the measurements around the body change much more than the vertical measurements, so you need to follow some rules to know how far to move different points and in which directions.

Now, there’s an old-fashioned way of doing this with paper patters, scissors, tape, a special “grade ruler”, and several hours of your time, and this was covered pretty extensively in the September 2014 Threads Magazine (#174). In my personal opinion, this is fine if you only want to change one pattern to one other size, for instance if you have a vintage pattern but want it in your own size. Doing more than one size this way is a great way to end up throwing everything into the bin after several hours of swearing.

In my opinion, the far less stressful way to do pattern grading is digitally. You select a point, tell your software (like Adobe Illustrator) to move it xx cm vertically and yy cm horizontally, and you do that to all the points around the pattern. No taping, no cutting, and no weird ruler. Plus it’s way more accurate. So with this in mind, my reviews of both books are skewed heavily towards how they deal with digital drafting.

Let’s look at “Grading Workbook” by Connie Crawford first. It’s been out as a print book for a while, but I bought an early edition of the pdf ebook last year, which has been extensively cleaned up and digitised. I checked about a month ago, and there haven’t been any revisions so the copy I’m reviewing here is indeed current.

The book is targeted at someone who has some knowledge of pattern drafting, but is a beginner at pattern grading – most home sewists would be able to follow along with the introductory chapters which explain the methods and theory, and how to select different grades.

For each of the grade tables (ie: bodice, skirt, sleeve, stretch, child, etc), there are a few pages which show which point is being selected and which direction to move it, shown in a series of diagrams, like these two:

Book Review: Pattern Cutting for Menswear

Unfortunately, menswear really is the ugly stepchild of the fashion industry – there seem to be about two menswear books for every ten for women, plus there are hardly any commercial patterns out there for men (and if there are, 90% of the time it’ll be that same button-down shirt I’ve seen a million times, argh).

The Aldrich book seems to be the de-facto standard for menswear drafting as far as I can tell, but I tried her teeshirt draft for men and hated it so I’m loathe to buy it to test the rest, really. Perhaps it’s the standard just because there are so few to choose from and not because it’s particularly very good? So I asked for (and received!) this book instead for my birthday, as I’d love to draft more menswear for James and possibly for future patterns, too.

Now I haven’t actually tested the drafts in here yet (though I fully intend to), but I really like a lot of things about this book. Most obvious is that it’s a modern menswear book – instead of just covering the basic tailoring styles, it shows you how to draft things like hoodies, jeans, and parkas on top of the more standard jacket and button-down shirts. There are 20 different styles in all, with instructions on how to adapt the basic blocks to match the given style. So this is more like how the Japanese pattern books do things, only a bit easier to follow than the standard Pattern Magic “instructions”!

Book Review: Digital Textile Design

I bought this book when I was working on the Laurie King fabric collaborations and I saw that Laurence King publishers were having a massive sale on all their fashion and textile books. I already own all the Pattern Magic and Drape Drape books in English, but I was intrigued at the idea of this one and I’m really glad I picked it up as I don’t really know of any other books like it.

This book is really aimed at the beginning textile designer and has full tutorials for Adobe Photoshop and Illustrator to show how to get a bunch of different effects. I really like the style that this is written in (it’s much easier to read than a textbook!), and the screenshots and steps in the tutorials are really easy to follow along with.

There’s a fair amount of design inspiration from cool up and coming designers playing with digital prints, plus some advice on good design aesthetics, but I’ve learned the most from the tutorials, like this one which shows how to map out photo-realistic prints exactly where you want them on your pattern pieces.

Even if you’re not a fan of the Versace look, it’s a great primer on photo manipulation, scanning, placement, and printing (though of course it’s easier for me since my designs are already digital).

Book Review: Demystifying Bra Fitting & Construction

While I’m away on holiday I thought I’d keep you all entertained with a series of posts on books I’ve bought over the past year or so and never really quite talked about. Not a single one of them is a “beginning sewing book”, either, so for those of you who are a bit sick of seeing the same books being released over and over, well, you’re in for a treat this week.

First up is a book which I talked about a while back when it was released as an e-book, but I thought it was worth a revisit as it’s just been released in print.

The print edition has the same content as the e-book, with full colour photos and really very excellent advice on both fitting and construction that I just haven’t seen elsewhere, in print or online. If you missed my earlier review, the condensed version is that this is really what you need in order to make a bra pattern fit you, and then sew it all together. I’ve sewn with Kwik Sew bra patterns before and even though their instructions are held up to be really good, it doesn’t even come close to the level of detail in this book.

Plus, she tells you how to make a muslin (toile) so that you don’t get all the way to the end of sewing a gorgeous bra, only to find out in the final step it doesn’t fit properly. Which is what I usually end up doing, and then getting discouraged and not sewing another one for months (speaking of, I’m probably due for another spate of bra sewing soon!)

Little bits of sewing

I’ve come to that point near the end of the year where I want to gather together a bunch of little projects I’ve made recently, but yet didn’t quite seem big enough for their own post… You’ll see my traditional, year-end roundup tomorrow (I hope! I haven’t actually started it yet, eep!), but before then, let’s finish off the last little bits of the year…

Twin clutches

The most exciting of these are undoubtably the Cake Patterns Red Velvet Mini Clutches I made for James’s twin, teenaged nieces. They’ve pretty much only wanted cash or gift cards for a few years now, but this year I fancied giving them a little something extra to hold their gift.

The Cake Red Velvet Mini Clutch is a smaller version of the full pattern without the illustrated instructions, but on the plus side it’s free, super cute, and easy to whip up in a few hours with scraps. Here I used satin scraps leftover from my Matthew Williamson birthday dress and my swirl sheath dress and a bit of floral lining leftover from the former, too.

These are big enough to hold your average mobile phone, keys, lippy, and credit card, but not much else, but most of the times I want a little bag to match a dress this is all I really need to carry anyway. These were certainly one of those gifts I’d have liked to have kept for myself, especially since they match my dresses!

Bolster pillow covers

I’m totally less excited by home dec sewing, but we really wanted some bolster pillows for lounging in our big, new bedroom on the boat – now that I’m working from home, I especially need one under my knees while I work on my laptop! When we bought our bedding from IKEA, the duvet cover sets came with four pillowcases, and since we only use one regular pillow each, the others were just sat on a shelf.

Book Review: Patternmaking for Underwear Design, by Kristina Shin PhD

You’ve heard me mention this book a few times as I’ve been experimenting with various drafts, but I felt it deserved a full review because, frankly, I’m a little obsessed with it right now. My mom surprised me with this when I was ill with shingles and the subsequent nerve damage pain, and it gave me something to focus on right as I was in the midst of my last bout of lingerie sewing.

It’s “Patternmaking for Underwear Design”, by Kristina Shin, PhD, and here’s a (pretty bad) shot I took of it’s cover:

It’s primarily a book for drafting your own bras and lingerie (but much more, too), and the biggest difference I’ve seen here in that these bra drafts all start with the underwire shape, and build from there. Every other bra draft I’ve seen starts with a bodice sloper, which is then adapted into a bra shape. The approach taken here makes a lot more sense to me for getting an accurate fit, since there’s so much variation in breast shape and distribution for women who even wear the same size bodice. As anyone knows who’s ever sewn a bra, finding the right size underwire is absolutely key, so it really seems right here to use that as a starting point. And it helps that most women can make a small incision in a well-fitting bra and just trace off one they know fits them!

There’s not really any construction or sewing instructions included in this book, but there are a few pages at the beginning with stuff like tips on cutting lace…

…and the wide variety of bra backs you can use once you’ve got your basic draft sorted out…

…plus several pages of various tables of measurements for different sizes, and exactly what to measure, both for the breasts and the rest of the body.

Here’s an example page from the leggings draft so you can see the style of instructions and diagrams. I personally found these easier to follow than Metric Pattern Cutting and WAY easier than any of the Pattern Magic books!

Holiday sewing update

Some (rather racy) panties

Remember how I had flu for 3 weeks earlier this month? Well lucky freakin me, because I got ill again on the first day of my holidays. I’ve essentially felt like crap since two days before Thanksgiving, arrrrgh. So on Christmas Day, I did a little bit of comfort sewing, in the form of some crazy, racy, leopard print and black lace panties.

Avert your eyes now if you’re of a gentle disposition!

I’d never buy leopard print of my own free will, but I’d bought a lingerie grab bag for a pound a while back, and this came from there, and I added some scrap black stretch lace to the sides. Nobody need know what my tastefully dressed exterior conceals…

Burda December cover dress muslin

The big project I wanted to tackle over the holidays is the Burda December cover dress (Burda Dec 2012 #112).

Sewing book review: Pattern Magic 3 – now in English!

I don’t buy sewing books very often these days, usually preferring to get my information and inspiration from the internet and sewing pattern magazines, but I’ve found so much inspiration from the Japanese design schools lately that I just can’t say no when these are translated into English.

If you recall, I reviewed the first two Pattern Magic books here, and then, just recently the first Drape Drape book was also released in English (with the second coming out later this year).

Drape Drape uses included patterns which you trace off and sew, but the Pattern Magic books all rely on instructions for altering your existing sloper, so they can work for pretty much any size or shape person.

The big difference in this third book is that all the patterns here are designed for stretch fabrics, which adds a whole new level of fun! But of course, this doesn’t mean you can’t use stretch fabrics for the designs in the first two books – I’ve already made the flip-turned top twice as teeshirts, though I did have a great boost in understanding the Pattern Magic instructions on the Morley College “Pattern Magic” course I took earlier this year (I’m eagerly awaiting the new course guide so I can sign up for the rumoured class on this new book next year!).

So enough intro, let’s have a look at some of the wonderful (and weird!) designs in this instalment!

Sewing book review: Drape Drape – now in English!

The first book in the popular Japanese sewing series has just been published in English! It’s been out in Japanese for a few years now, but, like the Pattern Magic books, I bided my time until they were released in English before I added them to my collection. I can muddle my way through Portuguese, Italian, French, and Dutch patterns, but I’d be totally lost in kanji, with no means to type it into a translator!

A word about the sizing of these patterns, though – their “XL” size is still 10cm smaller (and 4cm shorter!) than me at the point of least difference.


(Note for the Americans – that XL size is 5’6”, B35 W27 H38 in inches.)

So going by their sizing, that’d make me a… 4XL. omg. Nothing like tiny Japanese sizing to make you feel enormous! Good thing most of the designs are really large and flowing, so hopefully I can get away with the largest size and not have it matter too much. Fingers crossed.

This is my favourite design in the book – it’s a dress with a gathered, dropped waist, and the only vertical seam is in the centre back. The construction of this is really cool – this dress is cut out in all one piece of fabric!

Not so cool is that Kristin made this a few years ago and it did NOT work for her, so I shall be muslinning and treading very carefully here. But this one’s the top of my list in this book, in any case.

This Grecian, V-neck dress is just beautiful! But keeping in mind the size chart, I’d probably need to grade up their bodice and waist band since they appear to be close-fitting.