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Soft and Warm

I’ve broken my self-imposed ban on sewing fleece. I blame the 90s for making me think it’s the most unfashionable fabric on earth, only worn in big, boxy cuts by soccer moms and awkward preteens.

But the heating on our boat still isn’t sorted yet, and I’m sick of seeing my breath while I eat dinner every night, and sewing with quite literally numb fingers (my metal shears are so cold they hurt to touch them!). So I got the boyfriend drunk and convinced him to order 5 metres of navy blue fleece to make us some warm lounging clothes to only wear around the boat.

Glastonbury dress in situ

I’ll have another update very shortly (as soon as I can arrange the photo shoot), but until then, I know some of you have been asking how the Glastonbury dress held up to the deluge of mud…

And the answer is, surprisingly well!

Glastonbury meets IKEA

Back when I got the pillowcases for the famous IKEA skirt, I also bought a Tanja shower curtain that caught my eye from across the store and was conveniently marked down to a fiver.

It’s stayed in my fabric stash ever since, just waiting for the perfect project, which presented itself in the form of this Burda WOF 60s dress from the May 2007 issue. It turned out to be the perfect fabric for this dress, considering that Glastonbury is coming up in a few weeks and I’ve been wanting something special to wear (and let’s face it, if the famous downpours happen again this year, this dress is ready for them!!), and because the pink piping matches my hot pink wellies perfectly.

A Room Of One Sewn

After a bit of hard labour with some power tools and brute force, I was able to clear three of the little hotel rooms on our boat two weekends ago. One became a walk-in wardrobe, one will very shortly become James’s office, and the third blossomed into my (temporary) sewing room (all the little hotel room walls will be ripped out to make way for our living room, two bedrooms, and two en-suites. The fate of a sewing room in the new plans is still unclear!).

But let’s move on to a tour of my sewing room, since this is probably the tidiest it’ll ever be…

Here’s the overview shot of the whole room. It’s about the size of two single beds side-by-side, with light coming from two halogen lamps and the porthole (which puts out a surprising amount of light during the day).

It's In My Jeans

I decided I needed a challenge. I’ve never made trousers before, let alone jeans, but I had some stretch denim from Walthamstow Market wallowing in my stash for over a year, and I finally had enough time in my schedule to do them justice. I’d attempted to make Vogue 8202 about a year ago, but only got as far as the muslin stage before I realised that a) the front rise was scandalously low, b) there was about 4 inches too much ease, and c) I started to lose weight and the pattern size range I bought was far too big to bother downsizing and redrafting. So this time around I used a pattern for corduroy trousers from the August 2006 Burda World Of Fashion magazine and just added the missing pieces (namely, the back pockets, the fifth pocket, and an interior fly piece) from my old Vogue pattern.

Snug & Smug

While in Holland last weekend, I managed a very quick run through Utrecht’s amazing fabric market (every Saturday on Breedstraat, with 100+ stalls of every fabric imaginable) and got a bunch of red velour for another (secret!) project. I finished the other project and used to offcuts to make this very warm and snuggly top, just in time for winter.

Velvet goldmine!

One of the nice things about buying tons of lush, black velvet for your boyfriend’s pirate coat is that you get to have your way with the leftover fabric! And if you’re a bit cheeky and insist that you’re going to be left out in the cold very soon because none of your other jackets fit anymore, then sometimes, sometimes, you can get away with making use of the scraps before the intended recipient of the fabric.

I made Jacket 101B from the 08/2006 issue of Burda World of Fashion magazine, which, if you’re not familiar, contains about 50 patterns in each magazine, ranging from incredibly fashion-forward to designs to some real “who in god’s name would wear THAT?” shockers. But overall, there’s at least a few things you’d make in each issue if you had enough time. August’s was a particularly good issue, but seeing as how my need for a jacket was the greatest, I tackled this first.

Summery vintage kimono top

I made this with a vintage-style crepe-de-chine dragonfly print from efabrics.co.uk (99p a meter! and it was coincidentally made in Japan), and a matching jade green crepe-de-chine from the same place that wasn’t on sale, so it was £2 a meter. I was really breaking the bank on this project…