I’m slowly working through my pile of magazines (another four more to go!) but I wanted to share my picks from the latest Burda magazine before it becomes outdated and off the newsstands. But the short version is that this is another pretty good issue, and a fantastic one if you’re in the Plus size range!

I really liked the choice of orange and camel in this feature, but for me the standout is this pullover, made in felted wool, which also has the colour illustrated instructions this month. It’s paired with an interesting skirt which was colourblocked in another example, really showing off the V panel. On the right we’ve got a cape, which is really similar to Seamwork’s Camden cape in the current November 2015 issue (except the length, obviously).

I’m not quite sure how I feel about the top on the left with its unsusual, gathered collar area, but the trousers look just a bit too 1970s to me. It’s easily overlooked, but the cardigan on the right has a really interesting construction that isn’t apparent from just the front tech drawing or the photos. Check out those pattern pieces!

Hot on the heels of last month’s (frankly, prettty poor) edition, we’ve got a new one to cleanse the palate! And even better – it’s really, really good! So let’s not delay any longer…

Burda have done a lot of wrap blouses over the years, but I really like the angular side panels on this one – in some of the variations they’ve used special pleated fabric on the sides, but personally I think the subtle fabric difference works better.

Hoo boy. Let’s start with the jacket – it’s a nice one with a cinched, gathered waist, nicely usable pockets, too. But the skirt – this one has been lighting up the internet already because of its extreme similarity to a pattern by the Spanish courtier and designer Paco, who is understandably incensed. He released this pattern several years ago and it’s been made and loved by several prominent sewing bloggers over the years. I suppose it’s possible that Burda saw this as a runway trend for FW15/16 and copied that, but I’ve not really seen this apron skirt elsewhere so it seems pretty shady…

And speak of the devil, here’s the longer version of the jacket above. I think Burda have done really well here in pairing it with a dress – it’d be a perfect transitional coat made up in a tweed or lighter coating (anything heavier would be unsuitable for those waist gathers).

The designer pattern this month is a gown by Marcel Ostertag, who was apparently a Central St Martin’s graduate who also appeared on a German fashion tv show. I personally really like the gown, especially with the different layers in the same colours of fabric with different textures. Though I’d leave off the weird waist tabs, which just seem to stick out on the model.

I actually received this issue before we left for Argentina, but in the mad rush to finish sewing my bikini and get all the other posts ready to go, I just couldn’t work up the enthusiasm to talk about this issue. And then I couldn’t really be bothered to complain yet again about the dirndlpalooza issue yet again, for another freaking year. Yes, I could almost just copy/paste the comments I get every year when I complain about the dirndls, but it’s just too exhausting to complain all the time. Let’s just say I’m sick of the dirndls taking up space in a global magazine every single year which could otherwise go to clothes the vast majority of their global audience might actually wear. If Burda sell so many dirndl issues (one of the arguments), then why haven’t they just produced a one-off 100% dirndl compilation of all their past patterns and sell that every September? I’d be thrilled!

But dirndl complaints aside, let’s take a peek inside this issue before October actually lands in my mailbox!

Two interesting patterns here: on the left, I really like the exaggerated cowl neck tunic (ut I’d definitely substitute in regular knit sleeves instead!) and, on the right, a great short skirt, similar to Maison Fleur’s Fit and Flare Skirt.

Oh. My. Gorgeous! This is such an elegant sheath dress! The subtle seamlines and shaping are just so masterfully done, and they’ve chosen a great fabric to showcase it, too. You may have missed it, but I also love how they shifted the sleeve seam to be at the front instead of the usual place at the inner arm.

I’m not a fan of the dress but the peacoat and biker trousers are great (also a longer version of that coat is available). Which reminds me that I still have some wonderful navy wool coating and silk lining ready for a jacket, since none of the 3(!) muslins I made for it last winter passed my stringent tests…

Finally, after months of lacklustre issues, Burda have produced one that I’m actually excited to show you! August is traditionally the start of the Fall fashions, but there’s plenty of transitional designs included in here too, and so many I want to wear right away…

Just to start things off on a damp squib – I see what they’re trying to do here and I know I’m normally a sucker for anything asymmetric, but I’m just not convinced by this shapeless dress with a weird pleated section tacked on at the hem.

It’s not really my style, but this riding jacket is beautiful. The details, the proportions, the finish – just lovely.

The outfit on the left, however, I’d wear exactly as it is, in a heartbeat! Both tops shown are the same raglan-sleeved top made from lightweight wovens, and the midi skirt with the hi-lo (or “mullet”!) hem is cut on the bias. I’m not a wide-legged trouser fan, but they’re an interesting design with the deep pleats.

I’m not normally a fan of “summer” sewing since the styles printed by the likes of Manequim, Patrones, and Burda for the summer months tend to all be focused on super hot, beach weather that’s just completely impractical for English summers. Case in point: today in London it’s sunny and warm, high of 23C (73F) and for the most part, that’s a pretty average summer day. In other words, it feels like Spring or Fall do in most places, and I love it. You all can keep your disgustingly hot and humid summers, and I’m happy to take a few useless sewing magazine issues each year as a trade-off!

But surprisingly, this July issue of Burda actually isn’t half bad! There are, of course, a few wholly impractical, wispy beach styles, but there are also designs I could wear…

Speaking of designs which work for English summers, this one’s got ours written all over it! The details of this boxy, yoked shirt are just fabulous – I can’t recall ever seeing rounded placket before, for starters…

Ugh, the fabric choice here just makes this look like a cheap and awful nurse’s costume! And those insipid sleeve flounces, gag.

In my eyes, the best pattern of this entire issue comes from designer Antonio Marras – it’s a great silhouette, and the neckline and hem length are bang on trend. But even better are those angled seams, which are only really revealed in the tech drawing!

I’m not usually drawn to maxi-dress styles, but this halter dress (for Tall sizes) with its fantastic, sweeping full skirt really catches my attention in a way that a shorter hemline version just wouldn’t. In fact, it reminds me most of ballroom dance gowns!

Yawwwwwwwwwn. Another lacklustre issue – what is up with the design team at Burda HQ recently? I know they’re capable of amazing, fashion-forward and flattering designs, because they break out of these ruts every now and then and just wow us with a consistent 6 months or so of designs.

I mean, this time last year I was praising them for a consistently amazing few months of issues, the pinnacle of which was the amazing Japanese-design feature. Maybe I should just go back to my spring 2014 issues instead until the tide rolls back into a more favourable patch…

I really want to like this blouse with its asymmetric collar, but it just feels like they’ve tried to add too many incongruous details into one garment. Skewed collar! Neck ties! Boxy shape! Asymmetric taped sleeve! Any one or two of these together would be fine, but all of them and it just feels unfocused and busy.

I’m officially on Team Jumpsuit and I like the look of this one on the model, but this is a Tall size pattern, with extra elongated body lengths, so I think this on top of jumpsuits being elongated anyway means that it’d be a tricky one for me to fit. And I’m not convinced I need more than one summery jumpsuit in my wardrobe right now!

This sheath dress is just fantastic – it’s simple, but it’s shown several times in the magazine, both partially colourblocked (as it is here), but also all in one fabric, and again with three separate coloured fabrics. The seams all flow together nicely at the sides, and there’s an option for shoulder ties, too. This could be a great basic pattern for adding further design elements (cough Pattern Magic cough), too.

Thanks so much for your congratulations on my London marathon race this weekend! My legs are amazingly feeling pretty much back to normal already, though I still need quite a bit of recovery time “under the hood”. In all the excitement (and a fair bit of “post-marathon brain”), I completely forgot to congratulate some other fierce and fantastic women who ran it, too!

• Louise from There She Sews / Broseley Joggers, who sewed her own Duathlon Shorts to run it, too!
• Winnie, aka Scruffy Badger, who ran it in a very colourful me-made top and skirt!
• Sanchia, my wonderful Threshold Shorts athlete model, keeping her lipstick in place the whole way around…
• Claudia, my iron-woman Threshold Shorts athlete model (running it only a week after Boston Marathon!)

With a fair amount of resting time ahead of me in the next two weeks (before I run a half marathon, then cycle our first sportive, then run a 10km on successive weekends. No joke!), I’m hoping to get some quality sewing time in. But I’m not seeing much to inspire me in the latest Burda edition…

I’m really getting tired of Burda’s recent ruffle fixation, but I actually don’t hate this ruffled coat, which is surprising. Maybe it’s that it reminds me of the Lolita Patterns Spearmint coat, or maybe it just seems a bit more well thought out than just randomly slapping ruffles onto an unsuspecting garment…

On first glance, this seems like a dress pattern we’ve seen a thousand times before, but the overall body shape is closer to a cocoon-shape than I’ve seen in a dress before. And the pleated neckline creates a bit of interest (and could conceal a big meal, hahah).

Apologies for the delay in reviewing this issue! I know a fair few of you use my reviews to decide whether or not to buy them. My subscription copy arrived before we left for NYC, but I was too pressed for time in finishing my jeans and getting the other posts scheduled that I didn’t have time to scan this until after we returned home.

But there should still be time to order this should you like any styles more than I do!

“Hi, I’m too thin. Can you show me a dress that will instantly add 50 pounds to my bust, waist, and hips, rendering me something akin to the Michelin Man caught in a ruffle explosion? You can? Great!“

This is probably my favourite from the issue, as I always enjoy a good 3D construction – in this boxy top, the back wraps over the shoulder to form the sleeve. The square neckline is also a good look, but I’m unsure about the overall silhouette. Perhaps it could be improved by a fabric with a softer hand?

This drop-waisted dress is definitely channelling the 1920s, though the kangaroo pocket modernises it a bit. There’s also top version version of this pattern that could really work if you’ve only got a metre of fabric to play with but, beware that super LOW neckline!

I’m of two minds when I get a pattern magazine in the post and there’s really nothing I want to sew from it. On one hand – “arrgh! What a waste of my subscription money!”, but on the other, well, at least there’s nothing new to be added to my already-overflowing Must Sew list, right?

I don’t often comment on the covers of magazines, but seriously, did no one at Burda HQ look at the “aloha hawaii” writing overlaid onto the skirt of the same colour and not foresee problems?!? Maybe we should reclaim “aloha haw” and get it trending on twitter, pff.

Oh geez. Let’s start with the abomination on the left – to me this looks like she took a burlap feedsack, wrapped it around her waist, and borrowed some man’s belt to hastily cinch it together. The jungle background isn’t helping, either, all I can think is that she’s on some survival tv show, forced to cover herself with whatever’s available. The unwearable jumpsuit on the right is almost chic in comparison – if you overlook the fact that it’s open to the navel ad requires wearing something else underneath it (the jumpsuit in the upcoming Sewing Bee book is far, far nicer).

This dolman-sleeved woven top is quite a nice take on a woven tee (which are much more frequently short sleeved or sleevless). I’m not completely sold on the underbust gathering, but that could easily be converted to pleats or darts. Still, a nice enough staple to have in your pattern arsenal.

This wrap dress is probably my favourite of this issue – I rather like the waist treatment, and the deep pleats at the skirt are flattering, too. Overall, a really nice, fresh take on the usual wrap dress.