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Bridal bodice – boning

With the seams (mostly) constructed and all the seam allowances tacked down, it was time for the boning! Bridal Couture assumes that you’ve got a fairly standard princess-seamed bodice and so advises that you sew the channels to the centre of the underlining pieces at the very beginning before attaching the underlining to the fashion fabric. But my bodice has all sorts of crazy seams and the boning crosses over a bunch of seamlines, so I had to obviously apply my channels after the main seams were stitched, as Susan Khalje advises in this Threads article.

I was originally thinking to make my own channels with silk organza, but then I saw that the Sewing Chest had pre-made and seam-free cotton channels so I bought those and ended up going with that instead to save myself some time. And as Ms Khalje talks about using them herself, I figured it’s okay!

So I started a production line – first I sewed the end of the channel closed with the sewing machine, then I carefully pinned the channel to the bodice underlining where it was needed, then cut the end just before the seamline at the bottom of the bodice. Once all the channels were in place, I then catchstitched them all to the flannel underlining, keeping the bottom free to insert the boning.

Here you can see all the channels, minus the one going on the zipper tape (to be attached after the zipper is in place):

Bridal bodice – Piping and basting

…in which I work with more piping than a plumber and more basting than a Thanksgiving dinner!

When I last checked in, I had cut and prepped all the pieces of the bodice, so it was now the point in my plan to sort out the piping if I was going to do so (and you’ve probably rightly concluded from the title that I did!). I had about 80cm of piping from the original dress’s waist seam, but I realised this wouldn’t be enough to pipe both sides of pieces #2 and #7 like I’d planned. So before I could do anything, I had to make some piping!

Luckily, the dress’s collar pieces were nice and long and on the bias, so this was a piece of cake. I cut four strips of 5cm wide and joined the edges together to make one long strip, then inserted my 2m of satin rattail and ran the whole thing through the sewing machine with the zipper foot.

But as I’ve already established, I can’t be making errant needle holes nor can I afford to use the seam ripper any more than what’s absolutely necessary, so in order to get the piping inserted perfectly on the first try, some hand basting was in order.

First, I basted the piping to one of the pieces, aligning the piping’s stitches with the basted seam lines:

And I did that for all four piped seams:

Bridal bodice – Prepping the pieces

I finally got the muslin fixed and finished! Thanks for all your advice, though I haven’t had a chance to reply to hardly any of you, for which I do apologise…

Muslin #3 changes –

  1. Unpinned the shoulder change, took off the waist stay, and since it seemed to be pulling everything upwards before, I reasoned that it must be too low. I repinned it a little higher and everything seemed to sit nicely and correct those weird problems it threw up before.
  2. I’ve said it before but I’ll say it again – I detest Rigilene boning! Only someone who hates women could’ve come up with those tiny, needle-like implements of torture. My spiral steel boning for the finished dress arrived and it just feels wonderful.
  3. No one actually came up with the fix I needed for piece #3’s weird bubble. As it turns out I just needed to flatten the curve a bit below the inset corner. (Before and After are below)
  4. There’s no way I’m muslining the skirt. It’d literally take a whole week of sewing time to even approximate the panels on the existing skirt, plus the drape and weight of the muslin fabric is totally different, and it won’t achieve much of anything I won’t learn in the actual skirt attachment anyway. End of story.
  5. Yes, I know about wearing proper undergarments. I’ve been wearing the bra I intend to wear on the day all along (though I got sharpie on it during my muslin marking process so I need to buy another copy of it, boo.). I was not being serious about the push up bra.

So with the muslin done, on with the dress itself!! Hurrah!

First step was to lay the pattern pieces onto the wrong side of my flannel underlining, fuzzy side down (I’d been transferring all my changes onto them and I prefer paper with no seam allowances over muslin with allowances). Once pinned in place, I then chalked the seam lines, waist, centre back and fronts, and the two notches onto it. Then I cut out the pieces with eyeballed seam allowances (when you’re dealing with seamlines, the size of the allowances are largely unimportant).

Next I laid the flannel pieces onto the wrong side of the satin, pinning only in the seam allowances because all the pin holes show on this fabric.

Yet another bridal bodice muslin

I’m no big fan of muslins and fitting tweaks, so the title is really reflecting my impatience at still being in the fitting stage. I want to get on with the fun stuff! But I also really want to get the fit and design perfect here as I can’t really go unpicking the vintage satin (the needle holes remain), so here I am, still soldiering on, though hopefully not for much longer…

Yesterday was my day off so I devoted pretty much the entire day to this dress. Right after breakfast I made up Muslin #2 (not shown because no one was around to photograph me), which incorporated the neckline changes and better-drafted add-on straps. There’s no photos, but essentially, I just needed to pinch some fabric out in three places, which you can see here shaded in orange on my pattern pieces:

So I made those changes to my paper pattern, unpicked pieces 1 and 3 from the muslin, cut new ones out, and reattached them, bringing us to Muslin #3. And I was pretty happy with the fit, apart from a bulge above my right breast which I immediately knew the cause of and fixed it on the paper pattern.

Bridal Bodice Neckline – opinions needed!

I am very happy to report that my dress for the BurdaStyle book is completely, 100% finished, packed up in an airtight bag and ready to be FedExed this week. HOORAY!

I’m afraid that’s all you get to see until next year, to. Boo.

But it means I can now devote ALL of my sewing time to my wedding gown. So the first step is to attack the muslin. I’ve marked my waistline in green, and the possible boning positions in blue. Once I marked my waistline I realised exactly how short the bodice is so I’m elongating it all by an inch so the back and sides aren’t ending exactly at my waist. My waist is an inch higher than the standard measurements anyway so I think this alteration will help (note: I’m not short-waisted. My bust-hip measurement is standard, my waist is just shifted up a tad).

But I really, really need your help choosing the right neckline for this gown!!

Bridesmaids dresses – finished!

Both bridesmaids dresses for my September wedding are now finished! Since I’m sewing both of these plus my own gown, I stipulated that these had to be knit so that I could sew them early and my girls could feel free to gain or lose a few pounds without too much last-minute alterations hassle.

To refresh your memory, the three of us chose the Gant exclusive design dress from the Sept 08 Burda magazine:

The previous posts about these dresses spanned over a year (from our pre-illness, original wedding date), so to help you find them, here’s a handy list:

  1. Choosing the pattern
  2. Going fabric shopping and choosing their colours
  3. Tackling those pleated cummerbunds
  4. Finishing the first dress

Here are both dresses together, so you can see how nicely their colours will go together on the day:

Bridesmaids dresses – one down…

I made a big push on Sunday to get as much done on the first bridesmaid as I could, and between then and some “non-commuting” time yesterday and today (I worked from home both days so I put the hour I’d normally be commuting to good use!) I managed to finish Pip’s dress, apart from the hem and the covered buttons, which I need to purchase in town tomorrow.

To refresh your memory, I’m sewing the Gant exclusive design dress from the Sept 08 Burda magazine:

I tackled those pleated cummerbunds first to get them out of the way, but even the easier silk jersey portions were not entirely straightforward. With a design this simple, the glory is in the perfect execution!

First thing I was grateful for is my newly-raised cutting and drafting table. Each gown takes four skirt sections this size (front & back, exterior & lining), and they take up nearly the whole table!

I didn’t take any intermediate photos of Pip’s dress, but I ended up doing the entire bodice on my sewing machine after all, so that I could understitch the neck and arm openings more easily. In the end, I only used the overlocker for the long skirt seams.

Bridesmaids dresses – I pleat the fifth

While I’ve been showing you all sorts of books and magazine reviews and drafting up free bag patterns for you, what’s been going on in the sewing room, I hear you ask! Well, I set aside April and May to sew my two bridesmaids dresses, and after a long muslin period, I’ve been getting stuck in with the most time consuming portion of the dresses first – the pleated, silk satin (charmeuse) waistband/cummerbunds.

If you recall, I’m sewing the Gant exclusive design dress from the 09/08 Burda magazine:

The fabrics were bought over a year ago, so I fished out the bag and got to work on the reeeeeeeally long pleated sections using Burda’s magazine instructions (which are surprisingly helpful) and a bit of info from my The Art of Manipulating Fabric book (thanks, Cindy!). These are knife pleats, one centimeter apart, and Burda called for seven pleats down the band, but after my test piece, it looked a bit sparse at the top and bottom edges, so I decided to go for eight pleats in the final versions.

So in order to help any of you attempting this on your own (and sadly, a Perfect Pleater is way too narrow to help me here), or those of you wondering why professional designers outsource their pleating to professional firms, here’s what’s involved…

How to pleat

Step 1 – On the reverse of the fabric to be pleated, mark chalk lines exactly 3cm apart, one for every “mountain” pleat.

Springtime Heidi dress

I’ve been doing so many bits and pieces over the last fortnight, between making and fitting the bridesmaids’ dresses, doing some experimental pattern drafting, and a huge amount of gardening that it feels like I started sewing BurdaStyle’s Heidi dress months ago! It really didn’t take very long to sew at all, it was more that I was doing in in small chunks around everything else that made it last so long from start to finish!

I bought this brushed cotton fabric in Brighton last June for (a rather expensive for me) £10/m, but I liked the print too much to care. I also lined this with a silk/cotton voile from Goldhawk Road which makes it really airy and lightweight for spring and summer.

Bits and Pieces

Ok, so to take a brief break from reading material, I thought I should update you with what I’ve been up to in the sewing room…

Bridesmaids dresses

I had the first fitting of P’s muslin, and there are surprisingly little changes to be made – raising the neckline and armscye, pulling up the waistband by a centimetre, and that’s about it.

So I’m doing a second version of the bodice for her to try on this weekend, and then I unpick the skirt off that muslin and attach it to G’s bodice (the skirt is enormous and I didn’t have enough knit muslin for two!) and have her first fitting while I get down and dirty with the waistband pleating. I’m anticipating the pleating to be the most time-consuming part of both the dresses… (Earlier post about the dresses and colours here)

A spring dress

I finished a nice Springy version of BurdaStyle’s Heidi dress yesterday (finally!).

It was just waiting for a hem for nearly a week, which is a long time for me. It’s nice timing as Spring (or maybe even Summer!) arrived this weekend and it was gorgeous outside on deck with the barbecue going and everyone hopping from boat to boat. I’m hoping to do a photoshoot tonight now that we’ve got daylight for longer in the evenings…