Tag: dress

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Pre-birthday miscellania

Birthday dress!

My LMB draped birthday dress is finished, so thank you to everyone who commented on my muslin! I’ll be having the photoshoot tomorrow so you can see it on my big day itself on Thursday (no, not THAT big day, that’s in September!). I’m really happy with the way the final dress turned out, and the silk jersey is just so gorgeous to wear…

Labels!

My new labels also arrived this week (albeit with an eBay shipping mishap).

For some reason Cash’s aren’t offering the silver/black I had before, so I went with GB Nametapes for this lot. I’m not 100% convinced on the font I chose for “Fehr Trade”, but I love that I could get the URL printed smaller this time around. Considering that the last lot of 120-some lasted me just over two years, I have a feeling I’ll get used to this design soon enough.

BurdaStyle!

Looking beyond my birthday plans, I am super excited that BurdaStyle are coming to London next week, so I (of course!) need something new to wear to their mixer!

In Progress

The LMB draped dress – muslin

As good as my word, I sewed up a muslin for my birthday dress (next week, birthday fans!), which will be the draped jersey dress from the Feb 2010 La Mia Boutique magazine, #6:

I sewed up the muslin in a viscose jersey, chosen for its very similar draping to silk jersey (with the bridesmaids’ dresses also in silk jersey, I bought TONS of this!), but it is pretty thin and see-through so it’s really only ever going to be good for muslins. After sewing a size 44 in the turtleneck and finding it quite roomy, I decided to go with a 44 here, too, even though I should be a 46 according to their size charts. This is sewn up exactly as per their paper pattern, with no alterations.

Here’s the front, side, and back views of the muslin:

In Progress

Mentally sewing the LMB draped dress

I’ve gotten as far as I can on my secret other project while I wait for supplies (mostly new labels – can you believe I’ve sewn through the last lot of 120-odd Fehr Trade labels in the past two years??), so I cut out my muslin pieces for my birthday dress. If you’ve got a good memory, it’s this luuuurrrrrvely draped number from the Feb 2010 La Mia Boutique magazine, #6:

What I normally do for foreign language patterns (La Mia Boutique is in Italian) is look at the pieces and get a brief order of construction in my head. Usually I work from the top down, starting with assembling the front bodice pieces then join to the back at the shoulders, then finish the neckline, then if it’s a knit, attach the sleeves at the armscye and sew up the side seams, or if it’s a woven, do the side seams first them attach the sleeve in the round. After sewing for a while, you begin to see that most pattern instructions have you sew things in roughly the same order, so you can just do those here to suit this particular pattern.

But for more complicated patterns like this one, I like to sit down with a pen and paper and mentally go through the whole process, visualising how the different pieces interact and the pros and cons of doing which seams in which order (like “if I do this first, is it going to make it awkward to serge that?”). It’s a great mental exercise in spatial thinking, and one of the most pleasurable aspects of sewing for me.

And it means I don’t have to type in every single word of the foreign instructions and figure out what the translator’s trying to tell me (sewing terms are not the best translated! )!

So since I was writing these out anyway, I thought my order of construction might help others who were eyeing up this pattern.

In Progress

Nude sheath dress in progress

I’ve been working on the partner to my grey tweed jacket, Vogue 8576 in a nude, pale pink poly/viscose stretch suiting I bought from Totally Fabrics during one of their fantastic sales.

I usually detest tracing Vogue patterns since their tissue paper is so flimsy, utterly enormous and so unwieldy to work with, but this one was surprisingly small since there’s only one view so no need for tons of extraneous pieces. Still not as easy as tracing KnipMode’s compact newsprint, for instance, but not enough to put me off sewing Vogue for months on end like it did previously!

The overall shape of this dress is quite simple, but it’s cut up into a ton of triangles and curves that can be tricky to visualise. So my first step was to lay them all out and see how they went together (seam allowances are included here so they don’t line up nicely like I’m used to though).

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The Honest 'Tooth

Even experienced sewers do dumb things. I hardly ever make muslins except when I’ve got really expensive fabric (like coating) or when I’m working with a pattern company I’ve not used very much before. But for Burdas, I know I’m a size 42, and that size 42 always fits me.

Until now. I’ve just finished sewing BWOF 05/2009 #117 and (yes I know it’s a stupid thing to do) I didn’t try it on until I put the invisible zipper in right at the end because it’s a PITA to get someone else to pin you in and out and frankly, I still hurt from that surgery so I just like to get into my sewing zen zone and proceed without interruptions. That’s my excuse, anyway.

So what’s Burda’s?? Being polite, I could say this pattern runs small. Besides the fact that Burda patterns don’t run anything, they just fit, every time, with German precision, since when is it okay to have zero inches of waist ease in any woven pattern (seriously – measured dress waist is 30 1/2 inches. Size 42 body waist measurement is 30 3/4 inches on the size chart)? Argh. I think I’m most annoyed because I trusted Burda so implicitly, and because I did such an awesome job on those pointed underarm gussets that so intimidated me (they actually turned out to be really easy – just make sure you thread-baste the seam lines, interface the point, and sew each in two steps like Burda suggests).

I even had to dial Susan down to her absolute smallest setting (39-29-40) to get the dress to fit onto her, and even then the zipper is really straining at the back bodice!

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Burda floral crossover dress

The second of my winter knit dresses is the cross-bodiced Burda WOF 06/09 #129. I’ve had my eye on this pattern ever since it came out, but I was amazed to see that no one had reviewed it yet on PR, so it’s definitely an undiscovered gem as far as I’m concerned!

I recently ordered a big batch of fabrics from Totally Fabrics (more on that later) in their 40% off everything sale including this brown floral viscose jersey print with shades of teal, fuschia, and grey thrown in. I only ordered one metre (of 1.5m available stock) but when it turned up, it turns out they gave me the whole 1.5m rather than have an awkwardly short leftover! Score! Even so, there was no way I could squeeze this entire dress out of the yardage available, so I had to do a clever amount of fabric Tetris, shorten the hem by 2 inches, make the sleeves 3/4 length, and sew the hidden front bodice piece from a constrasting grey marl jersey.

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The "Lauriana meets Dolce & Gabbana" dress

First up in my duet of winter knit dresses is this amazing knit cowl dress that fellow sewist Lauriana drafted for me(!!!) this summer. Whilst designing this, she not only correctly observed my size, but also that I adore cowl necks and assymetrical details, and gave me the option for a sleeveless or sleeved version! She’s the best! Since I’m in dire need of comfortable winter dresses, I opted to go for long sleeves this time around, but I would definitely make this again for summer without them.

I made it up in some luscious Dolce & Gabbana viscose knit that I bought at Ditto Fabrics HQ in Brighton in June. It’s been in my stash just waiting for the perfect pattern match, and since it’s such a crazy, busy print, I thought this pattern with both front and back on the fold would be great for keeping the swirled dots intact.

Inspiration

Patrones pals!

Remember that wool, collared Patrones top I made recently? Well, I’m so happy to report that my overly detailed instructions for it weren’t in vain, because Kim’s made this top, too! It’s fitting, really, since she’s the one who hooked me up with this issue in the first place… 😉

Doesn’t she look great? In her own words:

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Red twill shirtdress

We always set out to make two dresses for my mom this summer – one knit and one woven, and for the woven one she ended up also picking a KnipMode pattern from my archives, this time #6a from the special June 2009 “40 Years, 40 Dresses” issue.

It may look like a shirtwaister at first glance, but the buttons in front are purely decorative – there’s an invisible zipper in the left side seam and it all just goes over the head for a really easy to wear, casual style.

She bought the bright red twill in America and prewashed it before she came over, and then picked out the buttons on a shopping excursion to MacCulloch and Wallis here in London.

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Pleated lavender knit dress

OK it seems I’ve got a brief respite from my fever right now (although not the headache) so I’m going to take advantage of it to finally show you the lavender knit dress I made my mom while she was staying with us this summer.

She bought the lavender interlock when she was still in America, and then had a leisurely stroll through my huge archive of pattern magazines for a style she liked and I thought would flatter her nicely. So together we decided on KnipMode Aug 2009 #20, which has a surplice top with shawl collar and pleated skirt in both back and front. We were originally going to shorten the sleeves to elbow length, but after trying on the dress, she decided she liked them long and could easily push them up if she needed to.

Once or twice a year, KnipMode produce a few patterns that come in Petite, Average, and Tall patterns, with a few of the pattern pieces changing shape, though as Arielle pointed out, Knip don’t publish their Petite or Tall body measurement charts anywhere! Any Dutch speakers care to volunteer to sort out this mystery for us? They don’t seem to understand it when we email… In any case, I just made the average height for my mom here, as she’s about 5 foot 6 with fairly normal length proportions.

With belt: