What a difference a week makes! Spring has finally come to London, meaning I could wear my new dress outside without fear of goosebumps (the reverse – I actually got a bit sunburnt!).
If you recall from earlier, I bought a vintage Porsche cotton duvet cover and pillowcase off eBay for £8 (including shipping). It was in great condition and even had a full wraparound print which meant I had a lot more fabric to work with than I ever imagined when I clicked Bid Now…
I decided it’d work best with a suitably vintage pattern, so I decided to use Simplicity 3780, using a bit of careful pattern placement to get the most out of the different printed areas of the duvet cover (so the stripes along the bottom of the duvet became the red halter straps, for instance).
In the tech industry, there’s a term “Minimum Viable Product”, which means the absolute minimum you can do to get code out the door. It’s not your best work, but it works.
Like half of London, we had tickets to see Secret Cinema’s performance and screening of the first Back to the Future film, where they recreated the entire 1955 town of Hill Valley, California, complete with about 20 business, the clock tower, full fun fair, a cast of hundreds of actors, you name it. We were also all asked to assume an identity (I was “Tiffany Hyslop, developer!”) and dress in 1955 styles. Now, I’ve only got one 1950s dress pattern (which I made into that Porsche dress a few years back) but it’s too big in the bodice now and would require too much work.
So instead, I picked a modern dress with a 1950s feel – the Simplicity Cynthia Rowley pattern (1873) which I had already made in fuchsia and really liked the fit of.
The pink version was the wrong colour for the 1950s and definitely too short, so I bought some striped cotton poplin from Minerva that had the right vibe, and figured it’d be close enough.
Sorry for the delay – I finished the Colette Patterns “Eclair” dress last week but couldn’t quite squeeze in a photoshoot until we were actually at the wedding venue on Saturday (the very nice London Canal Museum in King’s Cross. Though all the tiny canal boats made me feel like the 50 Foot Woman in comparison!).
If you recall from the previous post describing the invisible zipper details, I’m making this newly released dress pattern in gold silk crepe, with aubergine silk crepe ties and gold silk habotai lining.
I was a beta-tester for this new pattern company, so mine was only a rough photocopied draft, but it was enough for me to see that this is a definite keeper! I’m really jealous now after seeing the finished storybook packaging that I almost want to buy it again, just to have a pattern as beautiful as the dress itself!
I was away all day Saturday hiking near Guildford with our monthly walking group, but a friend staying at ours said it snowed back in London. Ugh. It’s still too cold to wear either the silk blouse or the ikea skirt apart from their hurried photoshoots, so of course I’m sewing practical winter clothes to suit the weather…
Ha! Gotcha! No, I’m sewing a sleeveless, cotton halter-top dress, out of this vintage Porsche duvet I bought on eBay:
No, we’re not back on the school playground, but you’ll now see tags all over FehrTrade. I’ve been wanting to add more flexible linking for a while now, so I installed this plugin for Textpattern so I can now add any number of tags to the end of each post, and you can see a cloud of all the tags on the left, under the Google Ads. And another new addition over there is the search box, which should be working now across all pages (but if you find a circumstance where if looks weird, please send me the URL as I probably just missed a template!). I spent quite a while going through all my old posts and tagging them appropriately, so I apologise if you suddenly get a bunch of old posts in your RSS feed reader (mine still seems to be fine though, so fingers crossed!).
Anyway, enough of this housekeeping nonsense, what of the sewing, eh? Well, I’m going full steam ahead on my Porsche dress, and I carefully cut our the pattern pieces last night, taking note of the best possible placement for all the pieces.
I spent all Friday evening and Saturday afternoon and evening sewing up a storm, making myself mentally exhausted in the process. Unfortunately I can’t actually say what I was so busy working on, but I should be able to by the end of the month. I know that’s a tease, and I’m sorry!
Anyway, if you recall, I was going through all my sewing machine feet earlier and I asked if anyone could help me identify some of them. Big thanks to Debbie for identifying the straight stitch foot, and also to Lis and Noile for telling me that the mystery notion in the upper right is a seam gauge: