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The first Jalie jeans

The ladies at the Walthamstow meetup got a sneak peek of my new jeans on Saturday, but now everyone can have a look at my (mentally counts…) sixth pair of jeans!

I wanted to try out the Jalie 2908 jeans pattern in cheap fabric before I broke out my good stuff, so I made these using some cheap stretch denim from Goldhawk Road, bought for £3/m. It’s papery and stiff and smells kinda like petrochemicals when you iron it, but it was taking up room in my stash and was good enough to try out the pattern (and good enough for wearing round the boat, too!).

I made the regular rise version (as opposed to the low-rise) and I knew these were bootcut, but wow, this has a VERY flared leg! But the fashion mags can’t stop going on about how flares are big for SS11, so I suppose I’m ahead of the pack with these. I think the rise here is good and comfortable, and the crotch curve, bottom, and thigh fit my “white girl pancake butt” really well. The leg length on these was almost perfect for me, too – I only needed to add 1-2 cm past their hem line (I usually have to add more for Burda trousers, and nothing at all for Knip’s).

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Black flannel pyjama bottoms

James isn’t normally the pyjama sort, but it’s been particularly cold this winter and he’s been in need of some PJ bottoms for quite a while. He only has one pair and it’s kinda sad to be wearing Santa Homer Simpson in February:

(Note to family – please don’t take this as a plea to send more. He really only needs and wants this one pair!)

So I took pity on him and said I’d sew him a new pair to wear, and Burda magazine 12-2010 #134 was particularly handy. There are tons and tons of unisex pyjama trouser patterns out there, but this one was easy to find, and I know Burda’s sizing is so consistent that a 52 would fit him fine.

We were going to use the grey knit fabric we bought at Ditto, but I greatly underestimated the width of that so there was nowhere near enough (totally my fault as Gill asked “are you sure that’s enough?”). In a sea of insipid cutsey prints, Chawla’s came through with this solid black cotton flannel for cheap (3m for £11 shipped and I’ve got extra for jacket interlining if I like now, too). Chawla’s may not have the widest selection of natural fibre fabrics, but they are consistently the fastest shippers ever – I ordered this on a Tuesday, and it arrived in Thursday’s post!

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Asymmetric Plum Lace Top

The latest installment in my post-coat winter sewing plans is the asymmetric pleated turtleneck, Patrones 296 #14.

In this design, you’re given the pattern pieces for a turtleneck top, where the front has been cut diagonally across the front. So if you’ve not got this issue of Patrones, just go and draw a curvy line across your favourite turtleneck pattern!

In the magazine photo, the sleeves and upper front piece are pleated and underlined, but I chose to overlay lace on mine instead. Patrones provide the pattern pieces for the post-pleated fabric (allowing you the fun of working out exactly how much fabric you’d need for whatever size pleats you choose!), so it was super simple to just use those finished pieces to cut out the lace overlays instead.

The plum fabric here is a gorgeous bamboo/lycra jersey that I bought from Ditto in Brighton last month, and it’s so unbelievably soft, and with a nice, beefy weight and good stretch. I loved Wazoodle’s bamboo years ago, but this stuff is even better as it’s thicker and doesn’t wrinkle anywhere near as readily. I am utterly in love with this fabric! I’ve got another of their bamboo/lycras in red and I’m itching to make something from that now, too. The green stretch lace I bought at Tissues Dreyfus in Paris last summer, and I love how the two together give a bit of an antique look….

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Blue shirred turtleneck

Carrying on with my post-coat winter sewing plans is the shirred turtleneck from Christine Jonson’s #226 Travel Trio Three pattern. This is a travel wardrobe so also included in the envelope are patterns for a pocket skirt, a big cape/wrap thing, and a raglan teeshirt pattern.

This turtleneck pattern requires fabric with 80% stretch, which was a bit difficult to find when I actually got down to stretching my various stash fabrics against the pattern’s ruler. Eventually I discovered that this turquoise lycra jersey bought on Goldhawk Road in January 2009 (for £6 total!) was just able to meet the criteria, so it was good to finally put it to use.

This was my first experience with a Christine Jonson pattern, and I found the fit and instructions to be great – she really takes the time to add in some special knit techniques that I’ve not seen anywhere else. There’s a lot of gathering to do here, and I like that she tells you when it’s best to use the sewing machine and when it’s best to use the serger/overlocker, though three lines of gathering stitches seemed a bit overkill – two was plenty for me! I especially like that she has you gather the fabric, then stay-stitch the gathers together on the 5/8” seam line before serging it all and then breaking the staystitching to regain the stretchiness.

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Foldover wool trousers

Let me start by saying that I hate drop-crotch trousers! Hate.

These are not drop-crotch trousers.

I chose these because the crotch is where it should be – they are in no way “Hammer pants”, let’s be clear about that! But there’s a large pleat that runs from the right knee up to the mid-left waistband that creates the drapey folded roominess instead.

I was instantly drawn to KnipMode 01/2011 #5 when I saw it, but since I made these I realise that the idea must’ve been stewing in my subconscious for quite some time, as carottesauvage made an awesome similar pair last year, Burda magazine actually had something similar in the Plus section back in August, and KnipMode had a less severe draped version all the way back in September 2009(!) that I found going back through my archives.

So even though these feel absolutely bleedin’ cutting edge, the idea has been floating around for a while now. I made these with a gorgeously soft made in 80% wool / 20% acrylic flannel (bought from Fabric.com in Dec 2008 for $14/yard) that tends to look either pale green, slate blue, or even brownish depending on the light. In order to shield my skin from the wool and prevent the knees from bagging out, I entirely underlined these in black silk/cotton voile. I had to hand baste these two layers together to keep them nicely aligned and not bubbling, and this took a couple of evenings.

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Steel grey cords

I had a bit of a photoshoot backlog, but I think you’ll be pleased to hear that I’ve got lots to show off this week, and you’ll only have to forgive the GALE FORCE WINDS whipping everything around while I tried to pose and smile sweetly (hence the headband keeping my hair out of my eyes!).

First up are my pleated corduroys! You’ll remember seeing these in their “in progress” state, hanging on my sewing room clothesline, and also that this steel grey corduroy wasn’t my first fabric choice, but was the only suitable fabric in my stash. I’d bought this stuff back in May 2009 on Goldhawk Road for a total of £5, so if it didn’t work with the deep pleating on these trousers, well, then I wasn’t too fussed.

The pattern for these is KnipMode 08/2010 #13, modelled by a mother/daughter pair and looking fabulous on both of them!

And here they are on me!

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A very beginning sewing lesson

On Sunday I taught a very beginning sewing lesson to three friends who all wanted to learn how to sew and have been begging me to teach them for months! I decided we would learn to use the machines and make a simple bag, and that would probably be more than enough for a first lesson. So I set up my little red machine, my everyday vintage machine, and made space for Veda to bring her new (purple!!) John Lewis mini machine up in the saloon…

The Sewing Machine Driver’s Test

After showing everyone the various parts of the machines, I put an old or blunt needle in each and I had them “sew” on the lines while the machine was unthreaded. The object is to get every single hole touching the line on the page, and when we did this in my home ec class in middle school, the teacher circled any errant holes (if we had more than three, we’d have to repeat that sheet). You start with straight lines, then corners, then a spiral, and finally wavy lines. My girls did great, but opted to redo the last two sheets to get some practice in!

Download my Sewing Machine Driver’s Test here! (Pdf, 200kb)

They all said that this really helped them to get comfortable with the machine and said the curves of the bag were way easier because of it!

The bag

Then we moved on to BurdaStyle’s (free!) Charlie bag pattern, and I showed them how to trim and tape the pattern pages together, then how to lay out the pieces and obey grainlines and learn how to find the selvedge.

I really didn’t like that BurdaStyle’s instructions have you trim off the seam allowances on the bag handles and then overlock them (wtf? What beginner sewer has access to an overlocker??) so I had my girls make a facing for the top of the bag. It got them to practice sewing curves, the importance of clipping the seam allowances, and flipping inside out! And I personally think it’s less fiddly than bias binding when you’re just learning.

Here’s the one I made earlier, to refresh your memory…

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(Belated) Christmas gift – red leather handbag

We were supposed to meet up with my friend (and former bridesmaid!) Pip and her boyfriend back in mid-December to celebrate Christmas, but we had to reschedule due to my swine flu, so I’m only just now able to show you her present – a Nairobi bag made up in gorgeously soft red wine leather, bought in NYC from Global Leathers (I find it interesting that Americans would call this colour “burgundy”, whereas in the UK it’d be “claret”).

I sewed this up before Christmas (so you saw a sneak peek in my 2010 roundup), but she asked me to hold off posting about it until she received it. I actually made this same bag for her a few years ago in black corduroy, and she famously texted me later that night exclaiming “I can fit a whole bottle of vodka in here!”

When I made the Nairobi bag for myself, I usually leave out the strip that joins the two halves together as I find the bag is just too big for my liking with it in, but Pip asked me for the bigger size, and bigger she got!

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The Burda September cover dress (winter version)

I made no secret of my total love and adoration of Burda’s September issue last year. In my opinion (and many of you!) this was the standout, stellar issue in an otherwise mediocre year for the magazine. I’m slowly working my way through everything I wanted to sew from that issue (some good and some bad!) but now it was the time for the cover dress, #122.

I showed you the pattern alterations I made to “un-petite” this pattern, though I reckon I could have even added a bit more to the middle of piece 2 as my pointiroma has less lengthwise stretch as my muslin knit, making the underbust seam just barely under my bust. The horizontal seam between pieces 3 and 4 hits me right at my natural waist on the sides, which I think is just great. I also took 6 inches off the hem of pieces 7 and 8 so that this is above the knee rather than below.

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Lekala ribbed top

Many of you correctly guessed that my first project from my post-coat winter sewing plans would be the Lekala knit top, as there’s nothing better than a “quick knit top” after a long and involved project!

Even better – this is my first ever Lekala pattern! This top is very similar to Burda magazine 05/09 #103A, but I’ve been wanting to try Lekala for months now, so I went with this instead.

Lekala patterns are usually €0.50 each (€1 if you want seam allowances included), but 8004 is one of Lekala’s free patterns made to your measurements. You enter in your height, bust, underbust, waist, and hips (all in cm), and then you’re emailed a pdf pattern! I chose the pdf pattern for A4 paper with no seam allowances.