It all started back in March when I received for my birthday both the royal blue ponte knit fabric and a Marfy pattern I’d requested (#2935). I was enthusiastic about both, so much so that I spent the day after my party making up the dress.
The first issue came about when I realised that the pattern was missing a piece for the horizontal waist sash. It was pretty obvious it was just a rectangle, but the dimensions of it would be useful to get the gathering right, so I emailed Marfy, and got the following unhelpful reply when I asked for the dimensions of the missing piece:
“you are right, sorry. The important thing is to cut the piece on the bias so that it will follow the body. You can decide the width you prefer, and you can close it on the back.”
But that was just the start, because the horizontal sash was really the least wrong this about the dress. It’s a basic, long sleeved knit sheath dress with front and back darts and waist seam, but then there’s a weird set of gathers above the bust at the centre front that just reminds me of a vagina no matter how much I look at it, and this created a weird lump of fabric just above the bust that had to be pinched out.
But it goes on, because the diagonal sash was angled incorrectly and way too long, but if it was pulled tight enough, it started to bring the neckline down, too. The length was really dowdy, and overall, it was just a really unflattering dress. Somehow it looked straight out of the 1940s despite being modern, and it’s pretty much impossible to have a fabric that is both thick enough to wear on the body but thin enough to stand up to all that draping. Big, big thumbs down for Marfy 2935. This is actually my second Marfy pattern, and the second that hasn’t worked for me, so I’m kinda washing my hands of the whole company now…
But I still really liked the fabric, and wanted to do something with it to reclaim it, so this monstrosity of a muslin stayed on Susan (my dressform) literally for months. My friend FJ would come by and be like “Is that thing still there? You have got to do something with it or get rid of it – it’s bringing you down!” and he was totally right.
But despite being a big dress, the uninterrupted pieces weren’t very big so I had to choose my pattern carefully – and I pulled out the Seamster Patterns Yellowtail Camisole pattern that I’d bought and printed out last summer but hadn’t quite gotten around to making before the weather cooled off.
I was able to fit the pieces into the Marfy dress (plus it felt quite cathartic to cut the sucker up!) and it was really quick to sew!
Seen here with my Donna Karan leggings from earlier this week…
The instructions were nicely written and it came together really quickly – I used some black FOE (foldover elastic) from my extensive lingerie sewing stash to finish it off, though I think I may have been a tad overzealous when I measured it out because I think the straps could be a pinch shorter (the cups feel like they’re a little too high!).
I should also point out that the Yellowtail pattern has a “pay what you want” price tag, with half the money going to charity, which is a pretty cool concept! So if you’ve not tried Seamster yet (formerly known as Disparate Disciplines), then this might be a good one to start with.
Even though I’m annoyed that the Marfy pattern didn’t live up to its illustration, I’m proud of myself for (eventually) reclaiming the fabric into something wearable, and trying another indie pattern company at the same time!