My next pattern is off with the pattern testers right now and I’m frantically sewing up final samples for photoshoots, filling in missing illustrations, and responding to comments as they come in, but I’ve managed to occupy my brain with the thought of things I might sew for fun next!
I did indeed wear my traced-from-RTW mustard yellow sheath dress to Number 10 Downing Street last week, and even managed to get some photos with the famous door(!) afterwards, but you’ll have to wait for those until the proper photoshoot is done showing the rest of the dress details in some decent lighting.
But I can say already that I love the dress! It needs some slight tweaking to the shoulder area, but apart from that, my tracing was spot-on, and I’m so chuffed it turned out so well without a muslin.
The crazy seaming really started getting my brain thinking about all the ways it could be colourblocked, though, and I looked up and suddenly found inspiration from a magazine photo I’d cut out years ago and had hanging on my sewing cave wall!
So I rummaged through my ponte scraps and realised that I had the most perfect shade of teal viscose ponte leftover from a client commission, and together with the leftover mustard scraps (and some newly-bought white ponte), I could make my very own Chalayan-inspired sheath dress!
I whipped up a tech drawing in Illustrator so I could play with the different colourblocking combinations, and I’m not sure which I should go for.
I’ve only got 1.2m of the teal and even less of the mustard, but I could buy whatever white I need to make up the rest. I think I have enough to make any of these combos, but I will of course double-check with my pieces before I order the white.
I also finally sewed up a muslin of this short coat from the Sept 2010 Burda (also known as one of my favourite issues Of. All. Time.):
I actually like the design enough on me that I’m willing to push on through the changes required, and that’s saying something! I’ll need to extend the sleeves (easy), broaden the back shoulders, take in the back waist (as it’s too boxy back there), and importantly, I’m going to add zippered pockets into the massive front darts – because what’s the point of a coat without pockets?!? I’ve already got a wonderful navy wool coating and vintage Italian silk twill lining earmarked for this, so I’d really only need to buy the zippers.
The other idea rolling around my head right now is that I really want to make more from the Japanese-design inspired feature in the June 2014 Burda magazine that I loved so much. I realised that I have the most perfect fabric in my stash for this bonkers jacket:
It’s a dark navy denim that has a woven repeat in it that looks like little dots/starfield/snowflakes which gradually gets denser and then fades away. Extremely cool.
I’ve got 2m and the woven-in dots appear every metre, and I think it’d be stunning made up in this jacket. So I might work on it a bit over the holidays, along with the other coat above, even though it’ll be too lightweight to wear until Spring.
But back to the Chalayan colourblocking – which should I go for? Answers in the comments below or on Twitter to @fehrtrade!