I’ve been fantasising about making this dress ever since February, and I finally got the right inspiration to make it, and in a lovely fabric that nicely bridges the Summer/Fall/Winter gap. BWOF 02/2008 #103 is a knit dress with raglan sleeves, wide boatneck collar, and a really distinctive front twist leading down into a wrap skirt.
I’m in rather desperate need of trousers for my Fall/Winter wardrobe, and so I naturally turned to Burda WOF 08/2006 #109. You may remember that this is essentially my favourite trouser pattern ever – I’ve made it as jeans (twice!), in brown twill, and even in red corduroy. The fit is perfect for me, and it serves as the backbone of my wardrobe when I just need some nice, wearable trousers and don’t feel the need to be particularly challenged by a new pattern. As much as I love trying new patterns and techniques, sometimes you just need something reliable that you know is definitely going to work.
I recently had a spate of vintage book buying, and I’ve finally had a chance over the last month or so to properly digest them. Most of them were purchased from AbeBooks.com, which I’d used and loved years ago and then promptly forgot existed until they sent me a “come back to us!” voucher out of the blue. Well, it worked because I ended up with Kwik Sew Method Swim Wear and Kwik Sew Method Lingerie, both by Kerstin Martensson, plus The Complete Book of Sewing by Constance Talbot, and a reproduction of the famous WWII pamphlet Make Do And Mend (bought from Bletchley Park‘s gift shop).
I was in such a buzz of sewing activity on this bank holiday Monday that I finally got a chance to make BurdaStyle’s Marcel sleep mask pattern that I’ve been meaning to sew for ages now!
One sleep mask is for myself, but the second one is a surprise for my friend (and will-be bridesmaid) Gez (who got it slipped through her letterbox last night!).
The adorable kitties fabric is from a tunic she gave me that was a bit too long for a shirt but too short for a dress, so I chopped off some length and saved the offcut to make something for her. The grey fabric is from a skirt her auntie gave me years ago that I completely forgot I even had until I dived into my scraps bin looking for something to use here. The dark grey backing was the skirt itself, and the shiny (silk?) casing used to be the waistband of the skirt. So it’s an entirely recycled sleep mask!
There aren’t any instructions for the pattern, but it’s very easy to make one and would be a great project for beginners:
You may remember that I made my silver linen dress to wear to our friends Holly and Simon’s wedding this weekend. While at Holly’s delightful (and crafty!) hen party / tea party on Sunday, I mentioned that I was debating whether to make a matching fascinator and it was demanded that I comply!
So in the spirit of my first fascinator, I got out a bit of scrap plastic, some soft, squishy fleece, silver linen leftover from my dress, and grey netting and went to town…
My grandmother’s wedding dress arrived safely on Friday! I person, it’s absolutely jaw, droppingly gorgeous, even 59 years later. The preview photos I drew the technical drawing from didn’t do it justice, so I’m hoping these photos on James’s DSLR will help to show some of the amazing vintage details.
The dress is entirely silk satin with no lace, embroidery, or beading (just from a mesh panel around the neckline), and the weave of the silk is still perfectly and soft and so very strong still. Granny told me she bought this in a shop on South Street in Philadelphia in 1949, but I’m afraid I can’t tell you the designer as there’s no label and she’s long since forgotten the details. But the workmanship speaks for itself, and it’s very interesting for me to see that they’ve not wasted any silk where it couldn’t be seen – the mesh fabric is used for all facings, the seam allowances are only 1/2 inch, and there’s no lining.
Laid out on our table:
The culmination of July’s Knit Month was sewing my own swimsuit, but due to motivational difficulties in the photoshoot and photo editing post-production, I’m afraid the photos are a few weeks late!
You might remember when I sewed my muslin suit that I used KnipMode 06/2008 #1 and lengthened the bodice pieces by one inch.
I haven’t worn one piece suits for a few years, but I remember RTW suits from high school always being a bit short in the torso, so I’m not surprised this would be the same, despite my never having to do long-torso alterations for anything else.
I do wish, however, that I’d taken some photos of myself in the muslin suit because you see things in photos that just don’t appear in a full length mirror sometimes.
Breaking news!
Burda WOF have just posted a full preview of their September 2008 issue (though only for members at the minute), and this dress practically jumped off the screen at me:
Gorgeous, right? Well, the reason it stood out to me is because those central bodice seams are a spitting image of a Versace dress from Fall 2007. I saw the ad with Kate Moss last year and I loved the design so much that I ripped it out and have had it hanging on my sewing room wall ever since:
This dress has been fully formed in my mind ever since February, when I bought Burda 7783 and this beautiful linen/lurex blend at Hickeys in Dublin. Luckily, they print the fabric content and washing instructions right on the receipts, so I can tell you with some degree of accuracy that this dress is 53% linen, 44% rayon, and 3% lurex. As far as I’m concerned, this fabric is 100% gorgeous – it’s got a subtle bit of shine under bright lights that really makes it special.
This has got to be the quickest ever turnaround for a fabric purchase. I bought a remnant of taupe big wale corduroy on Thursday at Goldhawk Road for a pound, sent it through the washer on Friday, hung it out to dry overnight on Friday, and had sewn it up into a new skirt by Saturday dinnertime! It didn’t even see my stash box!
