Woohoo! It’s a fresh new year! Each year I like to take the first of January to look back on what I’ve sewn in the previous year. So while this post is a celebration of the new year, it’s also a look back at what I’ve been up to in the last twelve months, which I always find to be a helpful exercise!
As I do every year, I like to spend the first of a new year to take the opportunity to look back on what I’ve sewn in the previous year. So without further ado, here’s a visual reminder of 2014!
Click the image to see it better, or right-click here to see it in a new tab to get a better look!
Tip: If you’d like to skim back through the posts for the above projects, you can click Gallery in the upper left menu, which will only show you finished projects, without all the magazine reviews and in-progress reports getting in the way!
In terms of pattern companies used this year, I made:
By my count, I made: 31 tops, 19 trousers (including leggings & shorts),
5 dresses, 4 pieces of lingerie (bras, panties, slips, etc), 3 skirts, 3 jackets/coats/cardigans, and 4 bags. James also did well this year, being made a winter coat, 2 shirts, 2 cycling tops, and a dop-kit bag.
And I realise I’ve been sewing a lot of running gear but the total number even surprised me – 34 of the above were for running (though not all for me)!
The above may sound like a lot of sewing, but even this is only a fraction of what I’ve actually sewn – I couldn’t really include all the garments sewn for the Great British Sewing Bee, for example, or those made for custom clients (of which there’s been a LOT!), or for the book I’ve been working on, either. In all honesty, I think you could probably double the amount shown above and it’d be closer to the total output!
Every now and then, I feel like I really crack a garment – I end up with something that truly blends the most perfect fabric with the perfect pattern. I wasn’t entirely sure until I wore it for a day, but this top really nailed it! It feels 100% designer, special, and yet me at the same time.
The cowl-neck tee pattern is from the October 2014 issue of Burda magazine or available to buy individually as a pdf, and it came in three versions – a plain top (which is the one I made) – a tee sliced into various colourblocks, or a plain dress.
But this garment is really all about the fabric, and the pattern itself plays a supporting role. In fact, most of the time, care, and attention to the entire process was in placing the pattern pieces! Look what I had to start with:
I bought this digital print lycra from Ditto Fabrics when I was down in Brighton this summer (an Italian designer offcut that I snagged for £15!). Originally I thought I’d have the main body in the trompe l’oiel knitted houndstooth as that was what drew me to the fabric, but the houndstooth portion wasn’t quite long enough for the front and back, so I placed those over the “lace” portions and cut the sleeves from the houndstooth instead.
Worn with my Colette Beignet skirt I made back in 2010 that’s sadly, a bit too big for me now (it’s really relying on cinching that belt!
I used a size 40 for the first time here, which is my “new” Burda size since I’ve lost a few cm through training, and the fit is just as I’d like it, really. I loooooove the slim fit sleeves in particular on this pattern. They’re extra long here, too – it’s noted in the instructions are that the sleeves are 10cm longer than normal. I wasn’t sure if I’d keep them extra long or not, but as I was laying out the sleeves, I saw that the piece overlapped into the lace print area nicely, creating a sort of cuff-effect at the sleeve that I really liked the look of:
I’m pretty sure this isn’t supposed to be a painter’s smock, but that’s certainly what this feels like to me! In the October edition of BurdaStyle magazine Burda call it a “retro short coat” – a reprint of a vintage pattern that originally appeared in 1952. From the magazine and original sketch, it reminded me loads of a coat Bel wore to the country house party in the first season of The Hour, so I was keen to make it to inject some vintage styling into my usual modern wardrobe.
(It’s available to download from Burda’s English site if you like it, or just fancy reading the instruction pdf)
I made it here in some silver-grey linen gifted to me by Veronica when I was in Paris. It’s nice fabric, but I think the colour isn’t helping the smock comparisons! Maybe it needs something brighter…
Burda’s patterns are very nearly always well-made, but this one in particular is impeccable drafted (well, except for the curved collar), with tons of inset corners that joined up perfectly. It’s one of those patterns that’s a joy to sew, when everything matches up and just comes together like a little puzzle – match up corners and notches here, a bit of gathering there, pieces join to be the Centre Back in unexpected ways – that sort of thing! If I wanted to be picky, there’s some generous gathering across the back, but there wasn’t quite enough gathering on the front seams for my liking. Personally, I’d rather the gathering be concentrated in a smaller area than have it be wide and hardly any gathers.
Just to make things absolutely clear – no, I am not pregnant!
But my very good friend (and beginning sewer!) Holly is, so I’m doing some maternity sewing for her over the next few months, and helping her to sew a few things for herself, too. We’ve already had an afternoon session converting regular trousers to maternity versions (and I’m thrilled to report that she’s since gone home and done a few of these herself, too!), but it’s down to me to start the “from scratch” garments.
The first project was to make a “wearable muslin” of this Burda knit dress from June 2010. She picked this pattern out of a lineup, and it’s actually great for a beginner. The seamlines and construction are pretty straightforward, and you get a lot of bang for your buck with this, as there are two sleeve variations and two length variations!
I traced off all the different versions, and used the double tracing wheel I picked up in Budapest to even add the seam allowances on for her, too (something I never bother to do for myself, as I prefer my patterns without).
For this muslin I used some viscose jersey donated by Claire (Seemane) specifically for muslining purposes. The print is definitely too wild for me, but it might come in handy for Holly while she’s got a limited wardrobe. I don’t think it’s an ugly print by any means, and I could see her toning it down with a black or navy jacket or cardigan.
I currently subscribe to three different sewing pattern magazines: Burda, Manequim, and KnipMode. I don’t post reviews of Burda because so many other blogs do already, and also because Burda are great about publishing all the line drawings in advance, so you probably already know whether you like an issue or not without me harping on at you. All three have reliable delivery schedules, with Manequim appearing in the first week of the month, then KnipMode around the middle, and Burda bringing up the rear at the end of the month, or the beginning of the next. This month I ended up getting KnipMode only a few days before Burda, but I think it was just a combination of Knip being a bit late and Burda being a bit early. What it’s meant for me is that I’ve been a bit overwhelmed with breakfast reading so I’ve only just now been able to properly digest each issue along with my porridge, let alone get out the scanner!
As a total aside, I find it interesting that Manequim is the cheapest year subscription at about £65, then Burda at £70, followed by KnipMode at about £90. All I’m saying is, KnipMode has been alright since their new editor took over, but they better step up to awesome territory again soon if they want to stay in the sewing budget…
The first ten or so pages of this issue are taken up by the wide array of styles you can create with their mix & match coat patterns. They’ve done this in the past with dresses and cocktail dresses but essentially you choose the various sleeves, bodice, collar, etc, and build your custom coat pattern that way.
As I mentioned last week, I made this blouse the weekend we got back from Hungary. It was a really quick make, with only a few seams and minimal closures, so even including some thread tracing and french seams didn’t really lengthen the project time. In other words, it was exactly the sort of project I needed right after a holiday!
Burda 09/2010 #110 is the sleeveless version of this top and one of the, oh, eleven must-sews for me from this September 2010 issue. It’s been one of my absolute favourite issues since the moment it came out, so it was nice to make something other than the cover dress for once!
I mostly made this to coordinate with my upcoming grey wool skirt suit, but with our unexpected hot and sunny October (29C/88F!!!) in London, you’ll get it see it worn now in a summer style, paired with my silver tweed KnipMode skirt. I imagine the weather will cool off enough by the time I finish the suit that you’ll get to see it layered underneath the jacket as I intended!
I’m finally over my post-wardrobe exhaustion and able to sew again, so I carried on with my March mini-wardrobe plans and made the seamed trousers from KnipMode Oct 2010 (#8):
(hmm, why are they covering the waistband in their only magazine photo?)
I also thought I was due a “quick knit top” so I pulled out Jalie 2806 (a gift from LynnRowe on PR!) so I could try out those fantastic tulip sleeves, with the thought of maybe using them on the spring/summer version of my Burda September cover dress…
I had just enough of Ditto‘s wonderfully soft and supple plum bamboo/lycra jersey leftover from my plum and green lace top for this, so it was clearly meant to be! For the trousers I used the same Fabric.com stretch twill as in my navy riding trousers, though in different lights this goes from looking pale grey (nice!) to baby blue (not so nice!). But the combo of pale trousers and dark top feels very Spring-like to me.
I’ve finished my post-coat winter sewing plans apart from the La Mia Boutique draped skirt which I’m feeling now is better suited for spring or summer, so I thought I’d dip my toes into the Pattern Review Mini Wardrobe contest that’s running throughout the month of March.
This is a pared-down version of their usual, sprawling wardrobe/SWAP contest, so this time around you need to create a five piece wardrobe in four weeks, using one item you already own (sewn or RTW) and be able to create at least six different outfits from this. I’m actually going one better and aiming to sew five pieces rather than four, but that may fall by the wayside depending on how the month goes.
Here’s what I’ve got in mind:
Fashion has always been cyclical – we reinvent ideas from decades past and give them a new twist. But with everyone playing off similar influences, sometimes two designers independently come up with very similar ideas. So it’s really not a surprise that you can sometimes find very similar pattern designs across companies, too.
As I found out, once you start looking for “pattern twins”, suddenly you start seeing them everywhere!
It all started when reader Hilde pointed out in my Patrones 289 review that this Plus top looks an awful lot like an older KnipMode design, so I decided to investigate further by comparing the shapes of the pattern pieces side-by-side:
(This KnipMode top was previously neglected because it was in the same issue as the fabulous swimsuit pattern…)
While the tech drawings look different, when you look at the pattern pieces you can see that most of that is just down to artistic interpretation and the pieces are very similar indeed!
Then I noticed in my review of the March 2010 KnipMode that their ruffle-collared blouse was incredibly similar to one Burda released last year!
