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Little bits of sewing

I’ve come to that point near the end of the year where I want to gather together a bunch of little projects I’ve made recently, but yet didn’t quite seem big enough for their own post… You’ll see my traditional, year-end roundup tomorrow (I hope! I haven’t actually started it yet, eep!), but before then, let’s finish off the last little bits of the year…

Twin clutches

The most exciting of these are undoubtably the Cake Patterns Red Velvet Mini Clutches I made for James’s twin, teenaged nieces. They’ve pretty much only wanted cash or gift cards for a few years now, but this year I fancied giving them a little something extra to hold their gift.

The Cake Red Velvet Mini Clutch is a smaller version of the full pattern without the illustrated instructions, but on the plus side it’s free, super cute, and easy to whip up in a few hours with scraps. Here I used satin scraps leftover from my Matthew Williamson birthday dress and my swirl sheath dress and a bit of floral lining leftover from the former, too.

These are big enough to hold your average mobile phone, keys, lippy, and credit card, but not much else, but most of the times I want a little bag to match a dress this is all I really need to carry anyway. These were certainly one of those gifts I’d have liked to have kept for myself, especially since they match my dresses!

Bolster pillow covers

I’m totally less excited by home dec sewing, but we really wanted some bolster pillows for lounging in our big, new bedroom on the boat – now that I’m working from home, I especially need one under my knees while I work on my laptop! When we bought our bedding from IKEA, the duvet cover sets came with four pillowcases, and since we only use one regular pillow each, the others were just sat on a shelf.

Better with friends

Last week I had the unusual pleasure of meeting not one but two fellow sewists who were visiting London, separately, and on consecutive days!

First the amazing Dilly came to the boat, bring not only cake but this incredibly luscious silk twill!

Silk twill is something that is really difficult to find in London (unless you want it white and/or £50+/m!), and the monochrome nature print is so me, too. This definitely falls into the “too good for linings” category, so I think I’ll need to narrow down some of the amazing blouse patterns Manequim’s been printing and sew this up.

After hours of chatting and showing her around the moorings, I think I left her with a desire to live on a boat, and she left me with a renewed fire to go visit CERN! I’m also very impressed that she’s been keeping up with her own Burda Challenge this year, too!

Then, on Thanksgiving Day I met up with lingerie sewing guru Norma for a visit through the new Isabella Blow exhibit at Somerset House. I always find it’s best to see this sort of thing with someone who can share in your total geekery for seam lines and fine details, and there was plenty to geek out over, too! Really, this was an early Alexander McQueen and Philip Treacy exhibit, as those were the majority of the designs. They even opened up the back room upstairs for this, so it was much bigger than the recent Valentino exhibit there.

Patrones 324 & 26

I haven’t bought Patrones magazine in a while because I’ve been busy sewing other things, but the lovely Tg33 picked these two up when she was visiting Spain recently and sent them to me as gifts! How nice is that!?

So I can show you my picks from both, while I’m currently away on business in (not so sunny) Miami. Let’s feel the hot, summer, ocean vibes!

Patrones 324

How nice would that tiered top from the cover be really nice in a lightweight silk? Because the tiers all start at the shoulder (rather than being connected to a base at intervals), you could even use a semi-sheer fabric and get lessening coverage as you go down…

There’s an entire feature solely on jumpsuits and playsuits (how many does one girl need?!), and regular readers will know I’m not particular a fan, but I couldn’t help but love the seaming on this one!

Goings On

I know everyone goes through periods of extreme busy-ness and stress, but I feel like the past 6-8 weeks have just been nonstop with barely a pause to catch my breath! You’ll have to accept my apologies for not going into these various sewing happenings in full – I’m saving my writing time for my finished garments!

So, without further ado, a catchup on the last few weeks’ goings on…

1. The day after I arrived back from Amsterdam, my parents arrived for a visit! Among other things, they brought with them a big stash of Suziplex wicking lycra that Lakaribane bought for me by request while she was in Montreal recently! I think I’ve lost track of the number of international borders these 5 meters of fabric have crossed, but I am so happy to have more, because the three running leggings I’ve sewn with the stash I bought in March are my favourites ever.

2. I recently went on a bit of a Young Image magazines and envelope patterns binge, so I sat down with my mom while she was here and she picked out some designs she thought my niece might like for her Christmas present…

Sewing book review: Pattern Magic 3 – now in English!

I don’t buy sewing books very often these days, usually preferring to get my information and inspiration from the internet and sewing pattern magazines, but I’ve found so much inspiration from the Japanese design schools lately that I just can’t say no when these are translated into English.

If you recall, I reviewed the first two Pattern Magic books here, and then, just recently the first Drape Drape book was also released in English (with the second coming out later this year).

Drape Drape uses included patterns which you trace off and sew, but the Pattern Magic books all rely on instructions for altering your existing sloper, so they can work for pretty much any size or shape person.

The big difference in this third book is that all the patterns here are designed for stretch fabrics, which adds a whole new level of fun! But of course, this doesn’t mean you can’t use stretch fabrics for the designs in the first two books – I’ve already made the flip-turned top twice as teeshirts, though I did have a great boost in understanding the Pattern Magic instructions on the Morley College “Pattern Magic” course I took earlier this year (I’m eagerly awaiting the new course guide so I can sign up for the rumoured class on this new book next year!).

So enough intro, let’s have a look at some of the wonderful (and weird!) designs in this instalment!

Sewing book review: Drape Drape – now in English!

The first book in the popular Japanese sewing series has just been published in English! It’s been out in Japanese for a few years now, but, like the Pattern Magic books, I bided my time until they were released in English before I added them to my collection. I can muddle my way through Portuguese, Italian, French, and Dutch patterns, but I’d be totally lost in kanji, with no means to type it into a translator!

A word about the sizing of these patterns, though – their “XL” size is still 10cm smaller (and 4cm shorter!) than me at the point of least difference.


(Note for the Americans – that XL size is 5’6”, B35 W27 H38 in inches.)

So going by their sizing, that’d make me a… 4XL. omg. Nothing like tiny Japanese sizing to make you feel enormous! Good thing most of the designs are really large and flowing, so hopefully I can get away with the largest size and not have it matter too much. Fingers crossed.

This is my favourite design in the book – it’s a dress with a gathered, dropped waist, and the only vertical seam is in the centre back. The construction of this is really cool – this dress is cut out in all one piece of fabric!

Not so cool is that Kristin made this a few years ago and it did NOT work for her, so I shall be muslinning and treading very carefully here. But this one’s the top of my list in this book, in any case.

This Grecian, V-neck dress is just beautiful! But keeping in mind the size chart, I’d probably need to grade up their bodice and waist band since they appear to be close-fitting.

Grey Pattern Magic "Flip Turn" top

Ever since I first opened the Pattern Magic books, a few designs have been burning a hole in my sewing brain. One of these was the “Flip Turn for a Draped Effect” bodice from Pattern Magic 2, and I was so happy that I was able to draft this on my Morley College Pattern Magic 2 course last month! It wasn’t too bad to figure out, but I’m still really pleased to have the instructor there and because I muddled through (albeit with help), I feel much more confident about tackling other designs in the books.

The only problem was that we drafted all the course designs based on the largest Bunka sloper, which was still rather a lot smaller than me, so if I wanted to actually wear the designs from the course, I’d have to create them again off my own sloper, which just seemed a bit dull.

Or maybe… just maybe… I wonder if the Bunka sloper version would fit if I eliminated the back waist darts and made it in a knit?

OMG a toile for a fashion college dressform fits me!! :O 😀

Since this was a total fit experiment, I wanted to try this first in a low-risk fabric, and I had just enough of this viscose grey marl jersey leftover in my stash from the Manequim “big shirt”.

One interesting part of this design is that the reverse of the fabric is shown on a large portion of the lower front, and in this fabric, the reverse is kinda textured and loopy, but without any major colour change from the “correct” side. It means you get a subtle texture change on that panel, but without screaming “hey! I’m the wrong side!”.

To further play up the texture change and to make it look more intentional, I used the wrong side of the fabric on the neck band, too (maybe I’ll do the sleeves on the wrong side next time, too?)

A bit of everything

Housekeeping time! I’ve got lots of little bits to update you on, either with my in-progress project, upcoming things, or small projects I managed to gloss over at the time…

So in no particular order:

My purple coat

Progress is slow on my purple jacket/coat from the Winter 2011 MyImage magazine, not because of anything to do with the coat, but because life keeps getting in the way. I’ve finished the shell and I’m onto the lining now, so I’ve just got to finish constructing the lining, attach the two together, flip, and sew the buttonholes.

I’d prefer to do the buttonholes on my vintage buttonholer attachment, but the templates I have aren’t big enough for my enormous (2.5 inch?) buttons. Anyone know a clean way around this? Can I set the buttonholer to do double-length holes somehow?

In any case, I should be able to finish this coat this weekend and (hopefully) get a photoshoot in. Not long now before I can do evenings photos again – it’s already light out when I go running before work!

Gift update

My go-to baby gift is to sew a changing mat, with a hand towel on one side, and nice fabric on the other with big, deep pockets and ties to fold it all up. I had two baby boys arrive in January, so both sets of parents got changing mats with this awesome Alexander Henry vintage robot fabric. 1 meter of it wasn’t quite enough to stretch to the pockets, too, so I filled in with some scrap denim.

The Pattern Magic 2 course at Morley College

This weekend was my eagerly-awaited “Creative Pattern Cutting 2” course at Morley College in London, which was a two day class based entirely on the second “Pattern Magic” book. I’ve owned the Pattern Magic books for a while, but I’ve only tried one design (with discouraging results), so I was really excited to have the opportunity to explore them further.

I’d have no idea this course was even offered if it wasn’t for Tracy blogging about attending the course on the first book, either. So a big THANK YOU to her for bringing it to wider attention!

And seriously, this course was FANTASTIC! The tutor, Moni, was simply amazing, I can’t say enough good things about her – she does a lot of other Fashion/Sewing courses at Morley and I’d sign up for one of her other classes in a heartbeat (and I see she’s doing one on the Colette Wolf book “The Art Manipulating Fabric” soon, too, which sounds very cool)!

The facilities at Morley were great, too – lots of room to spread out, domestic Berninas and ironing stations, plenty of cross paper and cheap calico/muslin, and it was super easy for me to get to, and easy walking distance from Waterloo Station and surrounded by great pubs for lunch, too. It really was jawdropping that the whole weekend course only cost £48, especially when you consider most sewing courses in London are a) on the same old three dull topics over and over again and b) usually in the range of £300-400!

Believe it or not, this was also my first “formal” training ever in sewing!

We ended up with only eight students in the class so we all got a lot of individual help, which was great. I never really felt like there was any point where I was struggling and I couldn’t ask the tutor – she really did a fantastic job at spreading her time evenly amongst us. We also got to choose which projects we wanted to work on, which was ideal because it meant there wasn’t the usual classroom thing where some people were too fast and others too slow, etc. All the students there was really sharp with their sewing and drafting so I think everyone got a lot out of the class, too.

The charcoal pinup sheath dress

I feel like this post should have a warning, like those awful, dated jokes – Dangerous curves ahead! But to be honest, I’ve been running like a mad woman for the past few months, finally running much faster and further than I ever did before I got ill, so I’m relishing the chance to show off my running body right now*.

This dress was in the Sept 2011 Burda magazine, but it’s also available to buy as a download pattern on Burdastyle.com if you missed that issue (or believed the blog hype that it was a bad issue, gasp!). I really loved this pattern from the second I saw it, and all I really needed was a little nudge from BurdaStyle and I was totally sold on making this as my double-duty James’s birthday dinner and Christmas party dress.

Though on reflection, it might be a bit too sexy for my office party.

As this was a close fitting sheath with a non-stretch fabric, I opted to go right ahead and make the only fitting alteration I ever make with Burda patterns, and even then it’s only occasionally – I removed 2cm above the waist line across all the vertical panels so the waist of the dress is more in line with my own.