Ever since I finished my sewing room, I’ve been sewing like a woman POSSESSED! On Friday evening I finished this tunic top from the March 2007 issue of Burda WOF magazine, and on Saturday, I cut out and nearly finished another tunic top (I’ve just got the hem to go – watch for it later this week).
After a bit of hard labour with some power tools and brute force, I was able to clear three of the little hotel rooms on our boat two weekends ago. One became a walk-in wardrobe, one will very shortly become James’s office, and the third blossomed into my (temporary) sewing room (all the little hotel room walls will be ripped out to make way for our living room, two bedrooms, and two en-suites. The fate of a sewing room in the new plans is still unclear!).
But let’s move on to a tour of my sewing room, since this is probably the tidiest it’ll ever be…
Here’s the overview shot of the whole room. It’s about the size of two single beds side-by-side, with light coming from two halogen lamps and the porthole (which puts out a surprising amount of light during the day).
I bought a ton of sewing magazines! I managed to pick up the February and March issues of Knipmode magazine (March was a special double issue with a full supplement of sailing-inspired clothes! Perfect!), plus the Dutch language version of the March issue of Burda World of Fashion magazine. I figure I never read the instructions in the English versions of Burda anyway, so it didn’t matter much if it was written in Dutch as long as I could see from the photos what sort of fabric to use…
target=“out”>February and March issues of Knipmode magazine (March was a special double issue with a full supplement of sailing-inspired clothes! Perfect!), plus the Dutch language version of the March issue of Burda World of Fashion magazine. I figure I never read the instructions in the English versions of Burda anyway, so it didn’t matter much if it was written in Dutch as long as I could see from the photos what sort of fabric to use…
I’d only just vaguely heard of Knipmode before, but I had a chance to thumb through a copy in the supermarket before I bought it and I was delighted to discover it’s very similar to Burda WOF – about 40 patterns, all very fashion forward with glossy model photoshoots showing the finished products, plus one pattern where they go in-depth with lots of step-by-step diagrams, a plus section, and a few fashion mag-esque pages on how to accessorize what you’ve sewn. One thing I really liked is that Knipmode show a technical drawing next to the glossy photoshoots so you can see what it’s like right there without having to flip to the center section. And Knipmode’s step-by-step pattern has the largest diagrams ever!
If you’re not familiar with Knipmode (as I wasn’t until the weekend), here’s a few of my favourites from the February and March issues to give you a feel for their style… a hooded, zippered sweatshirt with kangaroo pockets, a denim skirt with a kilt-inspired styling, a perfect wrapdress for woven fabrics and a button-down shirt and khaki cargos for men, a knit long-sleeved top with an assymetric neckline, a v-necked, half-surplice top with a collar, a pair of sailor trousers with the button-up flap in front, and a woven shirtdress with a belt and band collar.
And in other non-English language news – my arse is famous! I was approached by a nice woman from IKEA’s head office in Sweden asking if I wouldn’t mind if they used the skirt I made from an IKEA pillowcase in their in-staff magazine. I was delighted and sent them some hi-res photos and answered their questions about why I hate IKEA (answer: I love their goods, I just detest everything about their store experience), and I got a copy of the newsletter today. Not only am I featured inside, but my arse is on the cover!
I decided I needed a challenge. I’ve never made trousers before, let alone jeans, but I had some stretch denim from Walthamstow Market wallowing in my stash for over a year, and I finally had enough time in my schedule to do them justice. I’d attempted to make Vogue 8202 about a year ago, but only got as far as the muslin stage before I realised that a) the front rise was scandalously low, b) there was about 4 inches too much ease, and c) I started to lose weight and the pattern size range I bought was far too big to bother downsizing and redrafting. So this time around I used a pattern for corduroy trousers from the August 2006 Burda World Of Fashion magazine and just added the missing pieces (namely, the back pockets, the fifth pocket, and an interior fly piece) from my old Vogue pattern.
What better way to celebrate the start of the Christmas party season than with a luxe new top that shimmers in the lights? I made Burda 8132c for the pre-launch of BurdaStyle.com, a new community-based sewing site that’s launching in December 2006. I’ve written up a TON of tips and tricks for the site, so I’ll amend this article with a link to those once it goes live.
While in Holland last weekend, I managed a very quick run through Utrecht’s amazing fabric market (every Saturday on Breedstraat, with 100+ stalls of every fabric imaginable) and got a bunch of red velour for another (secret!) project. I finished the other project and used to offcuts to make this very warm and snuggly top, just in time for winter.
Why is it that we have to stop playing dress-up once we reach a certain age? Sometimes it’s good to have a special dress that makes you feel like the prettiest girl in the room, the one all eyes are on — like a princess, really.
One of the nice things about buying tons of lush, black velvet for your boyfriend’s pirate coat is that you get to have your way with the leftover fabric! And if you’re a bit cheeky and insist that you’re going to be left out in the cold very soon because none of your other jackets fit anymore, then sometimes, sometimes, you can get away with making use of the scraps before the intended recipient of the fabric.
I made Jacket 101B from the 08/2006 issue of Burda World of Fashion magazine, which, if you’re not familiar, contains about 50 patterns in each magazine, ranging from incredibly fashion-forward to designs to some real “who in god’s name would wear THAT?” shockers. But overall, there’s at least a few things you’d make in each issue if you had enough time. August’s was a particularly good issue, but seeing as how my need for a jacket was the greatest, I tackled this first.
I made this with a vintage-style crepe-de-chine dragonfly print from efabrics.co.uk (99p a meter! and it was coincidentally made in Japan), and a matching jade green crepe-de-chine from the same place that wasn’t on sale, so it was £2 a meter. I was really breaking the bank on this project…
