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Free Running Armband Pocket pattern (and new Shop!)

I promised you earlier in the week that I had a free pattern on the way, and it’s here!

Please welcome the FREE Running Armband Pocket pattern, a super quick pouch to wear on your arm that takes way under an hour to sew (10-15min for most!) and uses scraps you’ve probably got lying around anyway.

This armband has a pocket on one side with a simple fold-over flap for keeping things like a phone, keys, travelcard, etc tight against your arm while you run. There are no closures – the band just slips over your arm and the stretchiness of the fabric holds it in place.

Now the astute amoungst you are probably thinking “Wait – didn’t she do a tutorial for this already?” and you’d be right. You’d also be correct if you tried to follow said tutorial and found it a little bit confusing! I know I sure did when I went back to it a few months later and struggled to follow what Previous Me was talking about…

Why pdf patterns?

There’s been some discussion around the internet lately about pdf patterns and their ability to stand the test of time, and it’s one that I’ve felt very strongly about. I’ve worked in technology for over 12 years, and have created and run my own websites for 20 years now (seriously!). I’ve seen the world move from owning cds and taking photos to be developed, to ripping cds into mp3s and printing our own digital photos, right through to streaming music subscriptions and purely-digital photos in the cloud. The idea that digital patterns might somehow die out seems absurd when you think of it in this context.

Think of photos – which is more accessible when you want to look at them, the photos in your album on the shelf at home, or the ones backed up in your cloud account you can view from anywhere, share, and search by date and keyword? Frankly, I’m terrified that my 10 year old collection of Burda magazine patterns might be ruined in a fire or flood, because they’d be gone forever. But my digital patterns are backed up in several places, ready for me to re-print at any time.

But all this is from a user perspective. As a business owner, why would I not want to offer my patterns in every format possible? Why only pdf patterns?

In short, time and money. It’s grossly inefficient (not to mention extremely eco-unfriendly) for me to print a pattern and ship it halfway around the globe to customers when printing places exist closer to you. Adding on the cost to print the patterns, to package them, and then my time in posting them, I’d quickly end up with a price point that not very many people would be willing to spend.

Manequim magazine September 2014

It may be turning blustery and cool here in London, but in Brazil it’s just starting to heat up – what better reason to look into the latest issue of Manequim magazine while I mentally warm myself in the Rio sunshine…

The first to catch my eye in this issue was in the “designer style” feature, which this month looks at Paco Rabanne. It’s mostly separates (with the exception of the pleated party dress on the right), but I love the asymmetric shell top seen here on the left! It’s got pleating on one shoulder, and on the other, a leather panel which wraps over to the back with no shoulder seam. I can’t think of a better way to utilise a small piece of silk and a scrap of leather (let’s face it, neither are getting thrown in the washing machine anyway!).

I’m having a bit of deja vu on this sleeveless, crossover top, and I realised it’s because there was an almost identical pattern in the May Burda magazine (seen here on the right for comparison’s sake). I’m guess they’re both inspired by the same runway look…

There’s nothing groundbreaking about this shirtdress, but it really looks like something I’d just live in should I find myself in a hotter climate. Great cut, great print, and easy to wear.

Dates for Your Calendar

There are some big things happening in my sewing world over the next month or two you should know about (no, not another pattern release just yet though I am working on the next one already!). So get out your calendar and take note of these…

Monday 13 October

Spoonflower have announced another free shipping day (international shipping, too)!. This is a perfect opportunity to try out our Fehr Trade x Laurie King exercise fabrics if you haven’t already. The fabrics coordinate perfectly with my sewing patterns so you only need to buy one yard of wicking fabric to get coordinating colours and prints.


Seen above, the VNA Top and Duathlon Shorts (booty length) in the coordinating “Maps” citrine & black colourway.

For UK buyers, this means you save $9 on shipping, and if you buy one yard of the Performance Piqué it should fall under the HMRC exemption and you won’t get hit with nasty surprise customs charges.

Thursday 16 October

Next Thursday evening I will be teaching the Slouchy Breton Tee class at the Thriftystitcher studio in Stoke Newington (London), and there’s still space for you to join!


Me in my Purple & green Slouchy Breton Tee

This class uses a pattern drafted exclusively for the class, and has the magic ability of fitting everyone I’ve taught so far without needing an FBA! Magic. Stripey fabric is provided just you just need to turn up and enjoy learning the stretch fabric basics, and go home with your own tee and exclusive pattern.

Tuesday 21 October

OMG, it’s the return of the Great British Sewing Bee, but with a twist! The first of three charity specials for BBC Children in Need airs at 8pm, featuring celebrities who have never sewn before, going through a set of three challenges. Dum dum DAH!

I’m super excited for these to air because, well, I may have spent half my summer working behind-the-scenes on these (there’s a blog post ready for when I’m able to post it!), so I can’t wait to see the finished episodes!

Also, I can confirm that these Pudsey ironing board covers are super cute! Serious bargain at £10 (for charity!), if you ask me.

A Coat Muslin Downer & a Pick-me-Upper

Remember a few weeks ago when I took a quick trip down to Brighton and came back with some gorgeous wool coating and vintage Italian silk lining from Ditto? Of course you do!

Well, as shown in the photo above, I bought it intending to make the StyleArc Audrey pattern to be a transitional Fall “car coat” (heavier than a jacket, but not a full-on winter coat). So having arrived home to decidedly Fall weather, I thought I should get a move on with this coat or else it’ll be too cold before I can make it!

So I pulled out my Audrey pattern, cut out all the million pattern pieces (the attention to detail is really terrific – the lining and facing pieces are exquisitely drafted rather than just carbon-copies of the exterior), and made a muslin.

I know muslins can be super useful, especially for fit problems, but there’s something about them that makes me lose all enthusiasm for a pattern once I see it made in beige, crumbled fabric held together with pins and covered in Sharpie marks. I think I’ve probably dumped more coat patterns at the muslin stage than any other garment (let’s all try to erase the Armani coat muslin horror from our minds… oops)! I put this one on, looked in the mirror and thought…. meh.

So I recruited James and a friend for second opinions. They both gave it the thumbs down, then started going through the list of things that could be done to improve it, lengthen here, take out fullness here, etc etc. Err, no – for something that’s supposed to be “fun sewing” I’d rather just dump this and use another pattern I haven’t yet lost all enthusiasm for!

Burda Easy magazine Fall/Winter 2014

While we were off holidaying through Bohemia, I didn’t really get a chance to do much fabric or haberdashery shopping. There are tons of fabric shops all over Budapest, but we were definitely more concerned with the street food and thermal baths while we were there. In Vienna I really meant to stop in at Komolka and Stoff und Faden (thanks, Shannon!), but we were short on time and all I could manage was a peek through the windows of the latter while they were having a class at night. I didn’t see anything sewing-related in Prague, but I spotted a few fabric shops in Berlin along the marathon route (sadly, not really the time to be stopping to shop!), so my lone sewing souvenir this time around was a copy of the latest Burda Easy magazine, which I was happy to pick up!

If you’re not familiar with Burda Easy, it’s published twice a year in several languages (German, French, English, Italian, and Russian, I believe?), and has fully illustrated instructions. Sometimes the designs are simpler, but in this issue they’re happily on the more advanced/interesting side and not too difference from what’s in the monthly magazine. The patterns come on tissue and are printed in such a way that they don’t overlap each other so you could cut the out rather than trace if you’re that way inclined. They don’t contain seam allowances, which is the norm everywhere except the US.

The last time I bought an issue was two years ago when we were in France but I think I prefer the designs in this one even to that. Burda Easy really only provide four base patterns, then spin a huge amount of variations off of those, so you can get a pretty wide variety of looks (also helpful if you need to do things like an FBA, you only need to do them once!).

First up – I’ve cooled off the peplum look rather a lot by now, but I really like the paneled pencil skirt (either with the asymmetric godet or not).

I thought this foldover clutch with the bow detail was really cute – it’s explained in a series of colour photos on the facing page, and it’s only rectangles so doesn’t require any tracing, either.

Here’s another variation on the seamed pencil skirt, but this time it’s shorter and with more godets inserted to give it more of a skater skirt shape. I also like the look of the colourblocked tee, but not being a sweetheart neckline kind of woman, I’d personally smooth out the point so it’s just a curve over the bust.

Burda magazine October 2014

I received my subscription copy of this magazine the day before we left for our Bohemia trip, but by that point I’d already written a full week’s worth of posts (I hope you enjoyed all those book reviews!), and didn’t have any time to spare to scan this until after we came home.

I haven’t seen much about this issue online yet, but after two mediocre Fall issues, this is the Fall fashion issue I’ve been waiting for!

I usually shy away from “nautical styles” since it can be a bit cliché to live on a boat and dress like a sailor, so I was surprised that I really liked a lot of the styles in this feature, including the His’n‘Hers pea coats.

It’s hard to beat a good long sleeved cowl neck tee as far as I’m concerned (they’re pretty much my uniform in the colder months) and I really like that this version has a crossover at the shoulder which brings the cowl a bit higher. This should prevent any “leaning over gaping” issues that some cowl tops have, but there’s only one way to find out! (There’s also an un-pieced version of this same tee)

Now, I thought the trousers pictured with the stripey tee above looked nice enough, especially since they have an interesting back view, but then I saw this note in the instructions! What?? That sounds like a problem, not a feature! I don’t know about you, but one of the reasons I sew is to avoid RTW fitting issues like trousers falling down as I wear them…

Lavender Threshold Shorts in Berlin marathon

Thank you all so much for first your good luck messages, and then your congratulations after this weekend’s Berlin marathon! We had an absolutely wonderful (and gluttonous!) week in Budapest, Vienna, and Prague leading up to the race, and we thoroughly enjoyed Berlin, too!

I promised you all before I left that I believed enough in my Threshold Shorts design that I’d run an entire marathon in them – and I did! They performed great during the race – they didn’t ride up in the thighs at all and the little back pocket kept my final two gels safe and secure right up until 40k when I gobbled down the last salted caramel Gu.

You can read my full race report over on my River Runner site, but the short version is that I loved this race and truly smiled the entire way through, ending on a total high as we ran through Brandenburg Gate. This was my fourth marathon and my most enjoyable to date (as well as my fourth marathon run in me-sewn gear!).

You can also see that I modified my RDC vest a little bit, too – during races I like to only use one headphone, and normally tuck the other earbud under my sportsbra. But for longer races, this has a tendency to both irritate and get salt and sweat in the earbud, so this time I thought ahead and stitched a little piece of elastic onto my vest at the shoulder to wrap the headphone around! It worked a treat and is something I’ll definitely do for future marathon and half-marathon tops.

Turquoise Threshold Shorts and a Purple Zigzag XYT

I hope you all have been enjoying all the book reviews while I’m away on holiday! I thought I’d end this week with some photos of one of my favourite pairs of Threshold Shorts that I sewed myself. These are made in some turquoise/teal aerated polyester and pale “apple green” FOE, both from Sewing Chest. It’s an unusual colour combination but one that I totally love!

Even better is that I realised that the teal matches the purple/citrine/teal colourway of our Fehr Trade x Laurie King fabric designs really well! I sewed up a sample of my XYT Workout Top pattern in the “Zigzag” pattern to show them off together. It’d be rude not to!

Let’s talk about the top first – as I mentioned with my first, ombré samples, the Spoonflower tech fabrics have no vertical stretch, so you’ve got to add some into the patterns. I chose to demonstrate the super-easy cheat’s way, which was to just draw two horizontal lines (one above the waist and one below), and spread these out when I cut the fabric!

I separated each by 2cm and this seems just about right for me. It also has the bonus of making it easy to stripe match the front and back, as you get a little “window” for the zigzags!

I chose to use the Y back here and I even paid attention and switched coverstitching threads from purple to citrine so they blend in nicely. You can’t see it, but I’ve also used purple power mesh for the built in bra, so it’s a very attractive little running top!

Book Review: Two Pattern Grading books

I’ve got not one, but two books to talk about today, both on the subject of pattern grading, which, to be honest, has hardly any books published on the topic and seems to be a bit of an industry secret or something.

If you’re not familiar with what pattern grading is – it’s the process of taking one pattern and adding or subtracting amounts at various points to make it another size, or multiple sizes. This isn’t just a simple equation of “well, size Y is twice as big as size Q” because humans’ shapes don’t grow at the same rate (ie: the difference between a size 0 and a size 18’s shoulders aren’t likely to be as great as the difference in hip sizes). In general, the measurements around the body change much more than the vertical measurements, so you need to follow some rules to know how far to move different points and in which directions.

Now, there’s an old-fashioned way of doing this with paper patters, scissors, tape, a special “grade ruler”, and several hours of your time, and this was covered pretty extensively in the September 2014 Threads Magazine (#174). In my personal opinion, this is fine if you only want to change one pattern to one other size, for instance if you have a vintage pattern but want it in your own size. Doing more than one size this way is a great way to end up throwing everything into the bin after several hours of swearing.

In my opinion, the far less stressful way to do pattern grading is digitally. You select a point, tell your software (like Adobe Illustrator) to move it xx cm vertically and yy cm horizontally, and you do that to all the points around the pattern. No taping, no cutting, and no weird ruler. Plus it’s way more accurate. So with this in mind, my reviews of both books are skewed heavily towards how they deal with digital drafting.

Let’s look at “Grading Workbook” by Connie Crawford first. It’s been out as a print book for a while, but I bought an early edition of the pdf ebook last year, which has been extensively cleaned up and digitised. I checked about a month ago, and there haven’t been any revisions so the copy I’m reviewing here is indeed current.

The book is targeted at someone who has some knowledge of pattern drafting, but is a beginner at pattern grading – most home sewists would be able to follow along with the introductory chapters which explain the methods and theory, and how to select different grades.

For each of the grade tables (ie: bodice, skirt, sleeve, stretch, child, etc), there are a few pages which show which point is being selected and which direction to move it, shown in a series of diagrams, like these two: