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Lavender Threshold Shorts in Berlin marathon

Thank you all so much for first your good luck messages, and then your congratulations after this weekend’s Berlin marathon! We had an absolutely wonderful (and gluttonous!) week in Budapest, Vienna, and Prague leading up to the race, and we thoroughly enjoyed Berlin, too!

I promised you all before I left that I believed enough in my Threshold Shorts design that I’d run an entire marathon in them – and I did! They performed great during the race – they didn’t ride up in the thighs at all and the little back pocket kept my final two gels safe and secure right up until 40k when I gobbled down the last salted caramel Gu.

You can read my full race report over on my River Runner site, but the short version is that I loved this race and truly smiled the entire way through, ending on a total high as we ran through Brandenburg Gate. This was my fourth marathon and my most enjoyable to date (as well as my fourth marathon run in me-sewn gear!).

You can also see that I modified my RDC vest a little bit, too – during races I like to only use one headphone, and normally tuck the other earbud under my sportsbra. But for longer races, this has a tendency to both irritate and get salt and sweat in the earbud, so this time I thought ahead and stitched a little piece of elastic onto my vest at the shoulder to wrap the headphone around! It worked a treat and is something I’ll definitely do for future marathon and half-marathon tops.

Turquoise Threshold Shorts and a Purple Zigzag XYT

I hope you all have been enjoying all the book reviews while I’m away on holiday! I thought I’d end this week with some photos of one of my favourite pairs of Threshold Shorts that I sewed myself. These are made in some turquoise/teal aerated polyester and pale “apple green” FOE, both from Sewing Chest. It’s an unusual colour combination but one that I totally love!

Even better is that I realised that the teal matches the purple/citrine/teal colourway of our Fehr Trade x Laurie King fabric designs really well! I sewed up a sample of my XYT Workout Top pattern in the “Zigzag” pattern to show them off together. It’d be rude not to!

Let’s talk about the top first – as I mentioned with my first, ombré samples, the Spoonflower tech fabrics have no vertical stretch, so you’ve got to add some into the patterns. I chose to demonstrate the super-easy cheat’s way, which was to just draw two horizontal lines (one above the waist and one below), and spread these out when I cut the fabric!

I separated each by 2cm and this seems just about right for me. It also has the bonus of making it easy to stripe match the front and back, as you get a little “window” for the zigzags!

I chose to use the Y back here and I even paid attention and switched coverstitching threads from purple to citrine so they blend in nicely. You can’t see it, but I’ve also used purple power mesh for the built in bra, so it’s a very attractive little running top!

Book Review: Two Pattern Grading books

I’ve got not one, but two books to talk about today, both on the subject of pattern grading, which, to be honest, has hardly any books published on the topic and seems to be a bit of an industry secret or something.

If you’re not familiar with what pattern grading is – it’s the process of taking one pattern and adding or subtracting amounts at various points to make it another size, or multiple sizes. This isn’t just a simple equation of “well, size Y is twice as big as size Q” because humans’ shapes don’t grow at the same rate (ie: the difference between a size 0 and a size 18’s shoulders aren’t likely to be as great as the difference in hip sizes). In general, the measurements around the body change much more than the vertical measurements, so you need to follow some rules to know how far to move different points and in which directions.

Now, there’s an old-fashioned way of doing this with paper patters, scissors, tape, a special “grade ruler”, and several hours of your time, and this was covered pretty extensively in the September 2014 Threads Magazine (#174). In my personal opinion, this is fine if you only want to change one pattern to one other size, for instance if you have a vintage pattern but want it in your own size. Doing more than one size this way is a great way to end up throwing everything into the bin after several hours of swearing.

In my opinion, the far less stressful way to do pattern grading is digitally. You select a point, tell your software (like Adobe Illustrator) to move it xx cm vertically and yy cm horizontally, and you do that to all the points around the pattern. No taping, no cutting, and no weird ruler. Plus it’s way more accurate. So with this in mind, my reviews of both books are skewed heavily towards how they deal with digital drafting.

Let’s look at “Grading Workbook” by Connie Crawford first. It’s been out as a print book for a while, but I bought an early edition of the pdf ebook last year, which has been extensively cleaned up and digitised. I checked about a month ago, and there haven’t been any revisions so the copy I’m reviewing here is indeed current.

The book is targeted at someone who has some knowledge of pattern drafting, but is a beginner at pattern grading – most home sewists would be able to follow along with the introductory chapters which explain the methods and theory, and how to select different grades.

For each of the grade tables (ie: bodice, skirt, sleeve, stretch, child, etc), there are a few pages which show which point is being selected and which direction to move it, shown in a series of diagrams, like these two:

Book Review: Pattern Cutting for Menswear

Unfortunately, menswear really is the ugly stepchild of the fashion industry – there seem to be about two menswear books for every ten for women, plus there are hardly any commercial patterns out there for men (and if there are, 90% of the time it’ll be that same button-down shirt I’ve seen a million times, argh).

The Aldrich book seems to be the de-facto standard for menswear drafting as far as I can tell, but I tried her teeshirt draft for men and hated it so I’m loathe to buy it to test the rest, really. Perhaps it’s the standard just because there are so few to choose from and not because it’s particularly very good? So I asked for (and received!) this book instead for my birthday, as I’d love to draft more menswear for James and possibly for future patterns, too.

Now I haven’t actually tested the drafts in here yet (though I fully intend to), but I really like a lot of things about this book. Most obvious is that it’s a modern menswear book – instead of just covering the basic tailoring styles, it shows you how to draft things like hoodies, jeans, and parkas on top of the more standard jacket and button-down shirts. There are 20 different styles in all, with instructions on how to adapt the basic blocks to match the given style. So this is more like how the Japanese pattern books do things, only a bit easier to follow than the standard Pattern Magic “instructions”!

Book Review: Digital Textile Design

I bought this book when I was working on the Laurie King fabric collaborations and I saw that Laurence King publishers were having a massive sale on all their fashion and textile books. I already own all the Pattern Magic and Drape Drape books in English, but I was intrigued at the idea of this one and I’m really glad I picked it up as I don’t really know of any other books like it.

This book is really aimed at the beginning textile designer and has full tutorials for Adobe Photoshop and Illustrator to show how to get a bunch of different effects. I really like the style that this is written in (it’s much easier to read than a textbook!), and the screenshots and steps in the tutorials are really easy to follow along with.

There’s a fair amount of design inspiration from cool up and coming designers playing with digital prints, plus some advice on good design aesthetics, but I’ve learned the most from the tutorials, like this one which shows how to map out photo-realistic prints exactly where you want them on your pattern pieces.

Even if you’re not a fan of the Versace look, it’s a great primer on photo manipulation, scanning, placement, and printing (though of course it’s easier for me since my designs are already digital).

Book Review: Demystifying Bra Fitting & Construction

While I’m away on holiday I thought I’d keep you all entertained with a series of posts on books I’ve bought over the past year or so and never really quite talked about. Not a single one of them is a “beginning sewing book”, either, so for those of you who are a bit sick of seeing the same books being released over and over, well, you’re in for a treat this week.

First up is a book which I talked about a while back when it was released as an e-book, but I thought it was worth a revisit as it’s just been released in print.

The print edition has the same content as the e-book, with full colour photos and really very excellent advice on both fitting and construction that I just haven’t seen elsewhere, in print or online. If you missed my earlier review, the condensed version is that this is really what you need in order to make a bra pattern fit you, and then sew it all together. I’ve sewn with Kwik Sew bra patterns before and even though their instructions are held up to be really good, it doesn’t even come close to the level of detail in this book.

Plus, she tells you how to make a muslin (toile) so that you don’t get all the way to the end of sewing a gorgeous bra, only to find out in the final step it doesn’t fit properly. Which is what I usually end up doing, and then getting discouraged and not sewing another one for months (speaking of, I’m probably due for another spate of bra sewing soon!)

Sanchia's Sunshine Yellow Threshold Shorts

Wow, thank you all so much for your compliments and love over my new Threshold Shorts sewing pattern! I always start my patterns with something I’d love to sew and wear myself, so it’s always great to find that others have been wanting the same thing, too!

As I mentioned earlier this week, I sewed a lot of versions of these shorts during the development process, but also in the road-testing phase so I could cover all the different pocket and runderwear options. But also then because I loved running in them and wanted more pairs! So you’ll get to see a bunch more versions on me, but I thought first I’d share a pair I made for Sanchia, my athlete model and amazingly inspiring runner friend.

Beyond having the most enviable hair (why is it that we always want the hair we can’t have?!), Sanchia sews, she runs, and she never fails to crack me up every time I talk to her! She’s also pretty much the only person I know who got a PB at the sweltering Hackney half marathon earlier this year, of which I’m just in awe (I got a Personal Worst that day!).

I usually see Sanchia on Tuesdays at Run Dem Crew, but it was really great to have a quiet chat when we met up at lunchtime to take these photos. There’s been lots of debate over the past few years about the lack of black and mixed-race ladies on the fashion runways (and rightly so), but I hadn’t really thought about it being the same way in the exercise fashion industry. As Sanchia put it, “When I started running, there wasn’t anyone running who looked like me”. But she’s learned a lot over the years, especially about advice for black and mixed race girls on beauty and hair care while sweating, and she’s hoping to start up a site soon sharing what she’s learned (rather than just keeping it secret among the Gyal Dem, ha!).

Now, a word on the shorts I made for her here. I’d actually recommend her going up a size – they look great for photos, but having them fit this close means there’s not enough room for forward leg movement in running. It’s my own fault – I didn’t have my tape measure with me and had to guesstimate based on her RTW size, and I got it slightly wrong. She’s wearing size XS here but I’d recommend she goes up to a size S for running. If your first pair has a similar fit, I’d advise the same!

Threshold Shorts Pattern

A running short designed for lightweight wovens or mesh fabrics with three optional pockets, curved seamlines, bound hem, and elastic waist. An optional runderwear brief or thong can be attached at the waistband or worn separately.

$10.99USD (£6.94)
buy!

On sale now: Threshold Shorts pattern with bonus runderwear!

Please welcome the newest Fehr Trade sewing pattern… the Threshold Shorts!

A running short designed for lightweight wovens or mesh fabrics with three optional pockets, curved seamlines, bound hem, and elastic waist. An optional runderwear brief or thong can be attached at the waistband or worn separately.

So why am I releasing a shorts pattern in September?? Well, this particular pattern has been in development since May, and it’s been my most technically challenging pattern to date. Anyone can design shorts that look good standing still, but it’s another matter entirely to design shorts that look good while you’re running at threshold pace. And well, this is how long it took me until I was happy with the result.

I’m not just saying that, either – I will be running Berlin marathon in two weeks in a pair of these shorts. Quite honestly, I wouldn’t be doing this if I had any doubts about their performance or comfort, because a marathon is a very long time indeed to be annoyed with a garment!

A purple and green Slouchy Breton tee

You may be forgiven for thinking I have my hands full with designing activewear sewing patterns, running marathons, and working extensively on a certain sewing tv show, but no – I also teach classes! Since I utterly adore working with knits and playing with overlockers, I tend to gravitate towards teaching beginners to sew stretchy stuff, like leggings, tee-shirts, and panties.

So when I bought this fantastic purple & green striped viscose jersey from Tia Knight (formerly Tissu) recently, it practically shouted at me that it wanted to become a Slouchy Breton Tee, which is the pattern that the ThriftyStitcher developed for the class I teach.

Having taught numerous ladies how to make this, I knew it’d be a quick and easy make, and that it also has the magic ability of looking good on all body shapes and being loose enough in the bust to not require any FBA (not that I need one, but still…). What I hadn’t realised though, is that the 2m of the viscose jersey is actually enough to make two Slouchy Breton Tees, so my mom’s getting one, too! Seriously – two great teeshirts that feel like vintage tees for a fiver each? I’m in love!

The fit through the bust, waist, and hips is really forgiving here, and there are two sleeve lengths (well, three, if you just wanted to keep the drop shoulder as a little cap sleeve!) – I made the full length sleeve but in future I’d extend it by another 2-3 inches as it’s not quite long enough for me. There’s also a 3/4 length sleeve option, too, if you prefer.