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Burda magazine March 2014

There wasn’t much to get excited about in this issue, in my opinion. March is always the issue with the bridal gowns, but even those left me cold for the most part – overly fussy with too many extra frills, bows, and (in non-bridal sections), migraine-inducing ugly prints.

I’ve pulled a few nuggets from the pile though…

This dress was the only design from the first feature that I even glanced twice at – I really like all the pleating, but that surplice opening looks like a wardrobe malfunction waiting to happen, and the model’s pose doesn’t help. It looks like she’s stiffly holding herself to avoid anything creasing or opening up!

Burda’s take on “grunge” was almost as laughable as their taken on “punk” earlier this year, but I did spot this very on-trend bomber jacket, which looks rather nice.

This is one of the ugliest outfits I have ever seen in Burda. Ever. Hideous tartan chiffon (why??!) paired with itself, plus the laziest drafting I’ve seen in a long time – those bell sleeves look like what a My First Pattern Drafting student might do if it were 1993. Ugly ugly ugly. UGH.

Burda print classic jeans patterns so infrequently that you’d think they’d be shouting about these from the front cover – “Sew your own jeans! Easy, step by step illustrated instructions!” Do they not want to sell issues or something? Why else would they disguise these in an ugly floral and call them “Five pocket Trousers”? It makes no sense! (If you missed the take-home message here – this issue is worth buying for these jeans alone.)

My "Brazilliant" red Brasilia Dress

I’ve been wanting to make Rachel’s free Brasilia Dress pattern since she released it on Christmas Day, and I finally got the kick I needed, in the form of a big opportunity – ten days ago I was asked to speak at the House of Commons about a new stem cell bill! So of course I needed a new dress, and I figured the red stretch cotton sateen in my stash would be perfect, both for confidence and the connotation with blood.

The pattern is only available in one size (Rachel‘s), but through an extreme act of coincidence, I match her bust, waist, and hips almost exactly, only differing by a centimeter or two. Our lengths, however, are another matter entirely, so I jotted down mine for comparison on the size chart provided:

I was a bit confused as to whether I should adapt the pattern based on the given body measurements or the finished measurements (as there’s a big difference in the lengths between them), so I ended up measuring the pattern myself (which was somewhere between the two given sets) and made this match my lengths.

In the end, I removed 5cm above the waist, added 1cm between the waist and hips, and lowered the front neckline by 7cm (this latter change was just a personal style choice). My bust point was exactly the same placement as on the pattern, though in future I’d shorten the darts so they end an inch or two below the bust rather than right at the apex.

Can you believe this red stretch cotton sateen has been in my stash since 2010? What was I thinking not using it until now?! It really is cherry red and not fuchsia like in these photos, also! The only problem with stretch cotton sateen is that it shows way more wrinkles in photos than it ever does in real like! In reality, this might possibly be the best fitting sheath dress I own.

Updated progress – 5 different projects!

Real life is starting to run away from the documented garments on this site, so it’s definitely time for a little roundup of projects which I’ve been working on, yet haven’t quite done a full photoshoot for yet…

The Sherlock coat

The Sherlock coat is 90% done – I’ve attached the lining and flipped it all right side out, but there’s still some hand-stitching to be done. However, this is currently “parked” while James is waiting for the Etsy lady to put up more replica buttons for sale (yes, someone makes buttons that look just like the ones on Cumberbatch’s coat!). When those arrive, I’ll finish the handstitching, sew them on, and make a gajillion keyhole buttonholes with my vintage Singer attachment.

The Rainbow PB Jam Leggings

I used some of my most precious, imported Space Dyed “confetti” supplex to make a pair of my PB Jam Leggings to wear to the Bath Half marathon next weekend, and possibly run London marathon in, too, depending on the weather. These are totally finished and road-tested at Run dem Crew last week (to rapturous compliments!) but I’m waiting until next weekend to do a photoshoot in the race environment.

You saw these in my invisible pocket tutorial, remember?

(Actually, now that I think of it, I still need to show you all my last set of PB Jams and XYT Tops from my big pre-release photoshoot, too!)

The Brasilia Dress

I’ve been wanting to make Rachel’s free Brasilia Dress pattern since she released it on Christmas Day, and I finally got the kick I needed, in the form of a big opportunity – I’ve been asked to speak at the House of Commons on Monday about a new stem cell bill! Omg!! So of course I needed a new dress, and I figured the red cotton sateen in my stash would be perfect, both for confidence and the connotation with blood. Even though it was a rush job, I still made enough time to sew up a muslin first, and the finished dress is now finished, too. I’ll try to do a photoshoot this weekend and the grab a few photos in the Houses of Parliament itself next week!

Panty Party Part Duex

The Panty Party last week was more than a little awesome! I honestly don’t know where the time went, but one minute we were altering my Lacey Thong pattern to have full-cheek coverage, and the next minute the clock read 10pm!

I was joined by Michelle, Debbie, and Amy up at the Thriftystitcher studio in Stoke Newington (North London – an easy walk from Canonbury Overground) where they all got to pick through a huge pile of laces, fabric, and elastics, and learned how to best cut lace, deal with two different types of lingerie elastics, and how to do that cool “burrito method” of concealing seams.

They even got their first taste of the overlockers (sergers), and I could tell by their eyes that they’re hooked!

If you’re sad you missed out, then rejoice! Because the next Panty Party has been announced for Friday 28 March! Again, if you’re not into wearing thongs, that’s not a problem, we’ll have a couple of different styles of patterns to choose from and you’ll get to learn the techniques to make your own panties at home. All the ladies were amazed at how easy and fun it was!

Book tickets for the next Panty Party on 28 March HERE!

I will also be teaching teeshirt and leggings classes in the next few weeks so stay tuned for those dates! (hint: keep your Sundays free!)

PS: If you live too far away and want a mere taste of the “in person” me, have a watch of my latest #ExtraMile video for London Marathon, where I explain my reasons for running in less than 3 minutes!

A lace & silver weekend

I ended up having a fun and full weekend of sewing this weekend, partially because I lost a few days work last week to a spa day (omg!) and a full day of filming (for Extra Mile – if you haven’t already seen my blue wigged self all over your internets, watch here!). Part of the work sewing was to get a bunch of stuff done on my next pattern, which is digitised, graded, and now ready for my second test version before I test it out on some unsuspecting local athletes, mwahahah! I also had a few projects for private clients to get done, as well, so I had to change mental “gears” a few times, too.

Another bit of work sewing was actually a bit too fun to be strictly considered “work”, and that’s because I needed to sew up a fresh sample pair of my free Lacey Thong pattern to bring along to the Panty Party class this Thursday, 13 February. There are still a few spots left if you want to snag them and join the fun, btw – I mean, seriously, look at this pile of lace and fabrics that arrived last week which is all for the class! Don’t you want to dive right in?!

To clarify: The Panty party class is at the ThriftyStitcher studio in Stoke Newington, North London, and it’s this Thursday!

I’ve probably made at least ten versions of my Lacey Thong for myself, but, umm, I wear those, and it’s pretty creepy and gross to be showing other people your worn underwear, even if it’s clean, eww. So that’s why I needed to sew up a fresh sample pair to show off in the class, so I selected this thin, blue burnout jersey and some white lace and paired it with navy blue satin-edged elastic.

Isn’t she pretty? I also received a comment today from a Frenchman who made this utterly gorgeous satin & lace pair for his woman. So it doesn’t have to be a one-way lingerie sewing street – you could book your man on the course as a “surprise” and let him sew a pair for you! Ha!

I got to a point early on Sunday where I’d finished all the work sewing I wanted to accomplish, so I pulled out the Named “Jamie Jeans” pattern (now with US Letter-compatible printing and multi-sized, btw). I’ve been eyeing up this pattern since it was released, but it took it disappearing when the new collection was released to make me realise how much I wanted to sew it! Since a-l-l of my clothes are falling off me right now (thanks, running!) I am in serious need of trousers and even my leggings are baggy, so these were the top of my Fun Sewing list.

PB Jam Leggings – invisible pocket tutorial

One of the favourite features of my PB Jam Leggings pattern is that there’s a secure, inner pocket at the upper back to keep things like your phone, keys, or gels handy while you’re working out. While I was developing the pattern, I decided to make this pocket one layer, and use the exterior of the leggings as the other side of the pocket, sealing off the bottom with topstitching.

But sometimes you may not want any topstitching visible from the right side, so to do this, you only need one extra piece of fabric and a few short steps. Making the pocket invisible from the outside will only add about 5 minutes max onto your construction time, but if your fabric is thick, definitely consider cutting your pocket from a thinner lycra!

Here’s the finished invisible pocket on my latest “rainbow sherbert” pair I’ve just finished!

Before you start…

When you’re cutting out your fabric, cut two pocket pieces instead of just one.

Step One


Fold down the shorter, curved edge of one of the pocket pieces and topstitch with a twin needle or coverstitch (or, alternatively, finish with narrow elastic or FOE)

Step Two


With right sides together, stitch the longer, curved edge of the two pocket pieces, and flip right side out (note: if you’re zigzagging this seam, you’ll want to trim the seam allowance and/or clip the curves to get a smooth seam)

Manequim magazine January 2014

The latest issue of the Brazilian pattern magazine, Manequim, has arrived in my postbox and hurrah – it’s a special dress issue!

Omg, what a super cute asymmetric skort! I’m not the biggest shorts fan, but I would totally wear this! I love how the front panels are sewn into the front seams of the legs, too. Very cool.

I’m not a fan of the cropped jacket with a million fabrics, but the hem on the skirt is quite novel and a shape I’ve not seen before… (As is the one on the front cover, actually)

The designer inspiration this month is Derek Lam, and I totally love this knit sheath dress, even though it’s quite a basic design. I reckon I’m probably a size 42 now anyway, and I would totally wear this in a bright canary yellow ponte!

Winnie's Junglicious X-back Workout Top

I’ve got a bit of a backlogue of fabulous pattern makes to show you, but I had to drop everything to purr over Winnie’s workout top! She’s managed to combine both Jungle January and the X-back version of my XYT Workout Top pattern in a single, glorious, specimen of exercisability.

But lo! the jungle print and secret crazy bra lining weren’t enough, because Winnie also finished the edges with FOE (fold over elastic) for yet even more colour! Pow! Take that, grey, drizzly January!

I’m even more proud of how awesome Winnie’s top turned out because she had difficulties in sewing the pattern early on in the testing process before I had the illustrated instructions, so for her to be able to come back to the finished version and sew this one up lickity-split makes me really pleased! Usually when I have problems with a pattern I get frustrated and want to dump it, but not Winnie!

Read more about her versions over on her site, Scruffy Badger Time

Diary of an indie patternmaker, part two

Read Part One here!

While I was in the States visiting family, I also took the brave step of contacting a few other activewear-sewing ladies and asking them if they’d be interested in pattern testing for me. I knew that I wanted to keep the testing pool small, but also use sewists who I knew had sewn their own exercise gear before, both so that they were comfortable with the basic techniques, knew what they liked, and also could potentially go out an exercise in my patterns for some useful on-the-road feedback. I was utterly delighted when every single one of them said yes, and this really started the timeline towards Launch Day, which I knew I wanted to be before the usual New Years resolutions exercise explosion. Since I started the XYT Workout Top first and it was further ahead in the patternmaking process, I’d give the testers two weeks to test that, a short break, then hopefully I’d be finished with the PB Jam Leggings by that point so they could have two weeks to test that before I’d get their feedback and finish up everything for Launch Day.

The XYT Workout Top pattern pieces were pretty much ready for testing, but I knew I’d have to create the tech drawings as well as all the illustrated instructions at some point, and, while I used to be a semi-decent drawer, I am totally crap at drawing anything digitally. Like, comically crap. So my first attempts at the tech drawing were done by my sketching them out on paper, scanning it in, then tracing over top with (yes, you guessed it) The Pen Tool in Illustrator before cleaning it all up, mirroring to make things symmetrical, etc.

The instruction illustrations were all done by myself, too, but I did all of those without the hand-sketching step, sometimes using the pattern pieces themselves as a starting point (since I already had those digitally, I just had to shrink down the scale!), and sometimes just referring to photos I’d taken during construction. I never quite appreciated exactly how long illustrated instructions take to create, but my god, they took a LONG TIME. The step-by-step illustrations were easily the most time consuming piece of the entire patternmaking process, EASILY. I totally understand now why some indie designers skip the illustrations entirely, because it would be SO tempting to, and it’d make the process to Launch Day so much quicker. But in the end, I’m glad I did do them, as I think they make the instructions a lot clearer, especially for non-native English speakers.

Another thing I wasn’t really expecting was how the pattern testing process would really work. I guess I kinda thought that I’d send them out, some testers would have some fit issues, others might not think the mesh bra worked for them, I’d get some feedback, and maybe catch a typo or two. Ha! I’m so, so glad I have the amazing pattern testers I did, because both of my patterns needed major revisions thanks to my testers. Yes, it hurts at the time, but I’d much, much rather resolve these issues before release than have paying customers go through them later!

Diary of an indie patternmaker, part one

Quite a few of you were interested in hearing about the process of launching my own line of exercise sewing patterns, and since I tried to keep everything very quiet until the launch day, I couldn’t really talk about the process at the time, either (I decided to keep it quiet to minimise the “Are they ready yet? Are they ready yet? How about now??”, etc pressure when people get excited!).

I’ve been thinking about the possibility of making some of my own patterns for a while now, testing the waters last year with my Lacey Thong pattern, of course, but a full time job, marathon training, boat work, and busy social schedule mean that it always seemed to be on the back burner and never at the top of my To Do List. But I was made redundant from my tech job in August (really, it’s ok!) so I had time to think about what I wanted to do while we were in Mexico, and I realised that I wanted to give sewing a shot as my main career, with patternmaking as a large part of that.

I had lots of ideas in my head (and in my sketchbook!) but I opted to specialise in exercisewear because that was something I a) was passionate about, b) had lots of practice sewing and designing for myself, and c) there wasn’t much on the market for already. I knew I wanted to release at least two patterns at the launch, but I developed these sequentially, starting with the XYT Workout Top.

The first step in the XYT development was to draft my own sloper and make a series of muslins for the different versions, chopping and redrafting the basic shapes until I was happy. Then I made a muslin which had a bra the same basic shape as the exterior with one layer of power mesh, but I found that even though I took the side seams in closer and closer, I still didn’t have the support I needed for running. It was only after talking to a friend that I was able to make the leap to the arrangement of the second mesh layer that made all the difference and stopped the bouncing! I then finished off this muslin version, wore it for a few runs, and only then did I start the process of transferring my hand-drafted pattern pieces into digital.

I started by scanning in the paper pieces and re-joining them digitally in Photoshop, and then came the laborious and tedious process of tracing around all the pieces with the Pen Tool (ie: vector paths) in Illustrator. I’ve used Photoshop for 10+ years, but I was a complete Illustrator novice when I started this patternmaking, and my god there’s a steep learning curve!