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In Progress

Copying a favourite bra

You may have noticed that one of the items on my Spring Sewing Ideas list was a “self-drafted/copied from RTW” bra. I’ve sewn countless bras before, but really only been happy with the fit and look of one (a foam cup muslin, of all things!). I really want to try and get away from moulded foam cups for a number of reasons (which Orange Lingerie discusses here), so my dream bra drawer would be entirely lacey, gorgeous, self-made, frameless, underwired bras, with one nude moulded foam cup bra for when I really need a seamless look.

The problem is, I’d been buying foam cup bras for so long that I didn’t really have any non-padded ones I could clone, and on a whim last year, I bought a few M&S bras and was amazed to find that two (identical, apart from colour) all-lace, single-darted, frameless, underwire bras, fit me perfectly and gave me a great shape.

So in the back of my mind I’ve been wanting to clone these, since my last bra using the Elan pattern ended up fitting well (at first I thought I’d cracked it finally!!), but the cup shape looked B-A-D. Boobs like duck-bills, oh god no!

Anyway, so I started the process of cloning the white version of the M&S bra last night, by using my method of tracing patterns – placing the bra down on top of paper and running my serrated tracing wheel around it. This worked well for the band, but I wasn’t convinced I got an accurate trace for the cup, so I looked up an old Threads article, “Clone Your Favorite Bra” (Issue 99, Feb/March 2002 if you’ve got the archive DVDs), which suggested stabbing lots of pins around the bra edge until you got to a point where it would no longer lie flat. Then you unpin the first pins you put down, and re-shift everything using the latter pins (in my case, along the dart) as an anchor so it lies flat and you get all the edges pinned.

Then, in my case, because the dart stayed in place and everything shifted around it, I had to cut through the dart and open it back up. Because the top edge of mine was the lace edge, I knew this had to be straight, so it made it easy to re-adjust.

In Progress

Spring 2013 Sewing Ideas

Thank you all so much for your lovely comments on my asymmetric Drape Drape teeshirt! A girl could get used to that level of flattery…

It also marks the start of my sewing short sleeves, which means it must finally be Spring, and hence, time to start thinking about marrying up the patterns and fabrics I’d like to sew for the next few months. I really do these only for my own benefit, and so they’re not a “SWAP” in the sense that everything must coordinate against each other (lord knows I have enough clothes that I don’t have problems putting combinations together!).

This is more just a set of ideas towards which I’d like to work, so when I get to the end of a project, I can quickly refer to this image and go “oh yeah, I want to sew that next!”

For the first time I’m also including running/exercise gear in my plans, since I’m wearing lycra as a significant portion of my weekly wardrobe, and I want to contain all of my sewing ideas together. So you’ll find all the running stuff on the bottom row, and the rest of life’s wear on the upper two rows!

Top row:

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Asymmetric Drape Drape tee

Happy Friday! To celebrate, I’ve got the last of my made-on-Easter-weekend, photographed-in-Baltimore makes to show you!

This one’s from the second Drape Drape book, which I received as a Christmas present this past year. Even though I’ve had the first two books for a while (and just received the third this weekend!) this is the first thing I’ve made from the series.

I think part of my hesitation comes from the very Japanese sizing – this is drafted for ridiculously tiny Japanese ladies – in their sizing I am an XXXL!. For this pattern there were only two sizes, though: S-M and L-XL. I made the larger and just crossed my fingers that my Burda size 42 body would fit in okay at the hips (the only even remotely fitted area).

Unlike the Pattern Magic books, these patterns are traced from sheets at the back of the book rather than drafted from a block, so it’s not as easy to just adjust the design around your own measurements.

But anyway, I needn’t have worried, because the L-XL size fits me beautifully, hooray!

In case you’re wondering, the Drape Drape patterns do include seam allowances but seamlines are also indicated, so if you would rather trace along the seam lines and add your own allowances later, it’s an option. I always like it when patterns do this, but obviously it’s something you can only do if you offer a few sizes, otherwise it really clutters up the pattern sheets!

Inspiration, Magazine

Burda magazine May 2013

Here’s my “one liner” review of this issue – if you’re looking for Spring sewing inspiration, you probably won’t find it here!

I’ve felt the last few Burda issues were a bit lacklustre and this one is even worse. There are a few nice patterns, but most require alterations in order to make them wearable for most people, or are things we’ve seen before. I’ll leave it to Paunnet to tear apart all the horrible rectangle “patterns” in this issue!

First up we’ve got a retro-style bikini with a cute tie in the front and shirred elastic at the back, and elasticated briefs. I found it a bit strange that this is drafted for wovens, when it’d be much more comfortable in a traditional swimsuit lycra. I also saw an idea online that it’d be really cute lengthened into a dress or top! (PDF Pattern here)

There’s a bunch going on in this page – first a cardigan (rather a lot like Jalie’s new one, but for wovens), trousers that look way too much like pyjamas for my liking, and a quite nice dress (which also has a short sleeved option) if you leave off the cutesy patch pockets. (Cardigan PDF Pattern here)

This twist-top is probably my favourite in this issue, but it looks like it either requires a camisole underneath, or some extensive alterations. And I swear there’s a pattern exactly like this in one of the Pattern Magic books, so it’s hardly original.

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My wildest running leggings yet

I try to show you all my finished garments in the order I make them, but I just can’t wait to show you my wildest running leggings yet! I only finished the hems on Monday night and stuffed them into my running bag to wear to Run dem Crew last night, and WOW, they got a glowing reception!

I made these with Funki Fabrics’ digitally printed lycra in “Tribal white on black”, plus fluorescent yellow lycra from Minerva Fabrics, inserted above the knee (and is WAY brighter than it appears in these photos!).

I liked the design lines of this McCalls leggings pattern, so I adapted my self-drafted leggings pattern to have similar sections above the knee, with angled thigh seams to be a bit more flattering (or, as flattering as you can get in neon yellow, ha!).

I had a friend take these photos after our run last night (a very fast 10km run with the Cheetah group around Victoria Park! Geeky stats here if you’re interested)

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A Royal Blue Chic Top for my Mom

Remember the lavender “chic sweatshirt” I made my mom a few months ago? Well, she wears it so much that she asked if I’d make her a lighter weight version for Spring and Fall. Since I’d already done the pattern tracing and grading, I figured sewing up another would be a fairly quick job.

As you recall, the pattern is from the fabulous the September 2012 Burda magazine (or you can purchase the download pattern here) but the pattern only goes up to 44, and she decided she needed a size 46, so I had to grade it up for the lavender version. This time around I just needed to cut out the fabric and sew a few seams!

Since my mom saw a flyer that one of the fabric stores near her had pointe jerseys on sale, she opted to select this blue colourway in person, pre-wash it, and post it over to me. Then I made it a few weeks ago while I was ill (hey, it was a quick make!) and brought it along to Baltimore with me in my suitcase!

I really like this vibrant blue on her – I think the colour is a really smart choice as it’ll work equally well in Spring and Fall, too.

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Gold Medal Running Leggings

I’ve had the idea of these “Gold Medal Leggings” in my head for months now.

I’d originally envisioned myself swooping through the Paris half wearing them, making Chanel-ed sunglasses tilt down as I sped past in a blur! “Oh my! Who eez zat magnificent femme with ze gold leggings??”

Or something like that. But then I got ridiculously sick with the shingles in January and still couldn’t run it come March, so these got their debut in the East London half on Sunday instead. Not quite as glamorous, but they did cause quite a stir.

I used my leggings draft from the Kristina Shin book again, teamed with Suzie Spandex “Spirographix” lycra in yellow. This makes these sister leggings to my Liberace pair (which were in the comparatively sedate “charcoal” colourway!), which I wear ALL the time. I had Arielle buy this fabric, plus some Suziplex for me when she was in Montreal and they were hand-carried in a series of suitcases across multiple borders, so I’m very glad to make good use of it!

It also appeared that Suzie Spandex cut a very generous length because it was more like 1.4m than the 1m I ordered, woop (so there’s plenty left for accents on Jalie running skirts or tops). Believe it or not, I sewed these up on my jet lag day after our red-eye flight back from the States when I was trying to stay awake until local bedtime!

The leggings certainly got the reception I was after – I’m not exaggerating when I say that my leggings got more cheers on the route than I did, I swear!

Inspiration

My evening in a 19th century Parisian Salon

Last week I had the extreme pleasure of attending The Salon Project at the Barbican, an event we booked tickets for months in advance and one I’d been so excited for that I was jumping up and down all day in anticipation!

Why, you ask? Because it was essentially playing dressup in amazing costumes and attending a modern equivalent of the salons that the Enlightenment made famous.

Or in in the official blurb, it’s explained as:

The Salon Project Revisited recreates the exclusive meetings at the heart of what was French society’s golden age – an era of change, excess and inquiry. Your evening begins with a transformation into full period costume by a coterie of dressers and make-up artists, before you emerge into a mirrored impression of a 19th-century Parisian salon. As you mingle with guests, pioneers in their fields will provoke discussion, speaking on subjects at the vanguard of 21st-century thought on science, politics, technology and the arts. Revel in the Salon’s splendour, contrast it with the present and imagine what the future will hold in this beautifully crafted night of fashion and conversation.

You can also view a a great, short video of the performance experience here to get a better idea of how it happened.

To start with, each of us sent our measurements to the team about a month ago – and it was rather more than just Bust, Waist, and Hips! But it was all worthwhile, because when we arrived, a costume selected just for us was waiting on a hanger with our name on it, along with shoes, gloves, jewellery, hairpiece – the works!

We each had our our dresser to help us get the dresses on, as many of them involved corsets which tied or hooked at the back, and elaborate draped pieces. I squealed with delight to see a sleeveless, corseted, dark grey velvet, floor length gown had been chosen for me! How did they know!? My dresser also found me better fitting shoes when my first pair were too small, and I tried on no less than four pairs of gloves before they found ones they deemed acceptable! The dressing team really did have an amazing array to choose from (way more than what was needed each night) so they really hunted to find the best pieces for each person. Then it was time for hair and makeup – the hair lady curled my entire head with tongs before pinning it back and affixing the jewelled feather piece. We ladies got a few minutes to marvel at each other before the gong sounded and we joined the men in the specially-built salon room!

The men were mostly in 3-piece tuxedos, which was more than James wore for our wedding! Doesn’t he look dashing?? He brought his own pocket watch, which was the envy of the other gents!

Inspiration

Baltimore & DC

Last week we flew over to the States for a week – not in Pennsylvania where I grew up (no offence, but I’m kinda sick of visiting there!), but to Baltimore, with a day in DC at the end. We got a lot of strange looks from British friends when we said where we were going – “Baltimore? Really? Why??”, and we’ve been mounting our own Baltimore Tourism crusade since we got back, because it was fantastic!

The reason we were over was because James was speaking at a prestigious tech conference, but I took the opportunity to meet up with loads of friends and family, including the chance to finally meet some fellow sewing bloggers!

I’ve been speaking to Cidell & Trena for at least five years now I reckon, and even weirder is that I already knew their voices from their earlier sewing podcasts (please bring them back!), and there was zero awkwardness when we met up for dinner! It really was like we’d known each other for years, which I suppose we have!


(Note: Jack’s Bistro did not pay us for their product placement!)

Cidell puts me to shame – she posted about our meeting like the same day!! I was also very excited to get more of the Under Armour Cold Gear fabric she’d previously sent, because during the last few months I’d been doing laundry twice a week in order to wear my Cold Gear leggings on both my Tuesday night runs and my Saturday long runs because they’re seriously the warmest leggings I own. Next winter I’ll be much better prepared now!

But they weren’t the only sewists I met – I’d also planned a run with Kathy in Patterson Park near my cousin’s house in Baltimore, which she’s already posted about here!

We both wore running gear we made ourselves – she’s wearing McCalls 6435 adapted for running as her top and the Jalie sports skirt lengthened into leggings, and I’m wearing my disco top and my new self-drafted leggings with that fishnet insertion from Tissu in the front thighs and back calves, which you can see a bit better here:

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My sparkly StyleArc Marie jacket

Right – where were we? I mean, I know I’ve been away so my brain is fuzzy and perhaps a little jet-lagged… Right! Easter weekend sewing! I had a four day weekend and most of it was spent in my sewing cave, so I’ve got an awful lot to show you, starting with my Stye Arc Marie jacket, which I made in that gorgeous black and silver heavy jersey from Minerva. It’s hard to tell from the description, but this is a little heavier than a ponte, with good stretch and recovery, and a slight rib to it. The exterior have little silver lurex threads running through it, and the reverse is a simple grey and black stripe (and, as you recall, Minerva kindly sent this to me as a gift).

I was really surprised with the shape of the pattern pieces when I opened it up – it’s not obvious from the tech drawings but this has a shawl collar and the centre fronts also double as the facing pieces, meaning you get a lovely turn on that cowl neckline, too, but the shoulder is kept nice and fitted. Genius drafting from Style Arc again!

I took the opportunity to use some different locations for photoshoots while we were away, so these were taken at my cousin’s house in Baltimore. Down there, it’s really popular to build a deck over the roof of your house, but it does mean you get the wind as well as the views!

I wasn’t really in a wind tunnel, but it certainly felt like it that evening!

I really like that this is a perfect spring-weight, unlined knit jacket which can be worn open or closed. With this fabric, I wore it over jeans during the day, and then again over dresses at night, too. The only downside to this pattern is that there are no pockets (nor really anywhere to add your own), which I really kinda need in a jacket.